British Dramatists from Dryden to Sheridan PDF Download
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Author: George Winchester Stone
Publisher: SIU Press
ISBN: 9780809307432
Category : Drama
Languages : en
Pages : 980
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Book Description
Representative selections from Restoration and eighteenth-century drama, comedy, satire, tragedy, and farce are prefaced by descriptions of the theaters, acting styles, methods of play production, and audiences.
Author: George Winchester Stone
Publisher: SIU Press
ISBN: 9780809307432
Category : Drama
Languages : en
Pages : 980
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Book Description
Representative selections from Restoration and eighteenth-century drama, comedy, satire, tragedy, and farce are prefaced by descriptions of the theaters, acting styles, methods of play production, and audiences.
Author: Raymond Williams
Publisher: Oxford University Press, USA
ISBN: 9780195198102
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
As a brilliant survey of English literature in terms of changing attitudes towards country and city, Williams' highly-acclaimed study reveals the shifting images and associations between these two traditional poles of life throughout the major developmental periods of English culture.
Author: de Clercq
Publisher: BRILL
ISBN: 900462872X
Category : Science
Languages : en
Pages : 325
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Book Description
Author: Esther M. Doyle
Publisher: Rodopi
ISBN: 9789062030705
Category : Oral interpretation
Languages : en
Pages : 330
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Book Description
Author: John Dryden
Publisher: U of Nebraska Press
ISBN: 9780803253797
Category : Drama
Languages : en
Pages : 188
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Book Description
Although John Dryden the poet is best known for his alexandrine epics, John Dryden the playwright is most honored for this blank verse tragedy. The summit of Dryden's dramatic art, All for Love (1677) is a spectacle of passion as felt, feared, and disputed in the suspicious years following the English Civil War. Due to its dramatic compression and elegance, All for Love is one of the most enduring plays of the Restoration repertory. It was so successful that in the eighteenth century Dryden's tragedy drove Shakespeare's Antony and Cleopatra from the stage. The play depicts the catastrophic passion of Cleopatra and Marc Antony, who could not be conquered but by love. Fidelity to family and friends, adherence to codes of honor, national loyalties, and the rule of law compete with each other, tearing the world with violence.
Author: Tiffany Potter
Publisher: Routledge
ISBN: 1351882589
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
Elizabeth Cooper's The Rival Widows, or Fair Libertine provides a unique opportunity to restore to scholarly and pedagogical attention a neglected female writer and a play with broad and significant implications for studies of eighteenth-century history, culture and gender. Following the adventures of Lady Bellair, a "glowing, joyous young Widow," the storyline regenders standard expectations about desire, marriage, libertinism and sentiment. The play has not been reprinted since 1735; therefore this old-spelling edition gives scholars access to an important but neglected resource for studies of women writers and eighteenth-century theatre. In an original and extensive introduction, Tiffany Potter presents cultural and historical information that highlights the scholarly implications of this newly available play. She offers a brief biographical sketch of the playwright; a summary of sources for specific elements of the play; an overview of the theatrical climate of the time (with particular focus on the conditions leading to the Licensing Act of 1737); a discussion of the place of women in eighteenth-century society; a summary of symbiotic cultural discourses of libertinism and sensibility in the early eighteenth century; and a discussion of the general cultural significance of Cooper's demonstration of the malleability of prescriptive gender roles. Further value is added to this edition through its appendices, which reproduce documents relating to the playwright Elizabeth Cooper and to the Licensing Act of 1737 (including the text of the Act itself).
Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 314
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Book Description
Author: James E. Gill
Publisher: Univ. of Tennessee Press
ISBN: 9780870498923
Category : Humor
Languages : en
Pages : 468
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Book Description
The essays in Cutting Edges examine English satire of the eighteenth century from various theory-based postmodern perspectives. Some examine little-known works that postmodern concerns, such as the role of women and the problems of authorship, have rendered especially interesting; others reconsider familiar works in terms of the latest critical issues. The justification for these investigations is that both satire and postmodern methods are extremely skeptical and acutely aware that language is always ironic - always pointing to the gap between signifier and signified. The approaches in this book include those associated with deconstruction, reception theory, Marxist criticism, the new historicism, and various feminist criticisms, and with such theorists as Derrida, Bakhtin, Goux, and Luhmann. While most of the major figures of eighteenth-century satire - Butler, Rochester, Swift, Pope, Gay, Fielding, Sterne, and Johnson - are represented here, so too are many other interesting writers - Thomas Shadwell, Fannie Burney, Mary Davys, and Elizabeth Hamilton, to name but a few.
Author: Laura E. Thomason
Publisher: Bucknell University Press
ISBN: 1611485274
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Mary Delany’s phrase “the matrimonial trap” illuminates the apprehension with which genteel women of the eighteenth century viewed marriage. These women were generally required to marry in order to secure their futures, yet hindered from freely choosing a husband. They faced marriage anxiously because they lacked the power either to avoid it or to define it for themselves. For some women, the written word became a means by which to exercise the power that they otherwise lacked. Through their writing, they made the inevitable acceptable while registering their dissatisfaction with their circumstances. Rhetoric, exercised both in public and in private, allowed these women to define their identities as individuals and as wives, to lay out and test the boundaries of more egalitarian spousal relationships, and to criticize the traditional marriage system as their culture had defined it.
Author: Edward J. Fink
Publisher: Routledge
ISBN: 1135081212
Category : Performing Arts
Languages : en
Pages : 187
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Book Description
A successful screenplay starts with an understanding of the fundamentals of dramatic story structure. In this practical introduction, Edward J. Fink condenses centuries of writing about dramatic theory into ten concise and readable chapters, providing the tools for building an engaging narrative and turning it into an agent-ready script. Fink devotes chapters to expanding on the six basic elements of drama from Aristotle’s Poetics (plot, character, theme, dialogue, sound, and spectacle), the theory and structure of comedy, as well as the concepts of unity, metaphor, style, universality, and catharsis. Key terms and discussion questions encourage readers to think through the components of compelling stories and put them into practice, and script formatting guidelines ensure your finished product looks polished and professional. Dramatic Story Structure is an essential resource not only for aspiring screenwriters, but also for experienced practitioners in need of a refresher on the building blocks of storytelling.
