Author:
Publisher:
ISBN:
Category :
Languages : nl
Pages :
Book Description
Brief van De Erven F. Bohn Haarlem aan A. de la Mar Az
Author:
Publisher:
ISBN:
Category :
Languages : nl
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : nl
Pages :
Book Description
Brief van De Erven F. Bohn Haarlem aan A. de Vos L.Az
Author:
Publisher:
ISBN:
Category :
Languages : nl
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : nl
Pages :
Book Description
Brief van De Erven F. Bohn Haarlem aan B. Brugsma Az
Author:
Publisher:
ISBN:
Category :
Languages : nl
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : nl
Pages :
Book Description
Brief van De Erven F. Bohn Haarlem aan P. van Belkum Az
Author:
Publisher:
ISBN:
Category :
Languages : nl
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : nl
Pages :
Book Description
Hendrik Petrus Berlage
Author: Hendrik Petrus Berlage
Publisher: Getty Publications
ISBN: 0892363339
Category : Architecture
Languages : en
Pages : 350
Book Description
Hendrik Petrus Berlage, the Dutch architect and architectural philosopher, created a series of buildings and a body of writings from 1886 to 1909 that were among the first efforts to probe the problems and possibilities of modernism. Although his Amsterdam Stock Exchange, with its rational mastery of materials and space, has long been celebrated for its seminal influence on the architecture of the 20th century, Berlage's writings are highlighted here. Bringing together Berlage's most important texts, among them "Thoughts on Style in Architecture", "Architecture's Place in Modern Aesthetics", and "Art and Society", this volume presents a chapter in the history of European modernism. In his introduction, Iain Boyd Whyte demonstrates that the substantial contribution of Berlage's designs to modern architecture cannot be fully appreciated without an understanding of the aesthetic principles first laid out in his writings.
Publisher: Getty Publications
ISBN: 0892363339
Category : Architecture
Languages : en
Pages : 350
Book Description
Hendrik Petrus Berlage, the Dutch architect and architectural philosopher, created a series of buildings and a body of writings from 1886 to 1909 that were among the first efforts to probe the problems and possibilities of modernism. Although his Amsterdam Stock Exchange, with its rational mastery of materials and space, has long been celebrated for its seminal influence on the architecture of the 20th century, Berlage's writings are highlighted here. Bringing together Berlage's most important texts, among them "Thoughts on Style in Architecture", "Architecture's Place in Modern Aesthetics", and "Art and Society", this volume presents a chapter in the history of European modernism. In his introduction, Iain Boyd Whyte demonstrates that the substantial contribution of Berlage's designs to modern architecture cannot be fully appreciated without an understanding of the aesthetic principles first laid out in his writings.
Brief van De Erven F. Bohn Haarlem aan J. van Ramshorst Az
Author:
Publisher:
ISBN:
Category :
Languages : nl
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : nl
Pages :
Book Description
Brief van De Erven F. Bohn Haarlem aan S. Hirzel
Author: De Erven F. Bohn (Haarlem)
Publisher:
ISBN:
Category :
Languages : de
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : de
Pages :
Book Description
Brief van De Erven F. Bohn Haarlem aan L. Labotz
Author:
Publisher:
ISBN:
Category :
Languages : nl
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : nl
Pages :
Book Description
Nieuwsblad Voor Den Boekhandel
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : nl
Pages : 782
Book Description
With 1855-1927 are issued and bound: Handelingen van de algemeene vergadering.
Publisher:
ISBN:
Category : Bibliography
Languages : nl
Pages : 782
Book Description
With 1855-1927 are issued and bound: Handelingen van de algemeene vergadering.
Film museum practice and film historiography
Author: Bregt Lameris
Publisher: Amsterdam University Press
ISBN: 9048526744
Category : Art
Languages : en
Pages : 271
Book Description
This book is an elaborate study of the interrelationships between film historical discourse and archival practices, such as the collecting, restoration and exhibition of films. It delineates how film historiographical discourses always leave traces in the film archive, and vice versa. The book investigates and analyzes the history of three important collections from the archive of EYE Film Museum: the Uitkijk-collection, the Desmet-collection, and Dutch silent films. The histories of these collections have different connections to film historiography, and as such allow us to investigate these interrelationships from various perspectives. It shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. As such the book aims to demonstrate how film archives cannot be innocent or neutral sources of film history. In addition, it shows that current EYE Film Museum activities semi-automatically refer to this history of which the archive carries the material traces.
Publisher: Amsterdam University Press
ISBN: 9048526744
Category : Art
Languages : en
Pages : 271
Book Description
This book is an elaborate study of the interrelationships between film historical discourse and archival practices, such as the collecting, restoration and exhibition of films. It delineates how film historiographical discourses always leave traces in the film archive, and vice versa. The book investigates and analyzes the history of three important collections from the archive of EYE Film Museum: the Uitkijk-collection, the Desmet-collection, and Dutch silent films. The histories of these collections have different connections to film historiography, and as such allow us to investigate these interrelationships from various perspectives. It shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. As such the book aims to demonstrate how film archives cannot be innocent or neutral sources of film history. In addition, it shows that current EYE Film Museum activities semi-automatically refer to this history of which the archive carries the material traces.