Author: Rampant Lions Press
Publisher:
ISBN:
Category : Fine books
Languages : en
Pages : 12
Book Description
Books from the Rampant Lions Press, 1986-87
Author: Rampant Lions Press
Publisher:
ISBN:
Category : Fine books
Languages : en
Pages : 12
Book Description
Publisher:
ISBN:
Category : Fine books
Languages : en
Pages : 12
Book Description
The Rampant Lions Press Miscellany
Author:
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 96
Book Description
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 96
Book Description
Rampant Lions Press Newsletter & Book List
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Index to Craft Journals, 1984-1988: Subject headings
Author: Beth Hatton
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 306
Book Description
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 306
Book Description
Catalogue of Books Printed in the XVth Century now in the British Library (BMC). Part XIII: Hebraica
Author:
Publisher: BRILL
ISBN: 9004475311
Category : History
Languages : en
Pages : 360
Book Description
The Catalogue of Books Printed in the XVth Century Now in the British Museum (British Library), generally referred to as BMC, is a monument in the history of the book. BMC followed on from the rearrangement of the Museum's incunabula begun by Robert Proctor on the basis of the comprehensive survey of printing types and presses of the fifteenth century that he had published in 1898 as an 'Index' of the incunabula in the Museum and the Bodleian Library. The Index represented a working-out of the system he had developed for the identification of printers of the incunabula period on the basis of typographical material. The volumes of BMC extend Proctor's principles by providing full descriptions of the incunabula in the collections of the British Museum and making revisions where necessary. The first part appeared in 1908, prepared by A.W. Pollard after Proctor's death in 1903. The most recent part was published in 1985.
Publisher: BRILL
ISBN: 9004475311
Category : History
Languages : en
Pages : 360
Book Description
The Catalogue of Books Printed in the XVth Century Now in the British Museum (British Library), generally referred to as BMC, is a monument in the history of the book. BMC followed on from the rearrangement of the Museum's incunabula begun by Robert Proctor on the basis of the comprehensive survey of printing types and presses of the fifteenth century that he had published in 1898 as an 'Index' of the incunabula in the Museum and the Bodleian Library. The Index represented a working-out of the system he had developed for the identification of printers of the incunabula period on the basis of typographical material. The volumes of BMC extend Proctor's principles by providing full descriptions of the incunabula in the collections of the British Museum and making revisions where necessary. The first part appeared in 1908, prepared by A.W. Pollard after Proctor's death in 1903. The most recent part was published in 1985.
Books at Iowa
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 372
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 372
Book Description
Twenty Two Lions
Author:
Publisher:
ISBN:
Category : Printers' marks
Languages : en
Pages : 24
Book Description
Publisher:
ISBN:
Category : Printers' marks
Languages : en
Pages : 24
Book Description
AB Bookman's Weekly
Author:
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 572
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 572
Book Description
The Routledge Companion to William Morris
Author: Florence S. Boos
Publisher: Routledge
ISBN: 1351859013
Category : Art
Languages : en
Pages : 597
Book Description
William Morris (1834–96) was an English poet, decorative artist, translator, romance writer, book designer, preservationist, socialist theorist, and political activist, whose admirers have been drawn to the sheer intensity of his artistic endeavors and efforts to live up to radical ideals of social justice. This Companion draws together historical and critical responses to the impressive range of Morris’s multi-faceted life and activities: his homes, travels, family, business practices, decorative artwork, poetry, fantasy romances, translations, political activism, eco-socialism, and book collecting and design. Each chapter provides valuable historical and literary background information, reviews relevant opinions on its subject from the late-nineteenth century to the present, and offers new approaches to important aspects of its topic. Morris’s eclectic methodology and the perennial relevance of his insights and practice make this an essential handbook for those interested in art history, poetry, translation, literature, book design, environmentalism, political activism, and Victorian and utopian studies.
Publisher: Routledge
ISBN: 1351859013
Category : Art
Languages : en
Pages : 597
Book Description
William Morris (1834–96) was an English poet, decorative artist, translator, romance writer, book designer, preservationist, socialist theorist, and political activist, whose admirers have been drawn to the sheer intensity of his artistic endeavors and efforts to live up to radical ideals of social justice. This Companion draws together historical and critical responses to the impressive range of Morris’s multi-faceted life and activities: his homes, travels, family, business practices, decorative artwork, poetry, fantasy romances, translations, political activism, eco-socialism, and book collecting and design. Each chapter provides valuable historical and literary background information, reviews relevant opinions on its subject from the late-nineteenth century to the present, and offers new approaches to important aspects of its topic. Morris’s eclectic methodology and the perennial relevance of his insights and practice make this an essential handbook for those interested in art history, poetry, translation, literature, book design, environmentalism, political activism, and Victorian and utopian studies.
Art Periodical Culture in Late Imperial Russia (1898-1917)
Author: Hanna Chuchvaha
Publisher: BRILL
ISBN: 9004301402
Category : History
Languages : en
Pages : 319
Book Description
Art Periodical Culture in Late Imperial Russia (1898-1917). Print Modernism in Transition offers a detailed exploration of the major Modernist art periodicals in late imperial Russia, the World of Art (Mir Iskusstva, 1899-1904), The Golden Fleece (Zolotoe runo, 1906-1909) and Apollo (Apollon, 1909-1917). By exploring the role of art reproduction in the nineteenth century and the emergence of these innovative art journals in the turn of the century, Hanna Chuchvaha proves that these Modernist periodicals advanced the Russian graphic arts and reinforced the development of reproduction technologies and the art of printing. Offering a detailed examination of the “inaugural” issues, which included editorial positions expressed in words and images, Hanna Chuchvaha analyses the periodicals’ ideologies and explores journals as art objects appearing in their unique socio-historical context in imperial Russia.
Publisher: BRILL
ISBN: 9004301402
Category : History
Languages : en
Pages : 319
Book Description
Art Periodical Culture in Late Imperial Russia (1898-1917). Print Modernism in Transition offers a detailed exploration of the major Modernist art periodicals in late imperial Russia, the World of Art (Mir Iskusstva, 1899-1904), The Golden Fleece (Zolotoe runo, 1906-1909) and Apollo (Apollon, 1909-1917). By exploring the role of art reproduction in the nineteenth century and the emergence of these innovative art journals in the turn of the century, Hanna Chuchvaha proves that these Modernist periodicals advanced the Russian graphic arts and reinforced the development of reproduction technologies and the art of printing. Offering a detailed examination of the “inaugural” issues, which included editorial positions expressed in words and images, Hanna Chuchvaha analyses the periodicals’ ideologies and explores journals as art objects appearing in their unique socio-historical context in imperial Russia.