Book on Advanced Rhythmic Concepts: Tools for Expanding a Musician's Rhythmic Repertoire PDF Download
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Author: Erich Rann
Publisher:
ISBN:
Category :
Languages : en
Pages : 141
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Book Description
A drum beat or drum pattern is a rhythmic pattern, or repeated rhythm establishing the meter and groove through the pulse and subdivision, played on drum kits and other percussion instruments. As such a "beat" consists of multiple drum strokes occurring over multiple musical beats while the term "drumbeat" may also refer to a single drum stroke which may occupy more or less time than the current pulse. Many drum beats define or are characteristic of specific music genres. This is the 2nd volume in a series of books on rhythmic concepts for drummers and all musicians. The books are tools for expanding a musician's rhythmic repertoire for improvisation or composition. Both volumes combine concepts taught to the author by Alan Dawson with South Indian Konnakol syllables, delving deeply into a study of polyrhythms. Volume 1 focused on rhythms with a subdivision of 8th notes, 8th note triplets, and quarter note triplets. Volume 2 focuses on quintuplets (16th note, 8th note, and quarter note).
Author: Erich Rann
Publisher:
ISBN:
Category :
Languages : en
Pages : 141
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Book Description
A drum beat or drum pattern is a rhythmic pattern, or repeated rhythm establishing the meter and groove through the pulse and subdivision, played on drum kits and other percussion instruments. As such a "beat" consists of multiple drum strokes occurring over multiple musical beats while the term "drumbeat" may also refer to a single drum stroke which may occupy more or less time than the current pulse. Many drum beats define or are characteristic of specific music genres. This is the 2nd volume in a series of books on rhythmic concepts for drummers and all musicians. The books are tools for expanding a musician's rhythmic repertoire for improvisation or composition. Both volumes combine concepts taught to the author by Alan Dawson with South Indian Konnakol syllables, delving deeply into a study of polyrhythms. Volume 1 focused on rhythms with a subdivision of 8th notes, 8th note triplets, and quarter note triplets. Volume 2 focuses on quintuplets (16th note, 8th note, and quarter note).
Author: Steve Langone
Publisher: Createspace Independent Publishing Platform
ISBN: 9781535141796
Category :
Languages : en
Pages : 112
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Book Description
This is the 2nd volume in a series of books on rhythmic concepts for drummers and all musicians. The books are tools for expanding a musician's rhythmic repertoire for improvisation or composition. Both volumes combine concepts taught to the author by Alan Dawson with South Indian Konnakol syllables, delving deeply into a study of polyrhythms. Volume 1 focused on rhythms with a subdivision of 8th notes, 8th note triplets and quarter note triplets. Volume 2 focuses on quintuplets (16th note, 8th note and quarter note).
Author: Steve Langone
Publisher: Createspace Independent Publishing Platform
ISBN: 9781499374599
Category : Music
Languages : en
Pages : 200
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Book Description
The book introduces rhythmic concepts that can be used by drummers or any musician to expand his or her rhythmic repertoire for improvisation or composition. It combines concepts taught to the author by Alan Dawson with South Indian Konnakol syllables. It is a comprehensive study of polyrhythms that allows drummers to delve deeply into modern rhythmic concepts. Also available on AMAZON.COM!!!
Author: Steve Langone
Publisher: Independently Published
ISBN: 9781798511411
Category : Music
Languages : en
Pages : 112
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Book Description
This is the third volume in a series, and it focuses on rhythmic patterns in 3/4. The book introduces rhythmic concepts that can be used by drummers or any musician to expand his or her rhythmic repertoire for improvisation or composition. It combines concepts taught to the author by Alan Dawson with South Indian Konnakol syllables. It is a comprehensive study of polyrhythms that allows drummers and other musicians to delve deeply into modern rhythmic concepts. This volume stands on its own. You can study and practice the exercises in Volume 3 even if you have not seen or studied the exercises in Volumes 1 and 2.
Author: Alan Dworsky
Publisher: SCB Distributors
ISBN: 0985739819
Category : Music
Languages : en
Pages : 229
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Book Description
This 208-page book is the first systematic, comprehensive approach to learning about rhythm. It's for any drummer or other musician playing any style of music. It organizes and analyzes hundreds of African and Afro-Cuban patterns to give you a deeper understanding of rhythmic structure. It also teaches rhythmic concepts and variation techniques you can use to create patterns of your own. Learn to groove and solo with greater rhythmic freedom and express yourself with a richer rhythmic vocabulary. Winner of the DRUM Magazine Readers' Poll for Best Instructional Book. Please note: audio files of the CD that comes with the print version of this book are not included in this ebook version (but are available separately).
Author: Julian Gerstin
Publisher:
ISBN: 9780615980898
Category : Musical meter and rhythm
Languages : en
Pages : 505
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Book Description
"The Musician's Guide To Rhythm is something new in the world of music education: a practical guide to rhythm for all instrumentalists, vocalists, composers, and teachers. Expand your rhythmic skills and creativity on any instrument! MGR introduces basic and complex rhythmic concepts clearly and progressively, demonstrates their melodic potential, and provides extensive hands-on exercises for immediate results. Whether your focus is jazz or classical, rock or folk, country or the blues, Cuban or Brazilian, mastering rhythm gives you the tools to expand your creativity and become a more confident and powerful musician" --
Author: Plateroti
Publisher:
ISBN:
Category :
Languages : en
Pages : 294
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Book Description
The big book of movements It is a musical method to develop the rhythmic sense through the physical coordination of both hands or feet. Although it is ideal for drummers and percussionists of any style or instrument, it is aimed at musicians in general, whether they are singers, pianists, bassists, guitarists, etc. who wish to maximize their musical potential by strengthening their rhythmic and emotional senses.This issue covers ALL POSSIBLE COMBINATIONS of movement patterns for hands or feet. They are grouped in diagrams of different amounts of figures(2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15 and 16) this organization allows us to exercise an infinity of rhythmic patterns playing with a large number of metrics, binary ternary and irregular.Instrumentalists, improvisers and composers, whether rhythmic, melodic or harmonic, have in this method a large number of resources that facilitate the incorporation and articulationof thousands of RHYTHMIC PATTERNS that, when exercised, generate their own MOVEMENT LANGUAGE and directly revitalize the creative flow. .Rhythm is one of the vital and structural forces in existence, it is the powerful spirit of themovements that give order to the events of nature.Taken this concept to the musical plane, the rhythm itself through repetition, gives direction, fluidity and above all, FORM and STRUCTUREEach musical phrase is a physical (or ethereal) object with defined outlines and shapes, and precisely the exact limits of those outlines and shapes are created primarily by rhythmic movement.Take the example of a chord or a melody, without rhythm, they are amorphous, they have no duration or pauses, they lack powerful energy, they lack definite shapes.As musicians we can know about scales, arpeggios, harmony, reading, etc. But for these elements to acquire a vital and dynamic meaning, expressing it metaphorically, we must apply the breath of a god in a doll (made of clay) so that it transforms into a being of flesh and blood with a soul, we must give shape and life to our music through rhythmic movement.By incorporating these concepts, based on expanding the soul and rhythmic awareness, we will have acquired a great tool to enhance our creativity and the more concrete and rich our music will be.
Author: Ciro Plateroti
Publisher:
ISBN:
Category :
Languages : en
Pages : 116
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Book Description
The book of movements is a musical method for rhythmic development that, although it is ideal for drummers and percussionists of any style or instrument, is aimed at musicians in general, whether singers, pianists, bassists, guitarists, etc. who wish to maximize their musical potential by strengthening their rhythmic and animic senses.In this volume (2) it is about movements in irregular metric of 5/8 ( five eighths)In the following link you can appreciate a little more about the content of the book of movementshttps://youtu.be/3-o9HUb74A8Instrumentalists, improvisers and composers, both rhythmic, melodic or harmonic, have in this method a vast amount of resources that facilitate the incorporation and articulation of thousands of RHYTHMIC PATTERNS that, when exercised, shape their own MOVEMENT LANGUAGE and directly enhance the creative flow. .Rhythm is one of the vital and structural forces in existence, we can see it as a powerful spirit of the movements that order events in nature.Taken this concept to the musical plane, the rhythm itself through repetition, gives direction, fluidity and above all, FORM and STRUCTUREEach musical phrase is a physical (or ethereal) object with defined contours and shapes, and precisely the exact definition of those contours and shapes is created mainly by rhythmic movement.Take the example of a chord or a melody, without rhythm, they are amorphous, they do not have duration or pauses, they lack powerful energy, they lack defined forms.As musicians we can know about scales, arpeggios, harmony, reading etc. But for these elements to take on a vital and dynamic meaning, expressing it metaphorically - we must apply the breath of a god on a (clay) doll that is transformed into a being of flesh and blood with a soul, we must give shape and life to our music. through rhythmic movement.By incorporating these concepts, based on expanding the soul and rhythmic awareness, we will haveacquired a great tool to explore our creativity and then the more concrete and rich our music will be.
Author: Earl Adell
Publisher:
ISBN:
Category :
Languages : en
Pages : 248
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Book Description
The art of drumming is one of the oldest forms of music and music communication. The idea of using drums for rituals and celebrations goes back to early recorded history, across a range of cultures. The playing of these instruments would have included call and response with distinct rhythmic phrases from cultures such as Africa, Latin America, and Indian. In western music some of the rhythms heard in other cultures can be identified as polyrhythms. The book introduces rhythmic concepts that can be used by drummers or any musician to expand his or her rhythmic repertoire for improvisation or composition. It combines concepts taught to the author by Alan Dawson with South Indian Konnakol syllables. It is a comprehensive study of polyrhythms that allows drummers to delve deeply into modern rhythmic concepts.
Author: Linda Krainbucher
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
The art of drumming is one of the oldest forms of music and music communication. The idea of using drums for rituals and celebrations goes back to early recorded history, across a range of cultures. The playing of these instruments would have included call and response with distinct rhythmic phrases from cultures such as Africa, Latin America, and Indian. In western music some of the rhythms heard in other cultures can be identified as polyrhythms. The book introduces rhythmic concepts that can be used by drummers or any musician to expand his or her rhythmic repertoire for improvisation or composition. It combines concepts taught to the author by Alan Dawson with South Indian Konnakol syllables. It is a comprehensive study of polyrhythms that allows drummers to delve deeply into modern rhythmic concepts.
