Author: Brian McGilloway
Publisher: Constable
ISBN: 1472133242
Category : Fiction
Languages : en
Pages : 352
Book Description
'An enthralling, powerful and incredibly moving novel' Irish Times 'Blood Ties is a compulsive police procedural, but it's so much more than that: thought-provoking, compassionate and beautifully-written. McGilloway is one of the finest crime-writers working today.' Ann Cleeves 'Written in elegantly simple prose... this novel is full of compassion' Literary Review 'Blood Ties is one of those rare gems; a beautifully written crime novel that's also brilliantly paced, skillfully plotted and utterly absorbing.' Jo Spain 'Brian McGilloway's police procedurals are a masterclass in crime fictions' Andrea Carter 'A clever, engaging and beautifully crafted police procedural' Irish Independent 'Some of the very best crime fiction being written today' Lee Child on Bad Blood __________________ How can a dead woman avenge herself on her killer twenty years after her murder? This is the puzzle facing Ben Devlin in his latest case. He is called to the scene of a murder - a man has been stabbed to death in his rented room and when his identity is discovered Devlin feels a ghost walk over his grave as he knows the name Brooklyn Harris well. As a teenager, Harris beat his then-girlfriend Hannah Row to death, and then spent twelve years in prison for the murder. As Devlin investigates the dead man's movements since his release it becomes apparent Harris has been grooming teenage girls online and then arranging to meet them. But his activities have been discovered by others, notably a vigilante, who goes straight to the top of Devlin's list of suspects... until he uncovers that Harris was killed on the anniversary of Hannah's death - just too big a coincidence in Devlin's books. So Hannah's family join the ever-growing list of suspects being interviewed by his team. And then forensics contact Devlin with the astounding news that blood found on Harris's body is a perfect match to that of Hannah Row's. Yet how can this be; the girl was murdered many years ago - and Devlin doesn't believe in ghosts. __________________ Praise for Brian McGilloway 'This dazzling, labyrinthine debut impresses not only for the authentic depiction of a troubled community and the conflicts of a fallible detective, but also for the intense portrait of the borderlands themselves; as beautiful and terrible as the secrets they keep' Guardian 'Poetic, human and gripping... reminded me of Bernard MacLaverty's early work. Yes, it's that good' Ian Rankin 'McGilloway's Borderlands was one of last years most impressive debuts. Does Gallows Lane pass the feared second-novel test? Easily.' The Times 'McGilloway skilfully handles the tangled threads of a conspiracy surrounding an old crime, to make a satisfying mystery with an attractive central character.' Sunday Telegraph 'Well-written, subtly characterised and intriguingly plotted' Morning Star
Blood Ties
Author: Brian McGilloway
Publisher: Constable
ISBN: 1472133242
Category : Fiction
Languages : en
Pages : 352
Book Description
'An enthralling, powerful and incredibly moving novel' Irish Times 'Blood Ties is a compulsive police procedural, but it's so much more than that: thought-provoking, compassionate and beautifully-written. McGilloway is one of the finest crime-writers working today.' Ann Cleeves 'Written in elegantly simple prose... this novel is full of compassion' Literary Review 'Blood Ties is one of those rare gems; a beautifully written crime novel that's also brilliantly paced, skillfully plotted and utterly absorbing.' Jo Spain 'Brian McGilloway's police procedurals are a masterclass in crime fictions' Andrea Carter 'A clever, engaging and beautifully crafted police procedural' Irish Independent 'Some of the very best crime fiction being written today' Lee Child on Bad Blood __________________ How can a dead woman avenge herself on her killer twenty years after her murder? This is the puzzle facing Ben Devlin in his latest case. He is called to the scene of a murder - a man has been stabbed to death in his rented room and when his identity is discovered Devlin feels a ghost walk over his grave as he knows the name Brooklyn Harris well. As a teenager, Harris beat his then-girlfriend Hannah Row to death, and then spent twelve years in prison for the murder. As Devlin investigates the dead man's movements since his release it becomes apparent Harris has been grooming teenage girls online and then arranging to meet them. But his activities have been discovered by others, notably a vigilante, who goes straight to the top of Devlin's list of suspects... until he uncovers that Harris was killed on the anniversary of Hannah's death - just too big a coincidence in Devlin's books. So Hannah's family join the ever-growing list of suspects being interviewed by his team. And then forensics contact Devlin with the astounding news that blood found on Harris's body is a perfect match to that of Hannah Row's. Yet how can this be; the girl was murdered many years ago - and Devlin doesn't believe in ghosts. __________________ Praise for Brian McGilloway 'This dazzling, labyrinthine debut impresses not only for the authentic depiction of a troubled community and the conflicts of a fallible detective, but also for the intense portrait of the borderlands themselves; as beautiful and terrible as the secrets they keep' Guardian 'Poetic, human and gripping... reminded me of Bernard MacLaverty's early work. Yes, it's that good' Ian Rankin 'McGilloway's Borderlands was one of last years most impressive debuts. Does Gallows Lane pass the feared second-novel test? Easily.' The Times 'McGilloway skilfully handles the tangled threads of a conspiracy surrounding an old crime, to make a satisfying mystery with an attractive central character.' Sunday Telegraph 'Well-written, subtly characterised and intriguingly plotted' Morning Star
Publisher: Constable
ISBN: 1472133242
Category : Fiction
Languages : en
Pages : 352
Book Description
'An enthralling, powerful and incredibly moving novel' Irish Times 'Blood Ties is a compulsive police procedural, but it's so much more than that: thought-provoking, compassionate and beautifully-written. McGilloway is one of the finest crime-writers working today.' Ann Cleeves 'Written in elegantly simple prose... this novel is full of compassion' Literary Review 'Blood Ties is one of those rare gems; a beautifully written crime novel that's also brilliantly paced, skillfully plotted and utterly absorbing.' Jo Spain 'Brian McGilloway's police procedurals are a masterclass in crime fictions' Andrea Carter 'A clever, engaging and beautifully crafted police procedural' Irish Independent 'Some of the very best crime fiction being written today' Lee Child on Bad Blood __________________ How can a dead woman avenge herself on her killer twenty years after her murder? This is the puzzle facing Ben Devlin in his latest case. He is called to the scene of a murder - a man has been stabbed to death in his rented room and when his identity is discovered Devlin feels a ghost walk over his grave as he knows the name Brooklyn Harris well. As a teenager, Harris beat his then-girlfriend Hannah Row to death, and then spent twelve years in prison for the murder. As Devlin investigates the dead man's movements since his release it becomes apparent Harris has been grooming teenage girls online and then arranging to meet them. But his activities have been discovered by others, notably a vigilante, who goes straight to the top of Devlin's list of suspects... until he uncovers that Harris was killed on the anniversary of Hannah's death - just too big a coincidence in Devlin's books. So Hannah's family join the ever-growing list of suspects being interviewed by his team. And then forensics contact Devlin with the astounding news that blood found on Harris's body is a perfect match to that of Hannah Row's. Yet how can this be; the girl was murdered many years ago - and Devlin doesn't believe in ghosts. __________________ Praise for Brian McGilloway 'This dazzling, labyrinthine debut impresses not only for the authentic depiction of a troubled community and the conflicts of a fallible detective, but also for the intense portrait of the borderlands themselves; as beautiful and terrible as the secrets they keep' Guardian 'Poetic, human and gripping... reminded me of Bernard MacLaverty's early work. Yes, it's that good' Ian Rankin 'McGilloway's Borderlands was one of last years most impressive debuts. Does Gallows Lane pass the feared second-novel test? Easily.' The Times 'McGilloway skilfully handles the tangled threads of a conspiracy surrounding an old crime, to make a satisfying mystery with an attractive central character.' Sunday Telegraph 'Well-written, subtly characterised and intriguingly plotted' Morning Star
Blood Ties
Author: Nicholas Guild
Publisher: Forge Books
ISBN: 1466861606
Category : Fiction
Languages : en
Pages : 319
Book Description
Homicide detective Ellen Ridley of the SFPD is tracking a serial killer terrorizing young women in the San Francisco Bay Area. Ridley is sure she's cornered her most likely suspect: Stephen Tregear, a hacker and code breaker who works for U.S. Naval Intelligence. But Tregear is not the killer... he's the killer's son. Ridley and Tregear team up to look for Tregear's father, Walter, in an elaborate game of murderous cat and mouse. As the body count rises, Ridley must race against the clock to stop Walter before he kills any more women—and Tregear must finally confront the father who has been trying to kill him for twenty years. Blood Ties is an elegant and frightening thriller from Nicholas Guild. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Publisher: Forge Books
ISBN: 1466861606
Category : Fiction
Languages : en
Pages : 319
Book Description
Homicide detective Ellen Ridley of the SFPD is tracking a serial killer terrorizing young women in the San Francisco Bay Area. Ridley is sure she's cornered her most likely suspect: Stephen Tregear, a hacker and code breaker who works for U.S. Naval Intelligence. But Tregear is not the killer... he's the killer's son. Ridley and Tregear team up to look for Tregear's father, Walter, in an elaborate game of murderous cat and mouse. As the body count rises, Ridley must race against the clock to stop Walter before he kills any more women—and Tregear must finally confront the father who has been trying to kill him for twenty years. Blood Ties is an elegant and frightening thriller from Nicholas Guild. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Blood Ties
Author: İpek Yosmaoğlu
Publisher: Cornell University Press
ISBN: 0801469791
Category : History
Languages : en
Pages : 291
Book Description
The region that is today Macedonia was long the heart of the Ottoman Empire in Europe. It was home to a complex mix of peoples and faiths who had for hundreds of years lived together in relative peace. To be sure, these people were no strangers to coercive violence and various forms of depredations visited upon them by bandits and state agents. In the final decades of the nineteenth century and throughout the twentieth century, however, the region was periodically racked by a bitter conflict that was qualitatively different from previous outbreaks of violence. In Blood Ties, Ipek K. Yosmaoglu explains the origins of this shift from sporadic to systemic and pervasive violence through a social history of the "Macedonian Question."Yosmaoglu's account begins in the aftermath of the Congress of Berlin (1878), when a potent combination of zero-sum imperialism, nascent nationalism, and modernizing states set in motion the events that directly contributed to the outbreak of World War I and had consequences that reverberate to this day. Focusing on the experience of the inhabitants of Ottoman Macedonia during this period, she shows how communal solidarities broke down, time and space were rationalized, and the immutable form of the nation and national identity replaced polyglot, fluid associations that had formerly defined people's sense of collective belonging. The region was remapped; populations were counted and relocated. An escalation in symbolic and physical violence followed, and it was through this process that nationalism became an ideology of mass mobilization among the common folk. Yosmaoglu argues that national differentiation was a consequence, and not the cause, of violent conflict in Ottoman Macedonia.
Publisher: Cornell University Press
ISBN: 0801469791
Category : History
Languages : en
Pages : 291
Book Description
The region that is today Macedonia was long the heart of the Ottoman Empire in Europe. It was home to a complex mix of peoples and faiths who had for hundreds of years lived together in relative peace. To be sure, these people were no strangers to coercive violence and various forms of depredations visited upon them by bandits and state agents. In the final decades of the nineteenth century and throughout the twentieth century, however, the region was periodically racked by a bitter conflict that was qualitatively different from previous outbreaks of violence. In Blood Ties, Ipek K. Yosmaoglu explains the origins of this shift from sporadic to systemic and pervasive violence through a social history of the "Macedonian Question."Yosmaoglu's account begins in the aftermath of the Congress of Berlin (1878), when a potent combination of zero-sum imperialism, nascent nationalism, and modernizing states set in motion the events that directly contributed to the outbreak of World War I and had consequences that reverberate to this day. Focusing on the experience of the inhabitants of Ottoman Macedonia during this period, she shows how communal solidarities broke down, time and space were rationalized, and the immutable form of the nation and national identity replaced polyglot, fluid associations that had formerly defined people's sense of collective belonging. The region was remapped; populations were counted and relocated. An escalation in symbolic and physical violence followed, and it was through this process that nationalism became an ideology of mass mobilization among the common folk. Yosmaoglu argues that national differentiation was a consequence, and not the cause, of violent conflict in Ottoman Macedonia.
Blood Ties
Author: Shaun Sinclair
Publisher: Dafina
ISBN: 1496721063
Category : Fiction
Languages : en
Pages : 320
Book Description
Strong, loving father. Hard-working loyal son. They are the best hit men in the business. But one woman’s revenge will put the ultimate target on their backs . . . Trained to be a Special Forces killer, Leader came back from his tours of duty broke—and near-broken. So when the streets came calling, he rose from ruthless hood enforcer to a powerful international cartel’s most feared “cleaner.” And when tragedy hit home, his sensitive son, Justus, turned out to be a natural assassin—and unshakably loyal to his father. Together they are an unstoppable team who leave no trace behind. . . . Until a mysterious woman from nowhere begins working Leader’s deep-hidden weaknesses. Slowly, she's exploding all his secrets and turning Justus' devotion into a weapon. Now, with father and son gunning for each other, survival is down to sheer killer instinct, nothing left to lose—and shattering betrayal only family can deliver . . . “Sinclair's latest, a hard-edged novel with memorable characters, shows that loyalty and destiny are not always related to blood ties.” —Booklist
Publisher: Dafina
ISBN: 1496721063
Category : Fiction
Languages : en
Pages : 320
Book Description
Strong, loving father. Hard-working loyal son. They are the best hit men in the business. But one woman’s revenge will put the ultimate target on their backs . . . Trained to be a Special Forces killer, Leader came back from his tours of duty broke—and near-broken. So when the streets came calling, he rose from ruthless hood enforcer to a powerful international cartel’s most feared “cleaner.” And when tragedy hit home, his sensitive son, Justus, turned out to be a natural assassin—and unshakably loyal to his father. Together they are an unstoppable team who leave no trace behind. . . . Until a mysterious woman from nowhere begins working Leader’s deep-hidden weaknesses. Slowly, she's exploding all his secrets and turning Justus' devotion into a weapon. Now, with father and son gunning for each other, survival is down to sheer killer instinct, nothing left to lose—and shattering betrayal only family can deliver . . . “Sinclair's latest, a hard-edged novel with memorable characters, shows that loyalty and destiny are not always related to blood ties.” —Booklist
Irish Alibi
Author: Ralph McInerny
Publisher: Macmillan
ISBN: 0312364571
Category : Fiction
Languages : en
Pages : 238
Book Description
With the Fighting Irish set to square off against Georgia Tech, Roger Knight, the rotund professor of Catholic studies, and his brother Philip, a semi-retired P.I., know that Notre Dame fans will be out in force. The faithful swear that on game day the entire campus comes alive to cheer on the football team, and they don't have to look any further than Touchdown Jesus or Fair Catch Corby, a statue of a Civil War chaplain who seems to be signaling another pass completion, for proof, misguided as it may be. But this year, this friendly and sometimes heated North-South rivalry turns downright hostile when Notre Dame's ties to the Union during the Civil War are dug up, and two students, brothers and Southern gentlemen, are spurred to defend their honor with a prank nearly 150 years after the fact. While they both admit to being the culprit, only one of them could've actually committed the vandalism. But which one? By stretching one alibi over two people, they may dodge expulsion. But then they become suspects in a seemingly unrelated murder case that the Knights must solve, or else getting thrown out will be the least of the boys' problems. Bouchercon Lifetime Achievement Award winner Ralph McInerny's Irish Alibi is a great addition to this stellar series, in which the past, no matter how distant, is never forgotten and always poised to rise again.
Publisher: Macmillan
ISBN: 0312364571
Category : Fiction
Languages : en
Pages : 238
Book Description
With the Fighting Irish set to square off against Georgia Tech, Roger Knight, the rotund professor of Catholic studies, and his brother Philip, a semi-retired P.I., know that Notre Dame fans will be out in force. The faithful swear that on game day the entire campus comes alive to cheer on the football team, and they don't have to look any further than Touchdown Jesus or Fair Catch Corby, a statue of a Civil War chaplain who seems to be signaling another pass completion, for proof, misguided as it may be. But this year, this friendly and sometimes heated North-South rivalry turns downright hostile when Notre Dame's ties to the Union during the Civil War are dug up, and two students, brothers and Southern gentlemen, are spurred to defend their honor with a prank nearly 150 years after the fact. While they both admit to being the culprit, only one of them could've actually committed the vandalism. But which one? By stretching one alibi over two people, they may dodge expulsion. But then they become suspects in a seemingly unrelated murder case that the Knights must solve, or else getting thrown out will be the least of the boys' problems. Bouchercon Lifetime Achievement Award winner Ralph McInerny's Irish Alibi is a great addition to this stellar series, in which the past, no matter how distant, is never forgotten and always poised to rise again.
Alibis of Empire
Author: Karuna Mantena
Publisher: Princeton University Press
ISBN: 1400835070
Category : Political Science
Languages : en
Pages : 281
Book Description
Alibis of Empire presents a novel account of the origins, substance, and afterlife of late imperial ideology. Karuna Mantena challenges the idea that Victorian empire was primarily legitimated by liberal notions of progress and civilization. In fact, as the British Empire gained its farthest reach, its ideology was being dramatically transformed by a self-conscious rejection of the liberal model. The collapse of liberal imperialism enabled a new culturalism that stressed the dangers and difficulties of trying to "civilize" native peoples. And, hand in hand with this shift in thinking was a shift in practice toward models of indirect rule. As Mantena shows, the work of Victorian legal scholar Henry Maine was at the center of these momentous changes. Alibis of Empire examines how Maine's sociotheoretic model of "traditional" society laid the groundwork for the culturalist logic of late empire. In charting the movement from liberal idealism, through culturalist explanation, to retroactive alibi within nineteenth-century British imperial ideology, Alibis of Empire unearths a striking and pervasive dynamic of modern empire.
Publisher: Princeton University Press
ISBN: 1400835070
Category : Political Science
Languages : en
Pages : 281
Book Description
Alibis of Empire presents a novel account of the origins, substance, and afterlife of late imperial ideology. Karuna Mantena challenges the idea that Victorian empire was primarily legitimated by liberal notions of progress and civilization. In fact, as the British Empire gained its farthest reach, its ideology was being dramatically transformed by a self-conscious rejection of the liberal model. The collapse of liberal imperialism enabled a new culturalism that stressed the dangers and difficulties of trying to "civilize" native peoples. And, hand in hand with this shift in thinking was a shift in practice toward models of indirect rule. As Mantena shows, the work of Victorian legal scholar Henry Maine was at the center of these momentous changes. Alibis of Empire examines how Maine's sociotheoretic model of "traditional" society laid the groundwork for the culturalist logic of late empire. In charting the movement from liberal idealism, through culturalist explanation, to retroactive alibi within nineteenth-century British imperial ideology, Alibis of Empire unearths a striking and pervasive dynamic of modern empire.
Blood Ties
Author: Sharon Sala
Publisher: Carina Press
ISBN: 1459205243
Category : Fiction
Languages : en
Pages : 350
Book Description
The truth about her father could lead a woman to great wealth or a grisly death in this romantic suspense tale by a New York Times–bestselling author. Savannah Slade is not the person she thought she was. The reading of her “father’s” will has led her to a world-shattering revelation: her sisters are not her blood kin—and she may be the heiress to a massive fortune. Her not-quite-fiancé Judd doesn’t care where she came from—he only wants her by his side. But the primal need to uncover her past wins out, and Savannah trades the Montana ranges for Miami’s moneyed oceanside enclaves. The wealthy and powerful Stoss family is less than overjoyed to find that Gerald Stoss’s daughter has emerged from the past. But theirs is a clan seldom troubled by—inconveniences. They’ve always had the means to eradicate any blemish on their perfect lives. One more won’t make a difference. Praise for Blood Stains “[A] strong romantic suspense trilogy opener. . . . Powerful plotting and strong characters.” —Publishers Weekly “Ms. Sala is an author whose words instantly draw you into the story.” —Fresh Fiction
Publisher: Carina Press
ISBN: 1459205243
Category : Fiction
Languages : en
Pages : 350
Book Description
The truth about her father could lead a woman to great wealth or a grisly death in this romantic suspense tale by a New York Times–bestselling author. Savannah Slade is not the person she thought she was. The reading of her “father’s” will has led her to a world-shattering revelation: her sisters are not her blood kin—and she may be the heiress to a massive fortune. Her not-quite-fiancé Judd doesn’t care where she came from—he only wants her by his side. But the primal need to uncover her past wins out, and Savannah trades the Montana ranges for Miami’s moneyed oceanside enclaves. The wealthy and powerful Stoss family is less than overjoyed to find that Gerald Stoss’s daughter has emerged from the past. But theirs is a clan seldom troubled by—inconveniences. They’ve always had the means to eradicate any blemish on their perfect lives. One more won’t make a difference. Praise for Blood Stains “[A] strong romantic suspense trilogy opener. . . . Powerful plotting and strong characters.” —Publishers Weekly “Ms. Sala is an author whose words instantly draw you into the story.” —Fresh Fiction
The Art of Alibi
Author: Jonathan H. Grossman
Publisher: JHU Press
ISBN: 0801877873
Category : Literary Criticism
Languages : en
Pages : 217
Book Description
In The Art of Alibi, Jonathan Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, these scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel. Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dickens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s.
Publisher: JHU Press
ISBN: 0801877873
Category : Literary Criticism
Languages : en
Pages : 217
Book Description
In The Art of Alibi, Jonathan Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, these scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel. Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dickens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s.
Alibi
Author: Joseph Kanon
Publisher: Macmillan + ORM
ISBN: 1429900547
Category : Fiction
Languages : en
Pages : 420
Book Description
From the acclaimed author of Los Alamos and The Good German comes a riveting tale of love, revenge and murder set in post-WWII Venice. It is 1946, and Adam Miller has come to Venice to visit his socialite mother and try to forget the horrors he has witnessed as a US Army war crimes investigator in Germany. But when he falls in love with Claudia, a Jewish woman scarred by her devastating experiences during World War II, he must confront the dark secrets lurking just beneath the city’s charms. Adam begins to see another Venice, one still at war with itself and haunted by atrocities it would rather forget. Everyone, including his mother’s suave new Venetian suitor, has been compromised by the occupation, and Adam finds himself at the center of a web of deception, intrigue, and unexpected moral dilemmas. When is murder acceptable? What are the limits of guilt? How much is someone willing to pay for a perfect alibi? Winner of the Hammett Prize
Publisher: Macmillan + ORM
ISBN: 1429900547
Category : Fiction
Languages : en
Pages : 420
Book Description
From the acclaimed author of Los Alamos and The Good German comes a riveting tale of love, revenge and murder set in post-WWII Venice. It is 1946, and Adam Miller has come to Venice to visit his socialite mother and try to forget the horrors he has witnessed as a US Army war crimes investigator in Germany. But when he falls in love with Claudia, a Jewish woman scarred by her devastating experiences during World War II, he must confront the dark secrets lurking just beneath the city’s charms. Adam begins to see another Venice, one still at war with itself and haunted by atrocities it would rather forget. Everyone, including his mother’s suave new Venetian suitor, has been compromised by the occupation, and Adam finds himself at the center of a web of deception, intrigue, and unexpected moral dilemmas. When is murder acceptable? What are the limits of guilt? How much is someone willing to pay for a perfect alibi? Winner of the Hammett Prize
Without Alibi
Author: Jacques Derrida
Publisher: Stanford University Press
ISBN: 9780804744119
Category : Law
Languages : en
Pages : 356
Book Description
This book brings together for the first time five recent essays by Jacques Derrida, which advance his reflections on many issues: lying, perjury, forgiveness, confession, the profession of faith, and, most recently, cruelty, sovereignty, and capital punishment. Strongly linked by their attention to "performatives" and the "as if," the essays show the necessity of thinking beyond the category of acts that are possible for a subject. Derrida argues forcefully that thought must engage with the im-possible, that is, the order of the unforeseeable event, the absolute future still to come. This acute awareness of the limits of performative programs informs the essays throughout and attunes them closely to events of a world undergoing "globalization." The first essay, "History of the Lie," reviews some classic and modern definitions of the lie (Augustine, Rousseau, Kant, Koyré, Arendt), while renewing questions about what is called lying, as distinguished from other forms of nontruth. This inventive analysis is followed by "Typewriter Ribbon," which examines at length the famous lie recounted by Rousseau in his Confessions, when he perjured himself by accusing another of his own crime. Paul de Man's reading of this textual event is at the center of Derrida's patient, at times seriously funny analyses. "Le parjure, Perhaps" engages with a remarkable novel by Henri Thomas that fictionalizes the charge of perjury brought against Paul de Man in the 1950s. Derrida's extraordinary fineness as a reader and thinker of fiction here treats, to profound effect, the "fatal experience of perjury." The two final essays, "The University Without Condition" and "Psychoanalysis Searches the States of Its Soul," address the institutions of the university and of psychoanalysis as sites from which to resist and deconstruct the nontruth or phantasm of sovereignty. For the university, the principle of truth remains at the core of its resistance; for psychoanalysis, there is the obligation to remain true to what may be, Derrida suggests, its specific insight: into psychic cruelty. Resistance to the sovereign cruelty of the death penalty is just one of the stakes indicated by the last essay, which is the text of a keynote address to the "States General of Psychoanalysis" held in Paris, July 2000. Especially for this volume, Derrida has written "Provocation: Forewords," which reflects on the title Without Alibi while taking up questions about relations between deconstruction and America. This essay-foreword also responds to the event of this book, which Peggy Kamuf in her introduction presents as event of resistance. Without Alibi joins two other books by Derrida that Kamuf has translated for Stanford University Press: Points . . .: Interviews, 1974-1994 (1994) and Resistances of Psychoanalysis (1998).
Publisher: Stanford University Press
ISBN: 9780804744119
Category : Law
Languages : en
Pages : 356
Book Description
This book brings together for the first time five recent essays by Jacques Derrida, which advance his reflections on many issues: lying, perjury, forgiveness, confession, the profession of faith, and, most recently, cruelty, sovereignty, and capital punishment. Strongly linked by their attention to "performatives" and the "as if," the essays show the necessity of thinking beyond the category of acts that are possible for a subject. Derrida argues forcefully that thought must engage with the im-possible, that is, the order of the unforeseeable event, the absolute future still to come. This acute awareness of the limits of performative programs informs the essays throughout and attunes them closely to events of a world undergoing "globalization." The first essay, "History of the Lie," reviews some classic and modern definitions of the lie (Augustine, Rousseau, Kant, Koyré, Arendt), while renewing questions about what is called lying, as distinguished from other forms of nontruth. This inventive analysis is followed by "Typewriter Ribbon," which examines at length the famous lie recounted by Rousseau in his Confessions, when he perjured himself by accusing another of his own crime. Paul de Man's reading of this textual event is at the center of Derrida's patient, at times seriously funny analyses. "Le parjure, Perhaps" engages with a remarkable novel by Henri Thomas that fictionalizes the charge of perjury brought against Paul de Man in the 1950s. Derrida's extraordinary fineness as a reader and thinker of fiction here treats, to profound effect, the "fatal experience of perjury." The two final essays, "The University Without Condition" and "Psychoanalysis Searches the States of Its Soul," address the institutions of the university and of psychoanalysis as sites from which to resist and deconstruct the nontruth or phantasm of sovereignty. For the university, the principle of truth remains at the core of its resistance; for psychoanalysis, there is the obligation to remain true to what may be, Derrida suggests, its specific insight: into psychic cruelty. Resistance to the sovereign cruelty of the death penalty is just one of the stakes indicated by the last essay, which is the text of a keynote address to the "States General of Psychoanalysis" held in Paris, July 2000. Especially for this volume, Derrida has written "Provocation: Forewords," which reflects on the title Without Alibi while taking up questions about relations between deconstruction and America. This essay-foreword also responds to the event of this book, which Peggy Kamuf in her introduction presents as event of resistance. Without Alibi joins two other books by Derrida that Kamuf has translated for Stanford University Press: Points . . .: Interviews, 1974-1994 (1994) and Resistances of Psychoanalysis (1998).