Birnbaum's France 1989 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Birnbaum's France 1989 PDF full book. Access full book title Birnbaum's France 1989 by Stephen Birnbaum. Download full books in PDF and EPUB format.
Author: Stephen Birnbaum
Publisher:
ISBN: 9780395481677
Category : Travel
Languages : en
Pages : 820
Get Book Here
Book Description
Author: Stephen Birnbaum
Publisher:
ISBN: 9780395481677
Category : Travel
Languages : en
Pages : 820
Get Book Here
Book Description
Author: Alexandra Mayes Birnbaum
Publisher: HarperCollins Publishers
ISBN: 9780062780478
Category : France
Languages : en
Pages : 1028
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Booksellers and bookselling
Languages : en
Pages : 1364
Get Book Here
Book Description
Author: Yvonne Spielmann
Publisher: MIT Press
ISBN: 0262515172
Category : Art
Languages : en
Pages : 383
Get Book Here
Book Description
An argument that video is not merely an intermediate stage between analog and digital but a medium in its own right; traces the theoretical genealogy of video and examines the different concepts of video seen in works by Vito Acconci, Ulrike Rosenbach, Steina and Woody Vasulka, and others. Video is an electronic medium, dependent on the transfer of electronic signals. Video signals are in constant movement, circulating between camera and monitor. This process of simultaneous production and reproduction makes video the most reflexive of media, distinct from both photography and film (in which the image or a sequence of images is central). Because it is processual and not bound to recording and the appearance of a “frame,” video shares properties with the computer. In this book, Yvonne Spielmann argues that video is not merely an intermediate stage between analog and digital but a medium in its own right. Video has metamorphosed from technology to medium, with a set of aesthetic languages that are specific to it, and current critical debates on new media still need to recognize this. Spielmann considers video as “transformation imagery,” acknowledging the centrality in video of the transitions between images—and the fact that these transitions are explicitly reflected in new processes. After situating video in a genealogical model that demonstrates both its continuities and discontinuities with other media, Spielmann considers three strands of video praxis—documentary, experimental art, and experimental image-making (which is concerned primarily with signal processing). She then discusses selected works by such artists as Vito Acconci, Ulrike Rosenbach, Joan Jonas, Nam June Paik, Peter Campus, Dara Birnbaum, Nan Hoover, Lynn Hershman, Gary Hill, Steina and Woody Vasulka, Bill Seaman, and others. These works serve to demonstrate the spectrum of possibilities in video as medium and point to connections with other forms of media. Finally, Spielmann discusses the potential of interactivity, complexity, and hybridization in the future of video as a medium.
Author: Christopher John Murray
Publisher: Routledge
ISBN: 1135455643
Category : History
Languages : en
Pages : 748
Get Book Here
Book Description
In this wide-ranging guide to twentieth-century French thought, leading scholars offer an authoritative multi-disciplinary analysis of one of the most distinctive and influential traditions in modern thought. Unlike any other existing work, this important work covers not only philosophy, but also all the other major disciplines, including literary theory, sociology, linguistics, political thought, theology, and more.
Author: Alexandra M. Birnbaum
Publisher: HarperCollins Publishers
ISBN: 9780062780706
Category : Travel
Languages : en
Pages : 2036
Get Book Here
Book Description
Author: Timothy Bell Raser
Publisher: University of Delaware Press
ISBN: 9780874137651
Category : Literary Criticism
Languages : en
Pages : 340
Get Book Here
Book Description
The French nineteenth century came to its full fruition only recently, herald and instigator as it was of some of the most important developments of the twentieth century. This volume offers a wide-ranging selection of scholarly approaches to the works of the French nineteenth century, articles that show how pertinent the texts of that moment are to an understanding of our own modernity.
Author: Harvey G Simmons
Publisher: Routledge
ISBN: 0429965095
Category : Political Science
Languages : en
Pages : 298
Get Book Here
Book Description
Over the past few decades, extreme-right political parties have won increasing support throughout Europe. The largest and most sophisticated of these is the French National Front. Led by the charismatic Jean-Marie Le Pen, the Front is now the third most important political force in France after the mainstream right and the socialists.This clear and comprehensive book explores the antecedents for the meteoric rise of the National Front. Beginning with a political history of the extreme right from 1945 to 1995, Harvey Simmons traces links between Le Pen and French neo-fascist and extreme-right organizations of the 1950s and 1960s, and concludes with analyses of the Front's antisemitism, racism, organization, ideology, language, electorate, and views on women. Simmons argues that the Front is not a party like any other, but a major threat to French democracy.
Author: Rose Arny
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2184
Get Book Here
Book Description
Author: Charles Rosen
Publisher: Harvard University Press
ISBN: 067424978X
Category : Music
Languages : en
Pages : 161
Get Book Here
Book Description
Brilliant, practical, and humorous conversations with one of the twentieth-century’s greatest musicologists on art, culture, and the physical pain of playing a difficult passage until one attains its rewards. Throughout his life, Charles Rosen combined formidable intelligence with immense skill as a concert pianist. He began studying at Juilliard at age seven and went on to inspire a generation of scholars to combine history, aesthetics, and score analysis in what became known as “new musicology.” The Joy of Playing, the Joy of Thinking presents a master class for music lovers. In interviews originally conducted and published in French, Rosen’s friend Catherine Temerson asks carefully crafted questions to elicit his insights on the evolution of music—not to mention painting, theater, science, and modernism. Rosen touches on the usefulness of aesthetic reflection, the pleasure of overcoming stage fright, and the drama of conquering a technically difficult passage. He tells vivid stories about composers from Chopin and Wagner to Stravinsky and Elliott Carter. In Temerson’s questions and Rosen’s responses arise conundrums both practical and metaphysical. Is it possible to understand a work without analyzing it? Does music exist if it isn’t played? Throughout, Rosen returns to the theme of sensuality, arguing that if one does not possess a physical craving to play an instrument, then one should choose another pursuit. Rosen takes readers to the heart of the musical matter. “Music is a way of instructing the soul, making it more sensitive,” he says, “but it is useful only insofar as it is pleasurable. This pleasure is manifest to anyone who experiences music as an inexorable need of body and mind.”
