Author: Charles P. Bigger
Publisher: Fordham Univ Press
ISBN: 9780823223503
Category : Philosophy
Languages : en
Pages : 495
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Book Description
Plato's chora as developed in the Timaeus is a creative matrix in which things arise and stand out in response to the lure of the Good. Chora is paired with the Good, its polar opposite; both are "beyond being" and the metaphors hitherto thought to disclose the transcendent. They underlie Plato's distinction of a procreative gap between being and becoming. The chiasmus between the Good and chora makes possible their mutual participation in one another. This gap makes possible both phenomenological and cosmological interpretations of Plato. Metaphor is restricted to beings as they appear in this gap through the crossing of metaphor's terms, terms that dwell with, rather than subulate, one another. Hermeneutically, through its "is" we can see something being engendered or determined by that crossing. Bigger's larger goal is to align the primacy of the Good in Plato and Christian Neoplatonism with the creator God of Genesis and the God of love in the New Testament.
Author: John Llewelyn
Publisher: Indiana University Press
ISBN: 0253002796
Category : Philosophy
Languages : en
Pages : 488
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Book Description
Pursuing Jacques Derrida's reflections on the possibility of "religion without religion," John Llewelyn makes room for a sense of the religious that does not depend on the religions or traditional notions of God or gods. Beginning with Derrida's statement that it was Kierkegaard to whom he remained most faithful, Llewelyn reads Kant, Hegel, Nietzsche, Feuerbach, Heidegger, Sartre, Levinas, Deleuze, Marion, as well as Kierkegaard and Derrida, in original and compelling ways. Llewelyn puts religiousness in vital touch with the struggles of the human condition, finding religious space in the margins between the secular and the religions, transcendence and immanence, faith and knowledge, affirmation and despair, lucidity and madness. This provocative and philosophically rich account shows why and where the religious matters.
Author: Charles P. Bigger
Publisher:
ISBN: 9780823291038
Category : PHILOSOPHY
Languages : en
Pages : 576
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Book Description
Plato's chora as developed in the Timaeus is a creative matrix in which things arise and stand out in response to the lure of the Good. Chora is paired with the Good, its polar opposite; both are "beyond being" and the metaphors hitherto thought to disclose the transcendent. They underlie Plato's distinction of a procreative gap between being and becoming. The chiasmus between the Good and chora makes possible their mutual participation in one another. This gap makes possible both phenomenological and cosmological interpretations of Plato. Metaphor is restricted to beings as they appear in this gap through the crossing of metaphor's terms, terms that dwell with, rather than subulate, one another. Hermeneutically, through its "is" we can see something being engendered or determined by that crossing. Bigger's larger goal is to align the primacy of the Good in Plato and Christian Neoplatonism with the creator God of Genesis and the God of love in the New Testament.
Author: Frances E. Mascia-Lees
Publisher: John Wiley & Sons
ISBN: 1444340468
Category : Social Science
Languages : en
Pages : 563
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Book Description
A Companion to the Anthropology of the Body and Embodiment offers original essays that examine historical and contemporary approaches to conceptualizations of the body. In this ground-breaking work on the body and embodiment, the latest scholarship from anthropology and related social science fields is presented, providing new insights on body politics and the experience of the body Original chapters cover historical and contemporary approaches and highlight new research frameworks Reflects the increasing importance of embodiment and its ethnographic contexts within anthropology Highlights the increasing emphasis on examining the production of scientific, technological, and medical expertise in studying bodies and embodiment
Author: Piotr Spyra
Publisher: Routledge
ISBN: 100009281X
Category : Literary Criticism
Languages : en
Pages : 194
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Book Description
Examining the fairies of medieval romance as liminal beings, this book draws on anthropological and philosophical studies of liminality to combine folkloristic insights into the nature of fairies with close readings of selected romance texts. Tracing different meanings and manifestations of liminality in Sir Gawain and the Green Knight, Sir Orfeo, Sir Launfal, Thomas of Erceldoune and Robert Henryson’s Orpheus and Eurydice, the volume offers a comprehensive theory of liminality rooted in structuralist anthropology and poststructuralist theory. Arguing that romance fairies both embody and represent the liminal, The Liminality of Fairies posits and answers fundamental theoretical questions about the limits of representation and the relationship between romance hermeneutics and criticism. The interdisciplinary nature of the argument will appeal not just to medievalists and literary critics but also to anthropologists, folklorists as well as scholars working within the fields of cultural history and contemporary literary theory.
Author: Frances Maughan-Brown
Publisher: SUNY Press
ISBN: 1438476337
Category : Philosophy
Languages : en
Pages : 222
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Book Description
Examines four discourses by Kierkegaard, arguing that they play a critical and surprising role in his oeuvre and contribute to the philosophy of figural language. How do texts speak with authority? That is the question at the heart of Kierkegaard’s theory and practice of “indirect communication.” None of Kierkegaard’s texts respond to this question more concisely and powerfully than the four discourses he wrote about the lily in the Gospel. The Lily’s Tongue is a nuanced, sustained reading of these Lily Discourses. Kierkegaard takes the lilies as authoritative, rather than merely “figural” or “metaphorical.” This book is a careful exploration of what Kierkegaard means by this authority. Frances Maughan-Brown demonstrates how Kierkegaard argues that the key is in the act of reading itself—no text can have authority unless the reader grants it that authority because no text can entirely avoid figural language. Texts don’t speak directly; their tongue is always the lily’s tongue. What is revealed in the Lily Discourses is a groundbreaking theory of figure, which requires a renewed reading of Kierkegaard’s major pseudonymous works. “Closely analyzing one of the least known yet most exacting series of texts in Kierkegaard’s authorship, his discourses on ‘the lily in the field and the bird of the air,’ Maughan-Brown breaks apart disciplinary barriers between theology, philosophy, aesthetics, and critical theory, while at the same time showing how Kierkegaard’s discourses can quietly illuminate a constellation of ideas drawn from Plato, Kant, Hegel, Benjamin, and Derrida. Following Kierkegaard’s texts to the letter, Maughan-Brown attends to what his texts do as much as to what they say.” — Peter Fenves, author of The Messianic Reduction: Walter Benjamin and the Shape of Time
Author: Sara L. Crosby
Publisher: University of Iowa Press
ISBN: 1609384040
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
The nineteenth century was, we have been told, the “century of the poisoner,” when Britain and the United States trembled under an onslaught of unruly women who poisoned husbands with gleeful abandon. That story, however, is only half true. While British authorities did indeed round up and execute a number of impoverished women with minimal evidence and fomented media hysteria, American juries refused to convict suspected women and newspapers laughed at men who feared them. This difference in outcome doesn’t mean that poisonous women didn’t preoccupy Americans. In the decades following Andrew Jackson’s first presidential bid, Americans buzzed over women who used poison to kill men. They produced and devoured reams of ephemeral newsprint, cheap trial transcripts, and sensational “true” pamphlets, as well as novels, plays, and poems. Female poisoners served as crucial elements in the literary manifestos of writers from Nathaniel Hawthorne and Edgar Allan Poe to George Lippard and the cheap pamphleteer E. E. Barclay, but these characters were given a strangely positive spin, appearing as innocent victims, avenging heroes, or engaging humbugs. The reason for this poison predilection lies in the political logic of metaphor. Nineteenth-century Britain strove to rein in democratic and populist movements by labeling popular print “poison” and its providers “poisoners,” drawing on centuries of established metaphor that negatively associated poison, women, and popular speech or writing. Jacksonian America, by contrast, was ideologically committed to the popular—although what and who counted as such was up for serious debate. The literary gadfly John Neal called on his fellow Jacksonian writers to defy British critical standards, saying, “Let us have poison.” Poisonous Muse investigates how they answered, how they deployed the figure of the female poisoner to theorize popular authorship, to validate or undermine it, and to fight over its limits, particularly its political, gendered, and racial boundaries. Poisonous Muse tracks the progress of this debate from approximately 1820 to 1845. Uncovering forgotten writers and restoring forgotten context to well-remembered authors, it seeks to understand Jacksonian print culture from the inside out, through its own poisonous language.
Author: Rolf Goetz
Publisher: Bergverlag Rother GmbH
ISBN: 3763348409
Category : Travel
Languages : en
Pages : 266
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Book Description
Crete offers an incredibly multifaceted realm for walkers. Many areas of the island are still rugged and pristine. The island’s terrain is dominated by three mighty mountain ranges, furrowed by deep gorges. Lofty mountains and a deep-blue sea are in close proximity – an ideal combination for any holiday. The finest coastal and mountain walks on Greece’s largest and most diverse island can be found in the Rother Walking Guide »Crete«. The choice ranges from a pleasant walk across foothills through vineyards and sprawling groves of olive trees all the way up to the highest panoramic summits. There are even some demanding peaks, over 2000 metres in height, to climb. Breathtaking canyons can be traversed and isolated, dripstone caves are waiting to be explored. Everywhere you look, you’ll find little villages, secluded monasteries and remote caves. Coastal trails lead to tranquil coves for bathing; is there anything better than, after a walk, taking a dip in some refreshing waters? Even the classic Cretan walks, like the Samaria Gorge and Dead’s Gorge with its Minoan palace grounds, are included in this guide. Rolf Goetz, a seasoned writer of walking guides for the Bergverlag Rother, presents 70 walks on the island of Crete, all rich in diversity. Each individual walk includes a short preface with all the important key points, an exact description of the route, a pertinent height profile and a little walking map with the route marked in. Apart from these, there are many tips pertaining to the availability of refreshment, possible alternative routes as well as sites worth a visit. GPS tracks are available for downloading. Numerous delightful photos whet the appetite for making the island your first choice for your next holiday sojourn. An essential guide for Crete fans!
Author:
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 192
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588391132
Category : Art, Byzantine
Languages : en
Pages : 682
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Book Description
The fall of the Byzantine capital of Constantinople to the Latin West in 1204 during the Fourth Crusade abruptly interrupted nearly nine hundred years of artistic and cultural traditions. In 1261, however, the Byzantine general Michael VIII Palaiologos triumphantly re-entered Constantinople and reclaimed the seat of the empire, initiating a resurgence of art and culture that would continue for nearly three hundred years, not only in the waning empire itself but also among rival Eastern Christian nations eager to assume its legacy. Byzantium: Faith and Power (1261–1557), and the groundbreaking exhibition that it accompanies, explores the artistic and cultural flowering of the last centuries of the "Empire of the Romans" and its enduring heritage. Conceived as the third of a trio of exhibitions dedicated to a fuller understanding of the art of the Byzantine Empire, whose influence spanned more than a millennium, "Byzantium: Faith and Power (1261–1557)" follows the 1997 landmark presentation of "The Glory of Byzantium," which focused on the art and culture of the Middle Byzantine era—the Second Golden Age of the Byzantine Empire (843–1261). In the late 1970s, "The Age of Spirituality" explored the early centuries of Byzantium's history. The present concluding segment explores the exceptional artistic accomplishments of an era too often considered in terms of political decline. Magnificent works—from splendid frescoes, textiles, gilded metalwork, and mosaics to elaborately decorated manuscripts and liturgical objects—testify to the artistic and intellectual vigor of the Late and Post-Byzantine era. In addition, forty magnificent icons from the Holy Monastery of Saint Catherine, Sinai, Egypt, join others from leading international institutions in a splendid gathering of these powerful religious images. While the political strength of the empire weakened, the creativity and learning of Byzantium spread father than ever before. The exceptional works of secular and religious art produced by Late Byzantine artists were emulated and transformed by other Eastern Christian centers of power, among them Russia, Serbia, Bulgaria, and Cilician Armenia. The Islamic world adapted motifs drawn from Byzantium's imperial past, as Christian minorities in the Muslin East continued Byzantine customs. From Italy to the Lowlands, Byzantium's artistic and intellectual practices deeply influenced the development of the Renaissance, while, in turn, Byzantium's own traditions reflected the empire's connections with the Latin West. Fine examples of these interrelationships are illustrated by important panel paintings, ceramics, and illuminated manuscripts, among other objects. In 1557 the "Empire of the Romans," as its citizens knew it, which had fallen to the Ottoman Turks in 1453, was renamed Byzantium by the German scholar Hieronymus Wolf. The cultural and historical interaction and mutual influence of these major cultures—the Latin West and the Christian and Islamic East—during this fascinating period are investigated in this publication by a renowned group of international scholars in seventeen major essays and catalogue discussions of more than 350 exhibited objects.
