Best Plays of 1981-1982 PDF Download
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Author: John Chapman
Publisher:
ISBN:
Category :
Languages : en
Pages : 387
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Book Description
Author: John Chapman
Publisher:
ISBN:
Category :
Languages : en
Pages : 387
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Book Description
Author: The Best plays
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 529
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Book Description
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages :
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Book Description
Author: Otis L. Guernsey
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 0
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Book Description
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 688
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Book Description
Author: Amnon Kabatchnik
Publisher: Scarecrow Press
ISBN: 0810883554
Category : Performing Arts
Languages : en
Pages : 648
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Book Description
Discussing more than 80 full-length plays, this volume provides an overview of the most important and memorable theatrical works of crime and detection produced between 1975 and 2000. Each entry includes a plot synopsis, production data, and the opinions of well-known and respected critics and scholars.
Author: Otis L. Guernsey
Publisher: W. Clement Stone
ISBN: 9780396081241
Category : Performing Arts
Languages : en
Pages : 548
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Book Description
Library has 1944-45 and 1954-55 through current year.
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 552
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Book Description
Author: Francis Keese Wynkoop Drury
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 498
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Book Description
Carries on the dependable tradition of this standard work... --REFERENCE BOOKS BULLETIN
Author: Nilgun Anadolu-Okur
Publisher: Routledge
ISBN: 1136614230
Category : History
Languages : en
Pages : 226
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Book Description
The Black Arts Movement was sparked by the Civil Rights movement and the urge to produce and revitalize functional, realistic, and holistic symbols to express African American creativity. When Larry Neal began his quest for a new dramatic form to epitomize African American self-determination he laid the foundation upon which his friends and compatriots-Amiri Baraka and Charles Fuller-would build. Expressing their individual protests through their writings, these artists soon united in their attack against Eurocentrism, which traditionally minimized or neglected the roles played by Africans and African Americans on the world stage. Their writings signaled a radical change in the form and content of African American writing, particularly drama. In this insightful examination of African American cultural history, the author explores the heart of the dramatic imagination of African Americans during the turbulent years of the Civil Rights and Black Power movements. The analysis of the works of these three important dramatists reveals the roots of an Afrocentric approach to the theater, and introduces a new methodology for exploring Afrocentrism that is particularly suited to classes in African American drama and literature.ࠁ
