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Author: Greer Garden
Publisher: Brepols Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 326
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Book Description
The story of Rinaldo and Armida, where love conflicts with duty, magic plays a role, and morality wins the day, lends itself to being dramatised, and a number of librettists adapted it for the stage in the 17th and 18th centuries. In France, where the ballet de cour was the prime dramatic entertainment, the earliest adaptation of Tasso for the theatre was the Ballet du Roy danced by Louis XIII and his courtiers in the Salle du Louvre on Sunday, 29 Janary 1617. The fifteen-year-old King chose the subject from several proposed to him by Etienne Durand, the designer placed in charge of the occasion. La Delivrance de Renaud. The present publication is dedicated entirely to the study of a single ballet de cour. Its centrepiece is a modern edition of the complete livret, compiled by Etienne Durand, his Discours au vray du ballet danse par le Roy, le dimanche XXIXe jour de janvier 1617, avec les desseins, tant des machines et apparences differentes, que de tous les habits des Masques (Paris, Ballard, 1617) In the first group of articles we look at the kind of historical evidence provided by the main sources for the ballet de cour, the Vers and the livret, and the noble participants are introduced ; the second group deals with the sources of inspiration for the ballet; in the third group, we consider the music of our ballet; the fourth group deals with the scenography and other visual aspects of the performance; at the end, the last group of articles is dedicated to the dance.
Author: Greer Garden
Publisher: Brepols Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 326
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Book Description
The story of Rinaldo and Armida, where love conflicts with duty, magic plays a role, and morality wins the day, lends itself to being dramatised, and a number of librettists adapted it for the stage in the 17th and 18th centuries. In France, where the ballet de cour was the prime dramatic entertainment, the earliest adaptation of Tasso for the theatre was the Ballet du Roy danced by Louis XIII and his courtiers in the Salle du Louvre on Sunday, 29 Janary 1617. The fifteen-year-old King chose the subject from several proposed to him by Etienne Durand, the designer placed in charge of the occasion. La Delivrance de Renaud. The present publication is dedicated entirely to the study of a single ballet de cour. Its centrepiece is a modern edition of the complete livret, compiled by Etienne Durand, his Discours au vray du ballet danse par le Roy, le dimanche XXIXe jour de janvier 1617, avec les desseins, tant des machines et apparences differentes, que de tous les habits des Masques (Paris, Ballard, 1617) In the first group of articles we look at the kind of historical evidence provided by the main sources for the ballet de cour, the Vers and the livret, and the noble participants are introduced ; the second group deals with the sources of inspiration for the ballet; in the third group, we consider the music of our ballet; the fourth group deals with the scenography and other visual aspects of the performance; at the end, the last group of articles is dedicated to the dance.
Author: Jennifer Nevile
Publisher: BRILL
ISBN: 9004377735
Category : Performing Arts
Languages : en
Pages : 299
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Book Description
Footprints of the Dance — An Early Seventeenth-Century Dance Master’s Notebook by Jennifer Nevile provides new, fascinating and detailed information on the life of an early-seventeenth-century dance master in Brussels. The dance master’s handwritten notebook contains unique material: a canon of dance figures and instructions for an exhibition with a pike; as well as signatures and general descriptions of his students, ballet plots and music associated with dancing. Reproduced for the first time are facsimile images of all the dance-related material, with transcriptions and translations of the ballet plots and instructions for the pike exhibition. The dance master is revealed as an active choreographer and performer, with strong ties to the French court musical establishment, and interested in fireworks and alchemy.
Author:
Publisher: Cambridge University Press
ISBN: 0521823595
Category :
Languages : en
Pages : 379
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Book Description
Author: Susan Broomhall
Publisher: Bloomsbury Publishing
ISBN: 1350090913
Category : History
Languages : en
Pages : 224
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Book Description
The period 1300-1600 CE was one of intense and far-reaching emotional realignments in European culture. New desires and developments in politics, religion, philosophy, the arts and literature fundamentally changed emotional attitudes to history, creating the sense of a rupture from the immediate past. In this volatile context, cultural products of all kinds offered competing objects of love, hate, hope and fear. Art, music, dance and song provided new models of family affection, interpersonal intimacy, relationship with God, and gender and national identities. The public and private spaces of courts, cities and houses shaped the practices and rituals in which emotional lives were expressed and understood. Scientific and medical discoveries changed emotional relations to the cosmos, the natural world and the body. Both continuing traditions and new sources of cultural authority made emotions central to the concept of human nature, and involved them in every aspect of existence.
Author: Sharon Kettering
Publisher: Manchester University Press
ISBN: 152613036X
Category : History
Languages : en
Pages : 280
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Book Description
This book seeks to rehabilitate the reputation of Charles d'Albert, duc de Luynes, the controversial favourite of Louis XIII often maligned by historians. Kettering argues that the traditional historical interpretation of Luynes is significantly influenced by the testimony of Richelieu, who subjected Luynes to a devastating character assassination in his memoirs. Richelieu’s malice and the bias in histories based upon his memoirs justify another look at Luynes’ career. This book sifts through the historical evidence to offer a new perspective on Luynes, arguing that his contributions to the early years of Louis XIII’s government have been insufficiently appreciated, and in the process throws light upon a dark, unpleasant corner of Richelieu’s personality often ignored by historians. As well as advanced students and historians of early modern France, this book should interest those specialising in the history of the European courts, power politics, patronage and printed pamphlet literature.
Author: Mark Franko
Publisher: Oxford University Press
ISBN: 019979443X
Category : Music
Languages : en
Pages : 272
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Book Description
Dance as Text: Ideologies of the Baroque Body is a historical and theoretical examination of French court ballet over a hundred-year period, beginning in 1573, that spans the late Renaissance and early baroque. Utilizing aesthetic and ideological criteria, author Mark Franko analyzes court ballet librettos, contemporary performance theory, and related commentary on dance and movement in the literature of this period. Examining the formal choreographic apparatus that characterizes late Valois and early Bourbon ballet spectacle, Franko postulates that the evolving aesthetic ultimately reflected the political situation of the noble class, which devised and performed court ballets. He shows how the body emerged from verbal theater as a self-sufficient text whose autonomy had varied ideological connotations, most important among which was the expression of noble resistance to the increasingly absolutist monarchy. Frankos analysis blends archival research with critical and cultural theory in order to resituate the burlesque tradition in its politically volatile context. Dance as Text thus provides a picture of the complex theoretical underpinnings of composite spectacle, the ideological tensions underlying experiments with autonomous dance, and finally, the subversiveness of Molieres use of court ballet traditions.
Author: Ralph P. Locke
Publisher: Cambridge University Press
ISBN: 1316298205
Category : Music
Languages : en
Pages : 473
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Book Description
During the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history, and by the challenges of cross-cultural (mis)understanding.
Author: John Denison Champlin
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 508
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Book Description
Author: Patricia Leigh Beaman
Publisher: Taylor & Francis
ISBN: 1000956121
Category : Performing Arts
Languages : en
Pages : 640
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Book Description
From healing, fertility, and religious rituals, through theatrical entertainment, to death ceremonies and ancestor worship, the updated and revised second edition of World Dance Cultures introduces an extraordinary variety of dance forms and their cultures, which are practiced around the world. This highly illustrated textbook draws on wide-ranging historical documentation and first-hand accounts taking in India, Bali, Java, Cambodia, China, Japan, Hawai‘i, New Zealand, Papua New Guinea, Africa, Türkiye, Spain, Native America, South America, and the Caribbean, with this second edition adding new chapters on the Pacific Islands, Southern Africa, France, and Cuba. Each chapter covers a certain region’s distinctive dances, pinpoints key issues and trends from the form’s development to its modern iteration, and offers a wealth of study features including: • Spotlights zooming in on key details of a dance form’s cultural, historical, and religious contexts • Explorations—first-hand descriptions by famous dancers and ethnographers, excerpts from anthropological fieldwork, or historical writings on the form • Think About—provocations to encourage critical analysis of dance forms and the ways in which they’re understood • Discussion Questions—starting points for group work, classroom seminars, or individual study. Offering a comprehensive overview of each dance form covered with over 100 full color photos, World Dance Cultures is an essential introductory resource for students and instructors alike.
Author: John Denison Champlin (jr.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 508
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Book Description
