Author: Jane Austen
Publisher: Anchor
ISBN: 0307950239
Category : Fiction
Languages : en
Pages : 546
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Book Description
From the editor of the popular Annotated Pride and Prejudice comes an annotated edition of Jane Austen’s Persuasion that makes the beloved novel an even more satisfying and fulfilling read. Here is the complete text of Persuasion with hundreds of annotations on facing pages, including: ● Explanations of historical context ● Citations from Austen’s life, letters, and other writings ● Definitions and clarifications ● Literary comments and analysis ● Plentiful maps and illustrations ● An introduction, a bibliography, and a detailed chronology of events Packed with all kinds of illuminating information—from what Bath and Lyme looked like at the time to how “bathing machines” at seaside resorts were used to how Wentworth could have made a fortune from the Napoleonic Wars—David M. Shapard’s delightfully entertaining edition brings Austen’s novel of second chances vividly to life.
Author: Jane Austen
Publisher: Harvard University Press
ISBN: 0674049748
Category : Fiction
Languages : en
Pages : 358
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Book Description
This is a tale of love lost and renewed amid England's complicated upper society.
Author: Jane Austen
Publisher: Harvard University Press
ISBN: 0674049160
Category : Fiction
Languages : en
Pages : 456
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Book Description
The text of Jane Austen's classic tale is accompanied by an introduction to the author's life and work and explanatory notes discussing the novel's historical context, language, characters, and themes.
Author: Jane Austen
Publisher:
ISBN: 9781718893375
Category :
Languages : en
Pages : 590
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Book Description
Emma, by Jane Austen, is a novel about youthful hubris and the perils of misconstrued romance. The story takes place in the fictional village of Highbury and the surrounding estates of Hartfield, Randalls, and Donwell Abbey and involves the relationships among individuals in those locations consisting of "3 or 4 families in a country village". The novel was first published in December 1815 while the author was alive, with its title page listing a publication date of 1816. As in her other novels, Austen explores the concerns and difficulties of genteel women living in Georgian-Regency England; she also creates a lively comedy of manners among her characters and depicts issues of marriage, gender, age, and social status.
Author: Janine Barchas
Publisher: Johns Hopkins University Press
ISBN: 1421431599
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
Thoroughly innovative and occasionally irreverent, this book will appeal in equal measure to book historians, Austen fans, and scholars of literary celebrity.
Author: William Baker
Publisher: Infobase Publishing
ISBN: 1438108494
Category : Literary Criticism
Languages : en
Pages : 657
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Book Description
Jane Austen has been one of the world's most popular writers for 200 years and is best known for her works Pride and Prejudice, Emma, and Sense and Sensibility.
Author: Jane Austen
Publisher: Oxford University Press, USA
ISBN: 9780199680917
Category : Literary Collections
Languages : en
Pages : 0
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Book Description
Kathryn Sutherland presents an edition of the fiction manuscripts of Jane Austen (1775-1817) in this five-volume set. Scholars have pored over this much-loved novelist for decades, yet there are still more riches to be uncovered by the careful presentation of the texts in this fully annotated new edition. Jane Austen's fiction manuscripts are the first substantial collection of autograph writings to survive for a British novelist. They represent every stage of her writing life, from childhood--aged 11 or 12--to the year of her death. The manuscripts represent a wide variety of physical states: working drafts, fair copies, and handwritten publications for private circulation. Where the juvenile, handwritten notebooks have long appeared to scholars to be finished artefacts, most of the other manuscript writings consist of pre-print or working drafts in various stages of development. There is no evidence to indicate that Austen saw the bulk of these working drafts as anything other than provisional. Hence the stark situation that no manuscripts remain for works which saw publication in her lifetime, the assumption being that these were routinely destroyed once replaced by print forms. There is only one exception: the two cancelled chapters of Persuasion, which represent an alternative ending to the one that made it into print. The manuscript evidence therefore represents a different Jane Austen: different in the range of fiction they contain from the novels we know only from print; and different in what they reveal about the workings of her imagination. Because of the variety of their pre-print states, because of their experimental range, and because of the way they extend the time span of her writing life (far longer than the single decade of the printed novels), these manuscript writings can claim a special place in our understanding of the evolution of the famous fictions. The edition presents full transcriptions of the texts based on a fresh examination of all the extant witnesses in Austen's hand, with facing facsimile images of the manuscript pages, and commentary on revisions, over-writings, erasures, and other features of the manuscripts.
Author: Hannah Moss
Publisher: Edinburgh University Press
ISBN: 1399500422
Category :
Languages : en
Pages : 609
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Book Description
Jane Austen was a keen consumer of the arts throughout her lifetime. The Edinburgh Companion to Jane Austen and the Arts considers how Austen represents the arts in her writing, from her juvenilia to her mature novels. The thirty-three original chapters in this Companion cover the full range of Austen's engagement with the arts, including the silhouette and the caricature, crafts, theatre, fashion, music and dance, together with the artistic potential of both interior and exterior spaces. This volume also explores her artistic afterlives in creative re-imaginings across different media, including adaptations and transpositions in film, television, theatre, digital platforms and games.
Author: Erin Goss
Publisher: Rutgers University Press
ISBN: 1684480795
Category : Literary Criticism
Languages : en
Pages : 219
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Book Description
Jane Austen and Comedy takes for granted two related notions. First, Jane Austen’s books are funny; they induce laughter, and that laughter is worth attending to for a variety of reasons. Second, Jane Austen’s books are comedies, understandable both through the generic form that ends in marriage after the potential hilarity of romantic adversity and through a more general promise of wish fulfillment. In bringing together Austen and comedy, which are both often dismissed as superfluous or irrelevant to a contemporary world, this collection of essays directs attention to the ways we laugh, the ways that Austen may make us do so, and the ways that our laughter is conditioned by the form in which Austen writes: comedy. Jane Austen and Comedy invites reflection not only on her inclusion of laughter and humor, the comic, jokes, wit, and all the other topics that can so readily be grouped under the broad umbrella that is comedy, but also on the idea or form of comedy itself, and on the way that this form may govern our thinking about many things outside the realm of Austen’s work. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author: Natasha Duquette
Publisher: Rowman & Littlefield
ISBN: 1611461383
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
The essays collected in Jane Austen and the Arts; Elegance, Propriety, and Harmony examine Austen’s understanding of the arts, her aesthetic philosophy, and her role as artist. Together, they explore Austen’s connections with Edmund Burke, Adam Smith, Johann Wolfgang von Goethe, Madame de Staël, Joanna Baillie, Jean Jacques Rousseau, Mary Anne Schimmelpenninck, and other writers engaged in debates on the sensuous experience and the intellectual judgment of art. Our contributors look at Austen’s engagement with diverse art forms, painting, ballet, drama, poetry, and music, investigating our topic within historically grounded and theoretically nuanced essays. They represent Austen as a writer-thinker reflecting on the nature and practice of artistic creation and considering the social, moral, psychological, and theological functions of art in her fiction. We suggest that Austen knew, modified, and transformed the dominant aesthetic discourses of her era, at times ironically, to her own artistic ends. As a result, a new, and compelling image of Austen emerges, a “portrait of a lady artist” confidently promoting her own distinctly post-enlightenment aesthetic system.
