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Author: Harold Pinter
Publisher:
ISBN: 9780571233960
Category : International relations
Languages : en
Pages : 24
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Book Description
A transcript of Harold Pinter's Nobel Lecture, delivered on 7th December 2005.
Author: Harold Pinter
Publisher: Faber & Faber
ISBN: 0571301304
Category : Performing Arts
Languages : en
Pages : 33
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Book Description
Arts, Truth and Politics is Harold Pinter's lecture on receipt of the 2005 Nobel Prize in Literature.
Author: Harold Pinter
Publisher:
ISBN: 9788188789467
Category : Theater
Languages : en
Pages : 23
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Book Description
From the Lecture: "I believe that despite the enormous odds which exist, unflinching, unswerving, fierce intellectual determination, as citizens, to define the real truth of our lives and our societies is a crucial obligation which devolves upon us all. It is in fact mandatory."
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
In 2005 Harold Pinter, unable to attend the ceremonies, videotaped a lecture on the occasion of his reception of the Nobel Prize for Literature. His speech is a complex reflection on his own writing and an excoriating attack on the foreign policy of a "brutal, ruthless and scornful" United States. He also reflects on the genesis of this plays 'The Homecoming' and 'Old times'; on the problems of political theatre; on the tragedy of American actions in Nicaragua; on the invasion of Iraq and on other crimes by the United States in the past half century.
Author: Florian Malzacher
Publisher:
ISBN: 9783943365849
Category : Art
Languages : en
Pages : 335
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Book Description
X93;Truth is concrete” collects 100 strategies by artists, activists and theorists, mapping the broad field of engaged art and artistic activism today. Additional essays focus on the philosophy, structures and modalities behind the many fights to make this world a better place.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
“[A] passionate and astonishing speech, which mixed moral vigour with forensic detail... This was a man delivering an attack on American foreign policy, and Britain's subscription to it, with a controlled anger and a deadly irony. And, paradoxically, it reminded us why Pinter is such a formidable dramatist. He used every weapon in his theatrical technique to reinforce his message. And, by the end, it was as if Pinter himself had been physically recharged by the moral duty to express his innermost feelings.” Michael Billington, The Guardian.
Author: Daniel Herwitz
Publisher: Bloomsbury Publishing
ISBN: 1350182400
Category : Philosophy
Languages : en
Pages : 216
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Book Description
Visual art has a ubiquitous political cast today. But which politics? Daniel Herwitz seeks clarity on the various things meant by politics, and how we can evaluate their presumptions or aspirations in contemporary art. Drawing on the work of William Kentridge, drenched in violence, race, and power, and the artworld immolations of Banksy, Herwitz's examples range from the NEA 4 and the question of offense-as-dissent, to the community driven work of George Gittoes, the identity politics of contemporary American art and (for contrast with the power of visual media) literature written in dialogue with truth commissions. He is interested in understanding art practices today in the light of two opposing inheritances: the avant-gardes and their politicization of the experimental art object, and 18th-century aesthetics, preaching the autonomy of the art object, which he interprets as the cultural compliment to modern liberalism. His historically-informed approach reveals how crucial this pair of legacies is to reading the tensions in voice and character of art today. Driven by questions about the capacity of the visual medium to speak politically or acquire political agency, this book is for anyone working in aesthetics or the art world concerned with the fate of cultural politics in a world spinning out of control, yet within reach of emancipation.
Author: Sean Cubitt
Publisher: MIT Press
ISBN: 0262318334
Category : Art
Languages : en
Pages : 395
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Book Description
Leading historians of the media arts define a new materialist media art history, discussing temporality, geography, ephemerality, and the future. In Relive, leading historians of the media arts grapple with this dilemma: how can we speak of “new media” and at the same time write the histories of these arts? These scholars and practitioners redefine the nature of the field, focusing on the materials of history—the materials through which the past is mediated. Drawing on the tools of media archaeology and the history and philosophy of media, they propose a new materialist media art history. The contributors consider the idea of history and the artwork's moment in time; the intersection of geography and history in regional practice, illustrated by examples from eastern Europe, Australia, and New Zealand; the contradictory scales of evolution, life cycles, and bodily rhythms in bio art; and the history of the future—how the future has been imagined, planned for, and established as a vector throughout the history of new media arts. These essays, written from widely diverse critical perspectives, capture a dynamic field at a moment of productive ferment. Contributors Susan Ballard, Brogan Bunt, Andrés Burbano, Jon Cates, John Conomos, Martin Constable, Sean Cubitt, Francesca Franco, Darko Fritz, Zhang Ga, Monika Gorska-Olesinska, Ross Harley, Jens Hauser, Stephen Jones, Douglas Kahn, Ryszard W. Kluszczynski, Caroline Seck Langill, Leon Marvell, Rudy Rucker, Edward A. Shanken, Stelarc, Adele Tan, Paul Thomas, Darren Tofts, Joanna Walewska
Author: Philip Seargeant
Publisher: Bloomsbury Publishing
ISBN: 1350266140
Category : Language Arts & Disciplines
Languages : en
Pages : 281
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Book Description
Now in paperback and with a new Afterword offering insights into the events of 2020 and early 2021, including the pandemic, global protests, racial justice debates and the US presidential election, this book provides an original and compelling way of understanding the chaotic world of today's politics. In our post-truth world, tapping into people's emotions has proved far more effective than rational argument - and, as Seargeant argues, the most powerful tool for manipulating emotions is a gripping narrative. From Trump's America to Brexit Britain, weaving a good story, featuring fearless protagonists, challenging quests against seemingly insurmountable odds, and soundbite after soundbite of memorable dialogue has been at the heart of political success. So does an understanding of the art of storytelling help explain today's successful political movements? Can it translate into a blueprint for victory at the ballot box? The Art of Political Storytelling looks at how stories are created, shared and contested, illuminating the pivotal role that persuasive storytelling plays in shaping our understanding of the political world we live in. By mastering the tools and tricks of narrative, and evaluating the language and rhetorical strategies used to craft and enact them, Seargeant explains how and why today's combination of new media, populism and partisanship makes storytelling an ever more important part of the persuasive and political process.
Author: Bret Stephens
Publisher:
ISBN: 9780648018902
Category :
Languages : en
Pages :
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Book Description
2017 Lowy Institute Media Lecture
Author: Katherine Anne Willyard
Publisher:
ISBN:
Category :
Languages : en
Pages : 144
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Book Description
