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Author: Robert Edwards
Publisher: Boydell & Brewer Ltd
ISBN: 9780859914079
Category : Language Arts & Disciplines
Languages : en
Pages : 224
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Book Description
The twelve studies divide into three groups.
Author: Robert Edwards
Publisher: Boydell & Brewer Ltd
ISBN: 9780859914079
Category : Language Arts & Disciplines
Languages : en
Pages : 224
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Book Description
The twelve studies divide into three groups.
Author: Peter Brown
Publisher: John Wiley & Sons
ISBN: 1405195525
Category : Literary Criticism
Languages : en
Pages : 692
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Book Description
A Companion to Medieval English Literature and Culture, c.1350-c.1500 challenges readers to think beyond a narrowly defined canon and conventional disciplinary boundaries. A ground-breaking collection of newly-commissioned essays on medieval literature and culture. Encourages students to think beyond a narrowly defined canon and conventional disciplinary boundaries. Reflects the erosion of the traditional, rigid boundary between medieval and early modern literature. Stresses the importance of constructing contexts for reading literature. Explores the extent to which medieval literature is in dialogue with other cultural products, including the literature of other countries, manuscripts and religion. Includes close readings of frequently-studied texts, including texts by Chaucer, Langland, the Gawain poet, and Hoccleve. Confronts some of the controversies that exercise students of medieval literature, such as those connected with literary theory, love, and chivalry and war.
Author: Kathleen M. Hewett-Smith
Publisher: Routledge
ISBN: 1135652821
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
This collection of newly written essays provides a fresh examination of some of the issues central to the study of this poem, including an exploration of its relevance to contemporary literary theory and to 14th century culture and ideology.
Author: Matthew Milner
Publisher: Routledge
ISBN: 131701636X
Category : History
Languages : en
Pages : 431
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Book Description
It is a commonly held belief that medieval Catholics were focussed on the 'bells and whistles' of religious practices, the smoke, images, sights and sounds that dazzled pre-modern churchgoers. Protestantism, in contrast, has been cast as Catholicism's austere, intellective and less sensual rival sibling. With iis white-washed walls, lack of incense (and often music) Protestantism worship emphasised preaching and scripture, making the new religion a drab and disengaged sensual experience. In order to challenge such entrenched assumptions, this book examines Tudor views on the senses to create a new lens through which to explore the English Reformation. Divided into two sections, the book begins with an examination of pre-Reformation beliefs and practices, establishing intellectual views on the senses in fifteenth-century England, and situating them within their contemporary philosophical and cultural tensions. Having established the parameters for the role of sense before the Reformation, the second half of the book mirrors these concerns in the post-1520 world, looking at how, and to what degree, the relationship between religious practices and sensation changed as a result of the Reformation. By taking this long-term, binary approach, the study is able to tackle fundamental questions regarding the role of the senses in late-medieval and early modern English Christianity. By looking at what English men and women thought about sight, hearing, smell, taste and touch, the stereotype that Protestantism was not sensual, and that Catholicism was overly sensualised is wholly undermined. Through this examination of how worship was transformed in its textual and liturgical forms, the book illustrates how English religion sought to reflect changing ideas surrounding the senses and their place in religious life. Worship had to be 'sensible', and following how reformers and their opponents built liturgy around experience of the sacred through the physical allows us to tease out the tensions and pressures which shaped religious reform.
Author: Sylvia Huot
Publisher: Boydell & Brewer
ISBN: 1843841045
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
This vast romance chronicles an imaginary era of pre-Arthurian British history when Britain was ruled by a dynasty established by Alexander the Great. Its story of cultural rise, decline, and regeneration offers an exploration of medieval ideas about ethnic and cultural conflict and fusion, identity and hybridity.
Author: Marco Nievergelt
Publisher: Oxford University Press
ISBN: 0192665839
Category : Philosophy
Languages : en
Pages : 577
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Book Description
In Medieval Allegory as Epistemology, Marco Nievergelt argues that late medieval dream-poetry was able to use the tools of allegorical fiction to explore a set of complex philosophical questions regarding the nature of human knowledge. The focus is on three of the most widely read and influential poems of the later Middle Ages: Jean de Meun's Roman de la Rose; the Pélerinages trilogy of Guillaume de Deguileville; and William Langland's vision of Piers Plowman in its various versions. All three poets grapple with a collection of shared, closely related epistemological problems that emerged in Western Europe during the thirteenth century, in the wake of the reception of the complete body of Aristotle's works on logic and the natural sciences. This study therefore not only examines the intertextual and literary-historical relations linking the work of the three poets, but takes their shared interest in cognition and epistemology as a starting point to assess their wider cultural and intellectual significance in the context of broader developments in late medieval philosophy of mind, knowledge, and language. Vernacular literature more broadly played an extremely important role in lending an enlarged cultural resonance to philosophical ideas developed by scholastic thinkers, but it is also shown that allegorical narrative could prompt philosophical speculation on its own terms, deliberately interrogating the dominance and authority of scholastic discourses and institutions by using first-person fictional narrative as a tool for intellectual speculation.
Author: Colum Hourihane
Publisher:
ISBN: 0195395360
Category : Architecture, Medieval
Languages : en
Pages : 4064
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Book Description
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
Author: Vinay Dharwadker
Publisher: Routledge
ISBN: 131795856X
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
This book highlights the best new interdisciplinary research on the theory and practice of cosmopolitanism, with a special focus on the cosmopolitan literatures of Europe, Asia, Africa, and North America, from medieval times to the present.
Author: Cristina Maria Cervone
Publisher: Boydell & Brewer
ISBN: 184384446X
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
III: Subjectivity and the Self -- 6. Re-reading Troilus in Response to Tony Spearing -- 7. The English Charles: Subjectivity, Texts and Culture -- IV: Reading for Form -- 8. The Inescapability of Form -- 9. Destroyer of Forms: Chaucer's Philomela -- 10. Gower's Confessio Amantis and Chaucer's Canterbury Tales as Dits -- 11. Poems without Form? Maiden in the mor lay Revisited -- 12. "I" and "We" in Chaucer's Complaint unto Pity -- V: Epilogue -- 13. Two Appreciations of A.C. Spearing -- 14. Announcing a Literary Find Apparently Related to the Gawain-poet -- Works Cited -- Index
Author: Cristina Maria Cervone
Publisher: University of Pennsylvania Press
ISBN: 0812244516
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
The author explores the work of fourteenth-century writers who discussed the intellectual implications of the religious idea of Incarnation in poetical and rhetorical forms. The book then goes on to discuss how the Incarnation of Christ allowed writers to meditate on the nature of language and form.
