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![Art and Argyrol. The Life and Career of Dr. Albert C. Barnes. [With a Portrait.]. PDF](https://books.google.com/books/content/images/frontcover/yUChswEACAAJ?fife=w150-h200)
Author: William SCHACK
Publisher:
ISBN:
Category :
Languages : en
Pages : 412
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![Art and Argyrol. The Life and Career of Dr. Albert C. Barnes. [With a Portrait.]. PDF](https://books.google.com/books/content/images/frontcover/yUChswEACAAJ?fife=w80-h100)
Author: William SCHACK
Publisher:
ISBN:
Category :
Languages : en
Pages : 412
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Author: William Schack
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 426
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Author: William Schack
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 326
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This first biography of Dr. Albert C. Barnes was serialized on the front page of thePhiladelphia Inquirer when it appeared in 1960. In it, arts journalist William Schack interviewed dozens of people who knew the famously pugnacious art collector as he assembled his world-famous collection outside Philadelphia, Pennsylvania. Schack traces the life of Albert Coombs Barnes (1872-1951), from childhood to his student days in Germany where he met the chemist with whom he developed Argyrol, a medication that made Barnes rich and allowed him to become an art collector. After applying for a charter to establish his collection as a public educational institution, Barnes established a highly erratic policy of admission and battled dozens of people and institutions regarding access to it. Art and Argyrol is written in the journalistic style of a bygone era yet retains its fascination for anyone interested in the history of this astounding collection and in Barnes himself. “William Schack, research chemist, journalist and art writer, has done the first full-scale study of Dr. Barnes, NOT an ‘authorized’ biography... this is a remarkable book about a remarkable Philadelphian” — The Philadelphia Inquirer “[Dr. Albert C. Barnes] is an important, as well as a colorful, figure and [...] Art and Argyrol — the first full-length biography of Barnes — is of considerable interest.” — Max Kozloff, Commentary Magazine
Author: Howard Greenfeld
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 342
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Biography of Dr. Barnes, one of the most colorful, bizarre, and visionary figure in the American art world in the last century.
Author: John Anderson
Publisher: W. W. Norton & Company
ISBN: 0393347311
Category : Antiques & Collectibles
Languages : en
Pages : 269
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Book Description
“Money, pretension, horrid behavior by cultured people” (New York) —John Anderson’s tale delivers it all in fabulously juicy detail. This is the story of how a fabled art foundation—the greatest collection of impressionist and postimpressionist art in America, including 69 Cézannes, 60 Matisses, and 44 Picassos, among many priceless others—came to be, and how more than a decade of legal squabbling brought it to the brink of collapse and to a move that many believe betrayed the wishes of the founder, Dr. Albert C. Barnes (1872—1951). Art Held Hostage is now updated with a new epilogue by the author covering the current state of this international treasure and the endless battle over its fate.
Author:
Publisher:
ISBN:
Category : Ophthalmology
Languages : en
Pages : 138
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Author: John Rewald
Publisher: Princeton University Press
ISBN: 0691252289
Category : Art
Languages : en
Pages : 352
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The classic work by internationally acclaimed Cézanne scholar John Rewald In Cézanne and America, John Rewald presents a full account of how Paul Cézanne’s reputation and influence became established in America between 1891 and 1921, and of how some of the world’s largest collections of his works were formed in the United States. This is the fascinating story of enthusiastic young American artists who took up Cézanne’s cause after they discovered him in Paris. It is also the story of the discerning early American collectors of his work—Leo and Gertrude Stein, the Havemeyers, and John Quinn, among others—many of whom made their first purchases from Cézanne’s wily dealer Ambroise Vollard in Paris, or from the dealer Alfred Stieglitz in New York, and of the beginning of the famous collection of Dr. Albert C. Barnes. Each chapter is illustrated not only with Cézanne’s works but also with portraits of collectors and critics and with previously unpublished pages from diaries, dealers’ ledgers, and Cézanne’s own correspondence.
Author: John O'Brian
Publisher: University of Chicago Press
ISBN: 9780226616261
Category : Art
Languages : en
Pages : 322
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Book Description
AcknowledgmentsPrologue: Matisse and the Culture Generally1. Journalists: Recasting the Image of the Modern Artist2. Dealers: Paul Rosenberg and Matisse Fils3. Private Collectors: Museum-Going Millionaires with a Taste for France4. Museums I: Public Relations and the Semiprivate Museum5. Museums II: Private Relations and the Semipublic Museum6. Artists: Contending with the European Modernist Canon7. Critics: Clement Greenberg's Defense of Material PleasureEpilogue: Merchandising OptimismNotesBibliographyIndex Copyright © Libri GmbH. All rights reserved.
Author: Neil L. Rudenstine
Publisher: University of Pennsylvania Press
ISBN: 1606188909
Category : Art
Languages : en
Pages : 265
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The life and times of extraordinary Philadelphia art collector Albert C. Barnes Philadelphia art collector Albert C. Barnes (1872–1951) is renowned today for collecting many of the world’s most important impressionist, post-impressionist, and modern paintings, and displaying them alongside African masks, Native American jewelry, Greek antiquities, and decorative metalwork. The museum that bears his name holds more than eight hundred paintings, with a strong focus on Renoir, Cézanne, Matisse, and Picasso, as well as other European and American masters. In The House of Barnes, Neil L. Rudenstine provides the first scholarly study on the historical, art historical, and political context during which Barnes purchased his masterpieces and attempted to redefine aesthetic education. Inspired by his good friend John Dewey’s educational philosophy, Barnes held art-appreciation classes for the workers in his factory. His successes there led him to establish the Barnes Foundation in Merion, Pennsylvania—more as an educational experiment than a typical museum. In 2012, the Barnes Foundation moved to the Benjamin Franklin Parkway in Philadelphia. Rudenstine presents the controversial events surrounding the Barnes Foundation’s move to Philadelphia, including an analysis of the Foundation’s financial plight, a review of the major court cases over the decades, and a characterization of the fervent reactions following the court’s decision to allow the move to take place. The House of Barnes chronicles the life and times of an extraordinary collector and the continued endurance of the Barnes Foundation long after the death of its founder. Originally published in 2012, this new edition contains sixteen pages of full-color reproductions of masterpieces from the collection, a new preface from the author, and a foreword from the prominent art historian Yve-Alain Bois.
Author: Stefan Zweig
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 269
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Mary, Queen of Scots (1542–1587), also known as Mary Stuart or Mary I of Scotland, reigned over Scotland from 14 December 1542 to 24 July 1567. Mary, the only surviving legitimate child of James V of Scotland, was six days old when her father died and she acceded to the throne. She spent most of her childhood in France while Scotland was ruled by regents, and in 1558, she married the Dauphin of France, Francis. He ascended the French throne as King Francis II in 1559, and Mary briefly became queen consort of France, until his death in December 1560. Widowed, Mary returned to Scotland, arriving in Leith on 19 August 1561. Four years later, she married her first cousin, Henry Stuart, Lord Darnley, but their union was unhappy. In February 1567, his residence was destroyed by an explosion, and Darnley was found murdered in the garden. James Hepburn, 4th Earl of Bothwell, was generally believed to have orchestrated Darnley’s death, but he was acquitted of the charge in April 1567, and the following month he married Mary. Following an uprising against the couple, Mary was imprisoned in Lochleven Castle. On 24 July 1567, she was forced to abdicate in favour of James VI, her one-year-old son by Darnley. After an unsuccessful attempt to regain the throne, she fled southwards seeking the protection of her first cousin once removed, Queen Elizabeth I of England. Mary had previously claimed Elizabeth’s throne as her own and was considered the legitimate sovereign of England by many English Catholics, including participants in a rebellion known as the Rising of the North. Perceiving her as a threat, Elizabeth had her confined in various castles and manor houses in the interior of England. After eighteen and a half years in custody, Mary was found guilty of plotting to assassinate Elizabeth in 1586 and was beheaded the following year. “The story has all the emotional savor of a crime passionnel; it is adroitly worked up to a climax of violence and calamity, and it subsides as skillfully to an end of tragic pity... With his talent for simple exposition on a large scale, his sense of drama, his ready flow of emotion, his inventiveness in detail of the moments of his character’s life, his resources of metaphor, parallel and illustration, and his rich psychological adornment of human life, Herr Zweig has no difficulty in reducing his material into its essential drama... whatever Mary’s story, and we shall never know, Zweig’s book has every right to be set down as one of the most brilliant guesses at the truth, and it is an amazing piece of virtuosity to plunge her into the blackest of guilt, and then restore her to our sympathy and pity.” — Peter Munro Jack, The New York Times “Mr. Zweig... is not a historian but... a litterateur practising biography as a branch of letters. The distinction is not derogatory... It... is the clue to the strength and weakness of the book. The litterateur borrows from the craft and exercises some of the liberty of the novelist. He is interested in character and psychology and indulges in imaginative reconstruction more freely than the historian who is forever... haunted by the words, ‘We do not know.’... [Zweig] makes a real person of Mary, a convincing portrait, and there is sympathetic understanding even when he is presenting her as the accomplice of her lover, Bothwell, in the murder of Darnley. Needless to say the style is remarkably easy and readable... [C]riticism would be unjust to the brilliant qualities of Mr. Zweig’s book, and though I hope that all he says will not be taken for gospel truth, I am certain of the pleasure he will give to his readers. There are many descriptive passages to be scored and many sentences that one would give a great deal to have written. The whole book goes with the swing of a novel. The translation is beyond praise.” — J. E. Neale, The Saturday Review
