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Author: Anthea Garman
Publisher: University of Kwazulu Natal Press
ISBN: 9781869142933
Category : Apartheid
Languages : en
Pages : 0
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Book Description
Antjie Krog has been known in Afrikaans literary circles and the media for decades because of her poetry and her strong political convictions. Often known simply as 'Antjie, ' she is also affectionately called 'our beloved poet' and our 'Joan of Arc' by Afrikaans commentators. It was through her work on the Truth and Reconciliation Commission as an SABC radio journalist and her subsequent book, Country of My Skull, that Antjie Krog then became known to English-speakers in South Africa and across the world. Her work catapulted her particular brand of poetics and politics, honed over many years of her opposition to apartheid, into the South African public sphere at a time when the country was not only looking for a humane and just resolution after the apartheid era, but was also establishing itself as a new democracy. These were heady days as South Africa discovered an exciting place in the world, as the country realized it had things to say and teach about race, conflict, and justice. It was also a time when the new government was seeking solutions and urging all those who could contribute positively to stand up and speak out. The language of 'public intellectuals' was in the air. This book considers how Antjie Krog - the prolific poet, journalist, non-fiction author, academic, and researcher - has made a significant contribution to the South African post-apartheid public sphere. Krog's inimitable style, rooted in her sensibility as a poet, has allowed her to develop a particular persona and subjectivity as a writer of testimony and witness. [Subject: Politics, African Studies, Apartheid Studies, Literature
Author: Anthea Garman
Publisher: University of Kwazulu Natal Press
ISBN: 9781869142933
Category : Apartheid
Languages : en
Pages : 0
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Book Description
Antjie Krog has been known in Afrikaans literary circles and the media for decades because of her poetry and her strong political convictions. Often known simply as 'Antjie, ' she is also affectionately called 'our beloved poet' and our 'Joan of Arc' by Afrikaans commentators. It was through her work on the Truth and Reconciliation Commission as an SABC radio journalist and her subsequent book, Country of My Skull, that Antjie Krog then became known to English-speakers in South Africa and across the world. Her work catapulted her particular brand of poetics and politics, honed over many years of her opposition to apartheid, into the South African public sphere at a time when the country was not only looking for a humane and just resolution after the apartheid era, but was also establishing itself as a new democracy. These were heady days as South Africa discovered an exciting place in the world, as the country realized it had things to say and teach about race, conflict, and justice. It was also a time when the new government was seeking solutions and urging all those who could contribute positively to stand up and speak out. The language of 'public intellectuals' was in the air. This book considers how Antjie Krog - the prolific poet, journalist, non-fiction author, academic, and researcher - has made a significant contribution to the South African post-apartheid public sphere. Krog's inimitable style, rooted in her sensibility as a poet, has allowed her to develop a particular persona and subjectivity as a writer of testimony and witness. [Subject: Politics, African Studies, Apartheid Studies, Literature
Author: Abebe Zegeye
Publisher: BRILL
ISBN: 9004474048
Category : Social Science
Languages : en
Pages : 200
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Book Description
The essays in this collection reveal that the social and political development of post-apartheid South Africa depends to an important degree on the evolving cultural, social and political identities of its diverse population and on the role of the media of mass communications in the country's new multicultural democracy. The popular struggle against the country's former apartheid regime and the on-going democratisation of South African politics have generated enormous creativity and inspiration as well as many contradictions and unfulfilled expectations. In the present period of social transformation, the legacy of the country's past is both a source of continuing conflict and tension as well as a cause for celebration and hope. Post-apartheid South Africa provides an important case study of social transformation and how the cultural, social and political identities of a diverse population and the structure and practices of the media of mass communications affect the prospects for developing a multicultural democracy. The promise and the challenge of building a multicultural democratic society in a country with a racist and violent authoritarian legacy involves people with different identities and interests learning how to respect their differences and to live together in peace. It involves developing an inclusive or overarching common identity and a commitment to working together for a common destiny based on social equity and justice. South Africa's media of mass communications have an important role to play in the process of unprecedented social transformation - both in developing the respect for differences and the overarching identity as well as providing the public forum and the channels of communication needed for the successful development of the country's multicultural democracy. In South Africa, the democratization of the media must go hand in hand with the democratization of the political system in order to ensure that the majority of the citizenry participate effectively in the country's multicultural democracy. Topics covered include The "Struggle for African Identity: Thabo Mbeki's African Renaissance", "Between the Local and the Global: South African Languages and the Internet", "Shooting the East/Veils and Masks: Uncovering Orientalism in South African Media" and "Black and White in Ink: Discourses of Resistance in South African Cartooning". Contributors are Pal Ahluwalia, Gabeba Baderoon, Richard L. Harris, Sean Jacobs, Elizabeth Le Roux, Andy Mason, Thembisa Mjwacu, Herman Wasserman, and Abebe Zegeye.
Author: Peter D. McDonald
Publisher: Oxford University Press
ISBN: 0198725159
Category : Literary Criticism
Languages : en
Pages : 339
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Book Description
Explores the relationship between literature and international relations and considers how writing resists norms and puts any fixed or final idea of community in question. Part I examines the European context (1860 to 1945) and Part II analyses the traditions of disruptive writing that emerged out of sub-Saharan Africa and south Asia after 1945.
Author: Wessel le Roux
Publisher: BRILL
ISBN: 9047442377
Category : Social Science
Languages : en
Pages : 202
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Book Description
Author: Lena Englund
Publisher: Springer Nature
ISBN: 3030832325
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
This book examines 21st-century South African autobiographical writing that addresses the nation’s socio-political realities, both past and present. The texts in focus represent and depict a South Africa caught in the midst of contradictory and competing images of the ‘Rainbow Nation’. Arguing that recent memoirs question and criticize the illusion of a united nation, the study shows how these texts reveal the flaws and shortcomings not only of the apartheid past but of contemporary South Africa. It encompasses a broad range of autobiographical works, largely published since 2009, that engage with South Africa’s past, present and future. At its centre is the quest for space and belonging, and this book investigates who can comfortably ‘belong’ in South Africa in its post-apartheid, post-Truth and Reconciliation, post-Mbkei and post-Zuma state.
Author: Lesley Cowling
Publisher: Wits University Press
ISBN: 1776145933
Category : Social Science
Languages : en
Pages : 292
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Book Description
In this timely, original and sophisticated collection, writers from the Global South demonstrate that forms of publicness are multiple, mobile and varied The notion that societies mediate issues through certain kinds of engagement is at the heart of imaginings of democracy and often centers on the ideal of the public sphere. But this imagined foundation of how we live collectively appears to have suffered a dramatic collapse across the world, with many democracies apparently unable to solve problems through talk – or even to agree on who speaks, in what ways and where. In the 10 essays in this timely, original and sophisticated collection, writers from southern Africa combine theoretical analysis with the examination of historical cases and contemporary developments to demonstrate that forms of publicness are multiple, mobile and varied. They propose new concepts and methodologies to analyse how public engagements work in society. Babel Unbound examines charged examples from the Global South, such as the centuries old Timbuktu archive, Nelson Mandela as a powerful absent presence in 1960s public life, and the challenges to the terms of contemporary debate around the student activism of #rhodesmustfall and #feesmustfall. These show how issues of public discussion span both archive and media, verbal debates in formal spaces and visual performances that circulate in unpredictable ways.
Author: Antjie Krog
Publisher: Penguin Random House South Africa
ISBN: 1770201033
Category : Biography & Autobiography
Languages : en
Pages : 348
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Book Description
In 1992, a gang leader was shot dead by an ANC member in Kroonstad. The murder weapon was then hidden on Antjie Krog’s stoep. In Begging to Be Black, Krog begins by exploring her position in this controversial case. From there the book ranges widely in scope, both in time - reaching back to the days of Basotho king Moshoeshoe - and in space - as we follow Krog’s experiences as a research fellow in Berlin, far from the Africa that produced her. Begging to Be Black is a book of journeys - moral, historical, philosophical and geographical. These form strands that Krog interweaves and sets in conversation with each other, as she explores questions of change and becoming, coherency and connectedness, before drawing them closer together as the book approaches its powerful end. Experimental and courageous, Begging to Be Black is a welcome addition to Krog’s own oeuvre and to South African literary non-fiction.
Author: Stephen J.A. Ward
Publisher: Springer Nature
ISBN: 331932103X
Category : Philosophy
Languages : en
Pages : 1450
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Book Description
This handbook is one of the first comprehensive research and teaching tools for the developing area of global media ethics. The advent of new media that is global in reach and impact has created the need for a journalism ethics that is global in principles and aims. For many scholars, teachers and journalists, the existing journalism ethics, e.g. existing codes of ethics, is too parochial and national. It fails to provide adequate normative guidance for a media that is digital, global and practiced by professional and citizen. A global media ethics is being constructed to define what responsible public journalism means for a new global media era. Currently, scholars write texts and codes for global media, teach global media ethics, analyse how global issues should be covered, and gather together at conferences, round tables and meetings. However, the field lacks an authoritative handbook that presents the views of leading thinkers on the most important issues for global media ethics. This handbook is a milestone in the field, and a major contribution to media ethics.
Author: John S. Bak
Publisher: Taylor & Francis
ISBN: 1000799220
Category : Social Science
Languages : en
Pages : 579
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Book Description
This cutting-edge research companion addresses our current understanding of literary journalism’s global scope and evolution, offering an immersive study of how different nations have experimented with and perfected the narrative journalistic form/genre over time. The Routledge Companion to World Literary Journalism demonstrates the genre’s rich genealogy and global impact through a comprehensive study of its many traditions, including the crónica, the ocherk, reportage, the New Journalism, the New New Journalism, Jornalismo literário, periodismo narrativo, bao gao wen xue, creative nonfiction, Literarischer Journalismus, As-SaHafa al Adabiyya, and literary nonfiction. Contributions from a diverse range of established and emerging scholars explore key issues such as the current role of literary journalism in countries radically affected by the print media crisis and the potential future of literary journalism, both as a centerpiece to print media writ large and as an academic discipline universally recognized around the world. The book also discusses literary journalism's responses to war, immigration, and censorship; its many female and Indigenous authors; and its digital footprints on the internet. This extensive and authoritative collection is a vital resource for academics and researchers in literary journalism studies, as well as in journalism studies and literature in general. Chapter 9 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author: Antjie Krog
Publisher: Penguin Random House South Africa
ISBN: 177022288X
Category : Biography & Autobiography
Languages : en
Pages : 589
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Book Description
Identity, belonging and voyages of personal discovery are but some of the themes inventively explored in Antjie Krog’s first full-length work to appear in English since the publication of Country of My Skull. In times of fundamental change, people tend to find a space, lose it and then find another space as life and the world transform around them. What does this metamorphosis entail and in what ways are we affected by it? How do we live through it and what may we become on our journey towards each other, particularly when the space and places from which we depart are – at least on the surface – vastly different? Ranging freely and often wittily across many terrains, this brave book by one of South Africa’s foremost writers and poets provides a unique and compelling discourse on living creatively in South Africa.
