An Essay on Comedy and the Uses of the Comic Spirit PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download An Essay on Comedy and the Uses of the Comic Spirit PDF full book. Access full book title An Essay on Comedy and the Uses of the Comic Spirit by George Meredith. Download full books in PDF and EPUB format.
Author: George Meredith
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: George Meredith
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: George Meredith
Publisher:
ISBN:
Category : Comedy
Languages : en
Pages : 120
Get Book Here
Book Description
Author: George Meredith
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 52
Get Book Here
Book Description
In "An Essay on Comedy and the Uses of the Comic Spirit," George Meredith offers a profound analysis of the nature of comedy and its role in literature and society. Delving deep into the essence of humor, Meredith examines the ways in which comedy reflects human nature, societal norms, and the intricacies of relationships. This classic essay remains a must-read for anyone interested in the art of comedic writing and its broader implications.
Author: George Meredith
Publisher: BoD – Books on Demand
ISBN: 3387010060
Category : Fiction
Languages : en
Pages : 70
Get Book Here
Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: George Meredith
Publisher:
ISBN:
Category :
Languages : en
Pages : 326
Get Book Here
Book Description
Author: George Meredith
Publisher: Palala Press
ISBN: 9781341401053
Category :
Languages : en
Pages : 106
Get Book Here
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Meredith George
Publisher: BoD - Books on Demand
ISBN:
Category : Fiction
Languages : en
Pages : 36
Get Book Here
Book Description
" An Essay on Comedy and the Uses of the Comic Spirit is an unchanged, high-quality reprint of the original edition of 1897. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future...."
Author: George Meredith
Publisher: Forgotten Books
ISBN: 9781528062824
Category : Literary Collections
Languages : en
Pages : 136
Get Book Here
Book Description
Excerpt from An Essay on Comedy: And the Uses of the Comic Spirit Moreover, to touch and kindle the mind through laughter, demands more than sprightliness, a most subtle delicacy. That must be a natal gift in the Comic poet. The substance he deals with will show him a startling exhibition of the dyer's hand, if he is without it. People are ready to surrender themselves to witty thumps on the back, breast, and sides; all except the head: and it is there that he aims. He must be subtle to penetrate. A corresponding acute ness must exist to welcome him. The necessity for the two conditions will explain how it is that we count him during centuries in the singular number. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Eugene Hollahan
Publisher: University of Delaware Press
ISBN: 9780874134452
Category : Language Arts & Disciplines
Languages : en
Pages : 300
Get Book Here
Book Description
"This book examines the emergence of modern consciousness as consciousness develops historically in one cultural form: prose fiction narrative. The book represents a critical history of crisis, arguably the most characterizing single word in the modern world and a major figuration or trope. Eugene Hollahan has studied the history of this important word within the development of the English-language novel, from Samuel Richardson to Saul Bellow. After establishing a heuristic model for such a critical history, Hollahan tracks the word (characterized by George Eliot in Felix Holt, the Radical as a "great noun") through two-and-a-half centuries of narratives by major novelists, with contextualizing excursions into discourses in related fields such as autobiography, philosophy, theology, and social science." "Hollahan contextualizes his study of English-language narrative fiction by examining the writings of crisis-rhetoricians in the eighteenth century (Thomas Paine), nineteenth century (Thomas Carlyle, J. S. Mill, and J. H. Newman), and twentieth century (Karl Barth, Edmund Husserl, T. S. Kuhn, and Richard M. Nixon). Such varied and powerful crisis-rhetorics establish a matrix of language and ideas for the crisis-centered novels Hollahan surveys. These novels include major works by Samuel Richardson, Walter Scott, Jane Austen, George Eliot, George Meredith, George Gissing, George Moore, D. H. Lawrence, E. M. Forster, James Joyce, Lawrence Durrell, Robert Coover, and Saul Bellow." "Hollahan's description of the crisis-trope interfaces with various critical issues such as canonical inclusion, reader response, and deconstruction. On the whole, his book acknowledges current critical issues but endeavors to remain basically a critical history. It attempts to demonstrate that the crisis-riddled modern world and the crisis-conscious novel are analogous and coeval." "Crisis begins as Aristotle's term for logical plot structuring, becomes Longinus's term for emotional exacerbation, and eventually enters into a variety of critical and narrative formulations: Matthew Arnold's cultural centrality, Henry James's existential aestheticism, Lawrence's self-defining sexuality, Marshall Brown's revolutionary turning point, Paul de Man's error-ridden criticism, Floyd Merrell's cut into the primordial flux, Durrell's reborn self, and Bellow's analysis of hysterical escapism. Broadly speaking, Hollahan argues that any crisis-trope will enable or even necessitate a unique confluence of writerly and readerly skills." "In Louis Lambert, Balzac urged: "What a wonderful book one would write by narrating the life and adventures of a word." The story Hollahan narrates fulfills Balzac's expectations as it depicts writer after writer working out influential representations of human life in terms of crisis-consciousness centering upon George Eliot's "great noun" crisis. Historically, Hollahan demonstrates, such consciousness comes to define modern humanity."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: George Meredith
Publisher: Createspace Independent Publishing Platform
ISBN: 9781724805058
Category :
Languages : en
Pages : 44
Get Book Here
Book Description
An Essay on comedy and the uses of the comic spirit George Meredith Good Comedies are such rare productions, that notwithstanding the wealth of our literature in the Comic element, it would not occupy us long to run over the English list. If they are brought to the test I shall propose, very reputable Comedies will be found unworthy of their station, like the ladies of Arthur's Court when they were reduced to the ordeal of the mantle. There are plain reasons why the Comic poet is not a frequent apparition; and why the great Comic poet remains without a fellow. A society of cultivated men and women is required, wherein ideas are current and the perceptions quick, that he may be supplied with matter and an audience. The semi-barbarism of merely giddy communities, and feverish emotional periods, repel him; and also a state of marked social inequality of the sexes; nor can he whose business is to address the mind be understood where there is not a moderate degree of intellectual activity. Moreover, to touch and kindle the mind through laughter, demands more than sprightliness, a most subtle delicacy. That must be a natal gift in the Comic poet. The substance he deals with will show him a startling exhibition of the dyer's hand, if he is without it. People are ready to surrender themselves to witty thumps on the back, breast, and sides; all except the head: and it is there that he aims. He must be subtle to penetrate. A corresponding acuteness must exist to welcome him. The necessity for the two conditions will explain how it is that we count him during centuries in the singular number. 'C'est une étrange entreprise que celle de faire rire les honnètes gens, ' Molière says; and the difficulty of the undertaking cannot be over-estimated. Then again, he is beset with foes to right and left, of a character unknown to the tragic and the lyric poet, or even to philosophers. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
