Author: Ovid
Publisher: Penguin Books
ISBN:
Category : Fiction
Languages : en
Pages : 230
Book Description
Parallel latin & English texts.
Amores
Author: Ovid
Publisher: Penguin Books
ISBN:
Category : Fiction
Languages : en
Pages : 230
Book Description
Parallel latin & English texts.
Publisher: Penguin Books
ISBN:
Category : Fiction
Languages : en
Pages : 230
Book Description
Parallel latin & English texts.
Selections from Ovid Amores II
Author: Alfred Artley
Publisher: Bloomsbury Publishing USA
ISBN: 150134983X
Category : History
Languages : en
Pages : 121
Book Description
This is the first intermediate-student edition of a selection from Ovid's Amores. Poems 2.2, 2.4, 2.6, 2.10, 2.12 are included as Latin text with an accompanying commentary and vocabulary. Focusing on a deliberately limited number of poems, this edition is designed to be manageable for students reading the text for the first time while also perfectly encapsulating the interest of Ovid's other work and inspiring further study of it. A detailed introduction explains points of historical and stylistic interest, including analysis of a further six poems: 2.1, 2.9 (both parts), 2.11, 2.15, 2.17, 2.18. Ovid's Amores represent the culmination of Roman love elegy, and the selection from Book II presented here shows the poet at the height of his literary and sexual powers. From dead parrots and eunuch slaves to the elusive mistress Corinna, Ovid teases and tantalises, deftly reworking themes and motifs from his elegiac predecessors to produce verse of effortless sophistication, wit and charm, poems that for the last two thousand years have scandalised and delighted readers in equal measure.
Publisher: Bloomsbury Publishing USA
ISBN: 150134983X
Category : History
Languages : en
Pages : 121
Book Description
This is the first intermediate-student edition of a selection from Ovid's Amores. Poems 2.2, 2.4, 2.6, 2.10, 2.12 are included as Latin text with an accompanying commentary and vocabulary. Focusing on a deliberately limited number of poems, this edition is designed to be manageable for students reading the text for the first time while also perfectly encapsulating the interest of Ovid's other work and inspiring further study of it. A detailed introduction explains points of historical and stylistic interest, including analysis of a further six poems: 2.1, 2.9 (both parts), 2.11, 2.15, 2.17, 2.18. Ovid's Amores represent the culmination of Roman love elegy, and the selection from Book II presented here shows the poet at the height of his literary and sexual powers. From dead parrots and eunuch slaves to the elusive mistress Corinna, Ovid teases and tantalises, deftly reworking themes and motifs from his elegiac predecessors to produce verse of effortless sophistication, wit and charm, poems that for the last two thousand years have scandalised and delighted readers in equal measure.
Ovid Amores II: A Selection
Author: Alfred Artley
Publisher: Bloomsbury Publishing
ISBN: 1350010138
Category : History
Languages : en
Pages : 121
Book Description
This is the endorsed publication from OCR and Bloomsbury for the Latin A-Level (Group 4) prescription of Ovid's Amores, giving full Latin text, commentary and vocabulary for Amores 2.2, 2.4, 2.6, 2.10, 2.12. A detailed introduction covers the prescribed text to be read in English, placing the poems in their Roman literary context. Ovid's Amores represent the culmination of Roman love elegy, and the selection from Book II presented here shows the poet at the height of his literary and sexual powers. From dead parrots and eunuch slaves to the elusive mistress Corinna, Ovid teases and tantalises, deftly reworking themes and motifs from his elegiac predecessors to produce verse of effortless sophistication, wit and charm, poems that for the last two thousand years have scandalised and delighted readers in equal measure. Resources are available on the Companion Website www.bloomsbury.com/ocr-editions-2019-2021
Publisher: Bloomsbury Publishing
ISBN: 1350010138
Category : History
Languages : en
Pages : 121
Book Description
This is the endorsed publication from OCR and Bloomsbury for the Latin A-Level (Group 4) prescription of Ovid's Amores, giving full Latin text, commentary and vocabulary for Amores 2.2, 2.4, 2.6, 2.10, 2.12. A detailed introduction covers the prescribed text to be read in English, placing the poems in their Roman literary context. Ovid's Amores represent the culmination of Roman love elegy, and the selection from Book II presented here shows the poet at the height of his literary and sexual powers. From dead parrots and eunuch slaves to the elusive mistress Corinna, Ovid teases and tantalises, deftly reworking themes and motifs from his elegiac predecessors to produce verse of effortless sophistication, wit and charm, poems that for the last two thousand years have scandalised and delighted readers in equal measure. Resources are available on the Companion Website www.bloomsbury.com/ocr-editions-2019-2021
Loving Writing/Ovid's Amores
Author: Ellen Oliensis
Publisher: Cambridge University Press
ISBN: 1108482309
Category : History
Languages : en
Pages : 211
Book Description
Offers detailed reading of the Amores, oriented toward the writer's and reader's pleasure, that reframes the discussion around elegy and identity.
Publisher: Cambridge University Press
ISBN: 1108482309
Category : History
Languages : en
Pages : 211
Book Description
Offers detailed reading of the Amores, oriented toward the writer's and reader's pleasure, that reframes the discussion around elegy and identity.
Amores II
Author: Ovid
Publisher:
ISBN: 9780856681752
Category : History
Languages : en
Pages : 198
Book Description
Ovid's personal love eloquies are arguably his most attractive work. Dr Booth offers a Latin text with parallel prose translation, and on each poem there is a critical essay written for the reader with little or no Latin.
Publisher:
ISBN: 9780856681752
Category : History
Languages : en
Pages : 198
Book Description
Ovid's personal love eloquies are arguably his most attractive work. Dr Booth offers a Latin text with parallel prose translation, and on each poem there is a critical essay written for the reader with little or no Latin.
Counter-Amores
Author: Jennifer Clarvoe
Publisher: University of Chicago Press
ISBN: 0226109291
Category : Poetry
Languages : en
Pages : 85
Book Description
Jennifer Clarvoe’s second book, Counter-Amores, wrestles with and against love. The poems in the title series talk back to Ovid’s Amores, and, in talking back, take charge, take delight, and take revenge. They suggest that we discover what we love by fighting, by bringing our angry, hungry, imperfect selves into the battle. Like a man who shouts for the echo back from a cliff, or the scientist who teaches her parrot to say, “I love you,” or the philosopher who wonders what it is like to be a bat, or Temple Grandin’s lucid imaginings of the last moments of cattle destined for slaughter, the speakers in these poems seek to find themselves in relation to an ever-widening circle of unknowable others. Yearning for “the sweet cool hum of fridge and fluorescent that sang ‘home,’” we’re as likely to find “fifty-seven clicks and flickering channels pitched to the galaxy.” Song itself becomes a site for gorgeous struggle, just as bella means both “beautiful” and “wars.”
Publisher: University of Chicago Press
ISBN: 0226109291
Category : Poetry
Languages : en
Pages : 85
Book Description
Jennifer Clarvoe’s second book, Counter-Amores, wrestles with and against love. The poems in the title series talk back to Ovid’s Amores, and, in talking back, take charge, take delight, and take revenge. They suggest that we discover what we love by fighting, by bringing our angry, hungry, imperfect selves into the battle. Like a man who shouts for the echo back from a cliff, or the scientist who teaches her parrot to say, “I love you,” or the philosopher who wonders what it is like to be a bat, or Temple Grandin’s lucid imaginings of the last moments of cattle destined for slaughter, the speakers in these poems seek to find themselves in relation to an ever-widening circle of unknowable others. Yearning for “the sweet cool hum of fridge and fluorescent that sang ‘home,’” we’re as likely to find “fifty-seven clicks and flickering channels pitched to the galaxy.” Song itself becomes a site for gorgeous struggle, just as bella means both “beautiful” and “wars.”
Ovid: Ars Amatoria, Book III
Author: Ovid
Publisher: Cambridge University Press
ISBN: 9780521813709
Category : Foreign Language Study
Languages : en
Pages : 8
Book Description
This is a full-scale commentary devoted to the third book of Ovid's Ars Amatoria. It includes an Introduction, a revision of E. J. Kenney's Oxford text of the book, and detailed line-by-line and section-by-section commentary on the language and ideas of the text. Combining traditional philological scholarship with some of the concerns of more recent critics, both Introduction and commentary place particular emphasis on: the language of the text; the relationship of the book to the didactic, 'erotodidactic' and elegiac traditions; Ovid's usurpation of the lena's traditional role of erotic instructor of women; the poet's handling of the controversial subjects of cosmetics and personal adornment; and the literary and political significances of Ovid's unexpected emphasis in the text of Ars III on restraint and 'moderation'. The book will be of interest to all postgraduates and scholars working on Augustan poetry.
Publisher: Cambridge University Press
ISBN: 9780521813709
Category : Foreign Language Study
Languages : en
Pages : 8
Book Description
This is a full-scale commentary devoted to the third book of Ovid's Ars Amatoria. It includes an Introduction, a revision of E. J. Kenney's Oxford text of the book, and detailed line-by-line and section-by-section commentary on the language and ideas of the text. Combining traditional philological scholarship with some of the concerns of more recent critics, both Introduction and commentary place particular emphasis on: the language of the text; the relationship of the book to the didactic, 'erotodidactic' and elegiac traditions; Ovid's usurpation of the lena's traditional role of erotic instructor of women; the poet's handling of the controversial subjects of cosmetics and personal adornment; and the literary and political significances of Ovid's unexpected emphasis in the text of Ars III on restraint and 'moderation'. The book will be of interest to all postgraduates and scholars working on Augustan poetry.
Ovid's Erotic Poems
Author: Ovid
Publisher: University of Pennsylvania Press
ISBN: 081224625X
Category : Literary Collections
Languages : en
Pages : 232
Book Description
The most sophisticated and daring poetic ironist of the early Roman Empire, Publius Ovidius Naso, is perhaps best known for his oft-imitated Metamorphoses. But the Roman poet also wrote lively and lewd verse on the subjects of love, sex, marriage, and adultery—a playful parody of the earnest erotic poetry traditions established by his literary ancestors. The Amores, Ovid's first completed book of poetry, explores the conventional mode of erotic elegy with some subversive and silly twists: the poetic narrator sets up a lyrical altar to an unattainable woman only to knock it down by poking fun at her imperfections. Ars Amatoria takes the form of didactic verse in which a purportedly mature and experienced narrator instructs men and women alike on how to best play their hands at the long con of love. Ovid's Erotic Poems offers a modern English translation of the Amores and Ars Amatoria that retains the irreverent wit and verve of the original. Award-winning poet Len Krisak captures the music of Ovid's richly textured Latin meters through rhyming couplets that render the verse as playful and agile as it was meant to be. Sophisticated, satirical, and wildly self-referential, Ovid's Erotic Poems is not just a wickedly funny send-up of romantic and sexual mores but also a sharp critique of literary technique and poetic convention.
Publisher: University of Pennsylvania Press
ISBN: 081224625X
Category : Literary Collections
Languages : en
Pages : 232
Book Description
The most sophisticated and daring poetic ironist of the early Roman Empire, Publius Ovidius Naso, is perhaps best known for his oft-imitated Metamorphoses. But the Roman poet also wrote lively and lewd verse on the subjects of love, sex, marriage, and adultery—a playful parody of the earnest erotic poetry traditions established by his literary ancestors. The Amores, Ovid's first completed book of poetry, explores the conventional mode of erotic elegy with some subversive and silly twists: the poetic narrator sets up a lyrical altar to an unattainable woman only to knock it down by poking fun at her imperfections. Ars Amatoria takes the form of didactic verse in which a purportedly mature and experienced narrator instructs men and women alike on how to best play their hands at the long con of love. Ovid's Erotic Poems offers a modern English translation of the Amores and Ars Amatoria that retains the irreverent wit and verve of the original. Award-winning poet Len Krisak captures the music of Ovid's richly textured Latin meters through rhyming couplets that render the verse as playful and agile as it was meant to be. Sophisticated, satirical, and wildly self-referential, Ovid's Erotic Poems is not just a wickedly funny send-up of romantic and sexual mores but also a sharp critique of literary technique and poetic convention.
Heroides and Amores
Author: Ovid
Publisher: Loeb Classical Library
ISBN:
Category : Fiction
Languages : en
Pages : 542
Book Description
In Heroides, Ovid (43 BC-AD 17) allows legendary women to narrate their memories and express their emotions in verse letters to absent husbands and lovers. Ovid's Amores are three books of elegies ostensibly about the poet's love affair with his mistress Corinna.
Publisher: Loeb Classical Library
ISBN:
Category : Fiction
Languages : en
Pages : 542
Book Description
In Heroides, Ovid (43 BC-AD 17) allows legendary women to narrate their memories and express their emotions in verse letters to absent husbands and lovers. Ovid's Amores are three books of elegies ostensibly about the poet's love affair with his mistress Corinna.
The Language of Sex
Author: John W. Baldwin
Publisher: University of Chicago Press
ISBN: 0226036235
Category : History
Languages : en
Pages : 360
Book Description
This study brings together widely divergent discourses to fashion a comprehensive picture of sexual language and attitudes at a particular time and place in the medieval world. John Baldwin introduces five representative voices from the turn of the twelfth century in northern France: Pierre the Chanter speaks for the theological doctrine of Augustine; the Prose Salernitan Questions, for the medical theories of Galen; Andre the Chaplain, for the Ovidian literature of the schools; Jean Renart, for the contemporary romances; and Jean Bodel, for the emerging voices of the fabliaux. Baldwin juxtaposes their views on a range of essential subjects, including social position, the sexual body, desire and act, and procreation. The result is a fascinating dialogue of how they agreed or disagreed with, ignored, imitated, or responded to each other at a critical moment in the development of European ideas about sexual desire, fulfillment, morality, and gender. These spokesmen allow us into the discussion of sexuality inside the church and schools of the clergy, in high and popular culture of the leity. This heterogeneous discussion also offers a startling glimpse into the construction of gender specific to this moment, when men and women enjoyed equal status in sexual matters, if nowhere else. Taken together, these voices extend their reach, encompass their subject, and point to a center where social reality lies. By articulating reality at its varied depths, this study takes its place alongside groundbreaking works by James Brundage, John Boswell, and Leah Otis in extending our understanding of sexuality and sexual behavior in the Middle Ages. "Superb work. . . . These five kinds of discourse are not often treated together in scholarly writing, let alone compared and contrasted so well."—Edward Collins Vacek, Theological Studies "[Baldwin] has made the five voices speak to us in a language that is at one and the same time familiar and alien in its resonance and accents. This is a truly exceptional book, interdisciplinary in the real sense of the word, which is surely destined to become a landmark in medieval studies."—Keith Busby, Bryn Mawr Reviews "[Baldwin's] attempt to 'listen' to these distant voices and translate their language of sex into our own raises challenging methodological questions that will be of great interest to historians and literary scholars alike."—John P. Dalton, Comitatus
Publisher: University of Chicago Press
ISBN: 0226036235
Category : History
Languages : en
Pages : 360
Book Description
This study brings together widely divergent discourses to fashion a comprehensive picture of sexual language and attitudes at a particular time and place in the medieval world. John Baldwin introduces five representative voices from the turn of the twelfth century in northern France: Pierre the Chanter speaks for the theological doctrine of Augustine; the Prose Salernitan Questions, for the medical theories of Galen; Andre the Chaplain, for the Ovidian literature of the schools; Jean Renart, for the contemporary romances; and Jean Bodel, for the emerging voices of the fabliaux. Baldwin juxtaposes their views on a range of essential subjects, including social position, the sexual body, desire and act, and procreation. The result is a fascinating dialogue of how they agreed or disagreed with, ignored, imitated, or responded to each other at a critical moment in the development of European ideas about sexual desire, fulfillment, morality, and gender. These spokesmen allow us into the discussion of sexuality inside the church and schools of the clergy, in high and popular culture of the leity. This heterogeneous discussion also offers a startling glimpse into the construction of gender specific to this moment, when men and women enjoyed equal status in sexual matters, if nowhere else. Taken together, these voices extend their reach, encompass their subject, and point to a center where social reality lies. By articulating reality at its varied depths, this study takes its place alongside groundbreaking works by James Brundage, John Boswell, and Leah Otis in extending our understanding of sexuality and sexual behavior in the Middle Ages. "Superb work. . . . These five kinds of discourse are not often treated together in scholarly writing, let alone compared and contrasted so well."—Edward Collins Vacek, Theological Studies "[Baldwin] has made the five voices speak to us in a language that is at one and the same time familiar and alien in its resonance and accents. This is a truly exceptional book, interdisciplinary in the real sense of the word, which is surely destined to become a landmark in medieval studies."—Keith Busby, Bryn Mawr Reviews "[Baldwin's] attempt to 'listen' to these distant voices and translate their language of sex into our own raises challenging methodological questions that will be of great interest to historians and literary scholars alike."—John P. Dalton, Comitatus