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Author: Allan Sutton
Publisher: Denver, Colo. : Mainspring Press
ISBN:
Category : Business & Economics
Languages : en
Pages : 448
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Book Description
Author: Allan Sutton
Publisher: Denver, Colo. : Mainspring Press
ISBN:
Category : Business & Economics
Languages : en
Pages : 448
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Book Description
Author: Rick Kennedy
Publisher: Indiana University Press
ISBN: 9780253335487
Category : Business & Economics
Languages : en
Pages : 236
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Book Description
* Stories from the lean early days of American popular music * Ten visionaries who altered the course of popular music * Close-up portraits of risk-taking label owners who often gambled their careers and livelihoods to release music they believed in
Author: Allan Sutton
Publisher:
ISBN: 9780997333336
Category :
Languages : en
Pages : 760
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Book Description
An encyclopedia of all American producers of sound recordings for the commercial market, from the start of the recording industry in the 1880s to the beginning of the LP era in the early 1950s. Includes more than 1,200 detailed entries, introductory history of the recording industry, company genealogical charts, glossary, extensive source citations, and label and subject indexes. Allan Sutton is the author of numerous award-winnig books on early recordings, and recipient of the Association for Recorded Sound Collections' 2013 Lifetime Achievement Award.
Author: Kyle Barnett
Publisher: University of Michigan Press
ISBN: 0472131036
Category : Music
Languages : en
Pages : 333
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Book Description
Record Cultures tells the story of how early U.S. commercial recording companies captured American musical culture in a key period in both music and media history. Amid dramatic technological and cultural changes of the 1920s and 1930s, small recording companies in the United States began to explore the genres that would later be known as jazz, blues, and country. Smaller record labels, many based in rural or out of the way Midwestern and Southern towns, were willing to take risks on the country’s regional vernacular music as a way to compete with more established recording labels. Recording companies’ relationship with radio grew closer as both industries were on the rise, propelled by new technologies. Radio, which had become immensely popular, began broadcasting more recorded music in place of live performances, and this created profitable symbiosis. With the advent of the talkies, the film industry completed the media trifecta. The novelty of recorded sound was replacing film accompanists, and the popularity of movie musicals solidified film’s connections with the radio and recording industries. By the early 1930s, the recording industry had gone from being part of the largely autonomous phonograph industry to being major media industry of its own, albeit deeply tied to—and, in some cases, owned by—the radio and film industries. The triangular relationships between these media industries marked the first major entertainment and media conglomerates in U.S. history. Through an interdisciplinary and intermedial approach to recording industry history, Record Cultures creates new connections between different strands of media research. It will be of interest to scholars of popular music, media studies, sound studies, American culture, and the history of film, television, and radio.
Author: Alan O'Connor
Publisher: Lexington Books
ISBN: 9780739126608
Category : Business & Economics
Languages : en
Pages : 162
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Book Description
This book describes the emergence of DIY punk record labels in the early 1980s. Based on interviews with sixty-one labels, including four in Spain and four in Canada, it describes the social background of those who run these labels. Using the ideas of French sociologist Pierre Bourdieu, this book shows how the field of record labels operates. The choice of independent or corporate distribution is a major dilemma. Other tensions are about signing bands to contracts, expectations of extensive touring, and use of professional promotion. There are often rivalries between big and small labels over bands that have become popular and have to decide whether to move to a more commercial record label. Unlike approaches to punk that consider it a subcultural style, this book breaks new ground by describing punk as a social activity. One of the surprising findings is how many parents actually support their children's participation in the scene. Rather than attempting to define punk as resistance or commercial culture, this book shows the dilemmas that actual punks struggle with as they attempt to live up to what the scene means for them. Book jacket.
Author: Brian Rust
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 344
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Book Description
Author: David Bottoms
Publisher:
ISBN: 9780578724812
Category :
Languages : en
Pages :
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Book Description
When considering the tapestry of popular-music history that has emerged in the last 40 or so years - a chronicle that shows no signs of abating - there have been critical and enthusiastic studies of not just performers, or the cities in which they arose in any number, but also of the recorded legacy of such cities, i.e. its record labels. Cincinnati, for all its decades of accomplishment in the recorded-music arena, has been heretofore perhaps underserved. Apart from real-time newspaper articles of the 1940s-'70s, a number of fine books have appeared, each of which provides a further tantalizing look at the vast offerings of the Queen City and the Ohio River Valley. This book is the complete document of the subject at hand, and is intended as a bedrock upon which to construct a (hopefully ongoing) library of Cincinnati's record companies, a library that encompasses the aforementioned volumes as well as encourages new efforts from fresh pens. The subject, owing to the stunning breadth and depth of the city's industry and drive, is probably inexhaustible. The book - its targeted collectors and enthusiasts aside - also seeks to advance understanding two specific communities who were substantial parts of the cultural, political and musical milieu of Cincinnati (and indeed, great swaths of the Midwest): African-Americans and Appalachians. The contributions and excitement consistently delivered by these populations greatly enriched the styles and ever-shifting forms of American popular music, especially in the fecund Postwar era, and here the book intends to shed some new light on their conditions, treatment and influence both then and now. Finally, the book is a fond meditation upon a city with strengths and flaws, successes and failures, all of which can be found writ small in the record business of the 20th century. In our accelerating, fraying culture, the analog world of this story is not a lesser place - far from it. That world was one of grit, risk and often-sweet rewards. As it recedes ever further into the past, hopefully the story of its many and varied musical lights will remain engaging and inspiring.
Author: John Cook
Publisher: Algonquin Books
ISBN: 1565126246
Category : Biography & Autobiography
Languages : en
Pages : 322
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Book Description
In celebration of the 20th anniversary of Merge Records, founders Mac and Laura offer first-person accounts--with the help of their colleagues and Merge artists--of their work, their lives, and the culture of making music. Hundreds of personal photos of the bands, along with album cover art, concert posters, and other memorabilia are included.
Author: Nick Sadler
Publisher: Velocity Press
ISBN:
Category : Business & Economics
Languages : en
Pages : 250
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Book Description
Whether you want to start a record label, self-release your own music, or are just an avid music lover, this book will give you information about the business of music. The Label Machine: How to Start, Run and Grow Your Own Independent Music Label is the first book to give music artists practical step-by-step comprehensive instructions for setting up and running an independent music label to successfully distribute and market their music. You will learn all about the music industry business and how to navigate the tricky dos and don'ts. You will finally understand and take control of your music copyright and get to grips with the legalities involved. You will build your music business effortlessly, learning how to professionally market your music and artists - allowing you to reach thousands of fans. And essentially, you will learn how to create multiple label revenue streams to create an established record label. It features a detailed breakdown of how every part of the industry works together, including copyright in the UK and US, record label set-up, record releases, and royalty collection. It also provides in-depth guides on marketing, covering; traditional PR, Facebook and Instagram advertising, Spotify playlisting, and fan growth. Includes templates for record label and management contracts, marketing and promotion schedules, press releases, and fan email automation.
Author: John Broven
Publisher: University of Illinois Press
ISBN: 0252094018
Category : Biography & Autobiography
Languages : en
Pages : 642
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Book Description
This volume is an engaging and exceptional history of the independent rock 'n' roll record industry from its raw regional beginnings in the 1940s with R & B and hillbilly music through its peak in the 1950s and decline in the 1960s. John Broven combines narrative history with extensive oral history material from numerous recording pioneers including Joe Bihari of Modern Records; Marshall Chess of Chess Records; Jerry Wexler, Ahmet Ertegun, and Miriam Bienstock of Atlantic Records; Sam Phillips of Sun Records; Art Rupe of Specialty Records; and many more.
