Author: Steven Dietz
Publisher: Dramatists Play Service, Inc.
ISBN: 0822235781
Category : Drama
Languages : en
Pages : 64
Book Description
A simple silver bracelet travels through the lives of ten bold and desperate lovers, giving us a glimpse of the intrigue and heartache left in its wake. AMERICAN LA RONDE is a provocative and fully contemporary re-imagining of Schnitzler’s notorious play Reigen, known as its French translation, La Ronde. Sexy, literate, emotional, and highly theatrical.
American La Ronde
Author: Steven Dietz
Publisher: Dramatists Play Service, Inc.
ISBN: 0822235781
Category : Drama
Languages : en
Pages : 64
Book Description
A simple silver bracelet travels through the lives of ten bold and desperate lovers, giving us a glimpse of the intrigue and heartache left in its wake. AMERICAN LA RONDE is a provocative and fully contemporary re-imagining of Schnitzler’s notorious play Reigen, known as its French translation, La Ronde. Sexy, literate, emotional, and highly theatrical.
Publisher: Dramatists Play Service, Inc.
ISBN: 0822235781
Category : Drama
Languages : en
Pages : 64
Book Description
A simple silver bracelet travels through the lives of ten bold and desperate lovers, giving us a glimpse of the intrigue and heartache left in its wake. AMERICAN LA RONDE is a provocative and fully contemporary re-imagining of Schnitzler’s notorious play Reigen, known as its French translation, La Ronde. Sexy, literate, emotional, and highly theatrical.
The American domination, part 1, 1803-1861
Author: Alcée Fortier
Publisher:
ISBN:
Category : Louisiana
Languages : en
Pages : 386
Book Description
Publisher:
ISBN:
Category : Louisiana
Languages : en
Pages : 386
Book Description
The American domination, part I, 1803-1861
Author: Alcée Fortier
Publisher:
ISBN:
Category : Louisiana
Languages : en
Pages : 332
Book Description
Publisher:
ISBN:
Category : Louisiana
Languages : en
Pages : 332
Book Description
The Foreign Film Renaissance on American Screens, 1946–1973
Author: Tino Balio
Publisher: Univ of Wisconsin Press
ISBN: 0299247937
Category : Performing Arts
Languages : en
Pages : 382
Book Description
Largely shut out of American theaters since the 1920s, foreign films such as Open City, Bicycle Thief, Rashomon, The Seventh Seal, Breathless, La Dolce Vita and L’Avventura played after World War II in a growing number of art houses around the country and created a small but influential art film market devoted to the acquisition, distribution, and exhibition of foreign-language and English-language films produced abroad. Nurtured by successive waves of imports from Italy, Great Britain, France, Sweden, Japan, and the Soviet Bloc, the renaissance was kick-started by independent distributors working out of New York; by the 1960s, however, the market had been subsumed by Hollywood. From Roberto Rossellini’s Open City in 1946 to Bernardo Bertolucci’s Last Tango in Paris in 1973, Tino Balio tracks the critical reception in the press of such filmmakers as François Truffaut, Jean-Luc Godard, Federico Fellini, Michelangelo Antonioni, Tony Richardson, Ingmar Bergman, Akira Kurosawa, Luis Buñuel, Satyajit Ray, and Milos Forman. Their releases paled in comparison to Hollywood fare at the box office, but their impact on American film culture was enormous. The reception accorded to art house cinema attacked motion picture censorship, promoted the director as auteur, and celebrated film as an international art. Championing the cause was the new “cinephile” generation, which was mostly made up of college students under thirty. The fashion for foreign films depended in part on their frankness about sex. When Hollywood abolished the Production Code in the late 1960s, American-made films began to treat adult themes with maturity and candor. In this new environment, foreign films lost their cachet and the art film market went into decline.
Publisher: Univ of Wisconsin Press
ISBN: 0299247937
Category : Performing Arts
Languages : en
Pages : 382
Book Description
Largely shut out of American theaters since the 1920s, foreign films such as Open City, Bicycle Thief, Rashomon, The Seventh Seal, Breathless, La Dolce Vita and L’Avventura played after World War II in a growing number of art houses around the country and created a small but influential art film market devoted to the acquisition, distribution, and exhibition of foreign-language and English-language films produced abroad. Nurtured by successive waves of imports from Italy, Great Britain, France, Sweden, Japan, and the Soviet Bloc, the renaissance was kick-started by independent distributors working out of New York; by the 1960s, however, the market had been subsumed by Hollywood. From Roberto Rossellini’s Open City in 1946 to Bernardo Bertolucci’s Last Tango in Paris in 1973, Tino Balio tracks the critical reception in the press of such filmmakers as François Truffaut, Jean-Luc Godard, Federico Fellini, Michelangelo Antonioni, Tony Richardson, Ingmar Bergman, Akira Kurosawa, Luis Buñuel, Satyajit Ray, and Milos Forman. Their releases paled in comparison to Hollywood fare at the box office, but their impact on American film culture was enormous. The reception accorded to art house cinema attacked motion picture censorship, promoted the director as auteur, and celebrated film as an international art. Championing the cause was the new “cinephile” generation, which was mostly made up of college students under thirty. The fashion for foreign films depended in part on their frankness about sex. When Hollywood abolished the Production Code in the late 1960s, American-made films began to treat adult themes with maturity and candor. In this new environment, foreign films lost their cachet and the art film market went into decline.
Defending the First
Author: Joseph Russomanno
Publisher: Routledge
ISBN: 1135613710
Category : History
Languages : en
Pages : 229
Book Description
Defending the First provides a collection of new perspectives on the First Amendment in legal and communication contexts. Editor Joseph Russomanno brings together a roster of major figures who have participated in the shaping of First Amendment law over the past 30 years. Readers are taken into a realm of personal experience and analysis through the stories of these attorneys at the forefront of the battle to defend the "First." The contributors to this volume--all of whom have argued cases before the Supreme Court--tell about their experiences appearing before the highest court in the United States. Some write many years after being there, while others offer insights from a more recent vantage point. One Supreme Court Attorney offers a historical analysis of a case replete with a variety of First Amendment issues. This work contributes to a deeper understanding of First Amendment issues and the types of expression that the First Amendment protects, and why these rights must be protected. In addition, it provides readers with the unique perspective of those who have been on the front lines of some of the most important and influential cases in this era. The challenges of presenting an argument in this venue become clear, and it is evident that understanding one's own case, its lineage, and its likely impact all become part of the formula for success. This distinctive collection provides personal and compelling insights into the making of communication law, and it will be engaging reading for students in communication law courses. It will also appeal to any reader interested in First Amendment law.
Publisher: Routledge
ISBN: 1135613710
Category : History
Languages : en
Pages : 229
Book Description
Defending the First provides a collection of new perspectives on the First Amendment in legal and communication contexts. Editor Joseph Russomanno brings together a roster of major figures who have participated in the shaping of First Amendment law over the past 30 years. Readers are taken into a realm of personal experience and analysis through the stories of these attorneys at the forefront of the battle to defend the "First." The contributors to this volume--all of whom have argued cases before the Supreme Court--tell about their experiences appearing before the highest court in the United States. Some write many years after being there, while others offer insights from a more recent vantage point. One Supreme Court Attorney offers a historical analysis of a case replete with a variety of First Amendment issues. This work contributes to a deeper understanding of First Amendment issues and the types of expression that the First Amendment protects, and why these rights must be protected. In addition, it provides readers with the unique perspective of those who have been on the front lines of some of the most important and influential cases in this era. The challenges of presenting an argument in this venue become clear, and it is evident that understanding one's own case, its lineage, and its likely impact all become part of the formula for success. This distinctive collection provides personal and compelling insights into the making of communication law, and it will be engaging reading for students in communication law courses. It will also appeal to any reader interested in First Amendment law.
Church Music Review and Official Bulletin of the American Guild of Organists
Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 650
Book Description
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 650
Book Description
A History of Louisiana: The American domination, pt. I, 1803-1861
Author: Alcée Fortier
Publisher:
ISBN:
Category : Louisiana
Languages : en
Pages : 348
Book Description
Publisher:
ISBN:
Category : Louisiana
Languages : en
Pages : 348
Book Description
The Canary Islanders of Louisiana
Author: Gilbert C. Din
Publisher: LSU Press
ISBN: 9780807124376
Category : History
Languages : en
Pages : 276
Book Description
The Canary Islanders, or Isleños, of Louisiana, like some of the state’s other ethnic groups, have received little scholarly attention. Although they are a people who have remained largely unknown both inside and outside of Louisiana, the Isleños constitute a sizable portion of the state’s present Spanish-surname population. Utilizing a wide range of source materials, from Spanish colonial documents to oral interviews, Gilbert C. Din’s The Canary Islanders of Louisiana provides the first book-length study of the Isleños and a definitive history of their presence in the state. The few thousand Canary Islanders brought to Louisiana by Spanish governors in the eighteenth century came from a group of islands that, although ostensibly Spanish, had evolved its own distinctive culture and folkways. Settled in frontier areas considered strategic for the defense of the Louisiana colony, the Isleños suffered deprivation, neglect, and eventually abandonment. Living for the most part in remote back-country and delta communities, the Isleños remained isolated from their French and American neighbors. In the twentieth century, pressures to assimilate with the mainstream of Louisiana society have threatened their culture with extinction, though a few Canarians still retain much of their Isleño heritage. Gilbert C. Din’s study of the Isleños covers the entire range of their association with Louisiana. He begins with a brief survey of Canarian history and folkways and concludes with a discussion of the likely ethnic future of the increasingly assimilated Isleño descendants. Din provides a detailed history of the Isleño migration and colonial settlement; post-colonial community development; economic, social, educational, and political patterns; and the course of Isleño assimilation with the general Louisiana population. Offering his own skillfully argued answers to long-standing debates about early Isleño settlements, Din also corrects a number of factual errors on the part of previous historians who did not have access to the same range of archival sources. The Canary Islanders of Louisiana is a strong piece of historical scholarship. It makes an original and much-needed contribution to the history of a people, of Louisiana, and of the American South.
Publisher: LSU Press
ISBN: 9780807124376
Category : History
Languages : en
Pages : 276
Book Description
The Canary Islanders, or Isleños, of Louisiana, like some of the state’s other ethnic groups, have received little scholarly attention. Although they are a people who have remained largely unknown both inside and outside of Louisiana, the Isleños constitute a sizable portion of the state’s present Spanish-surname population. Utilizing a wide range of source materials, from Spanish colonial documents to oral interviews, Gilbert C. Din’s The Canary Islanders of Louisiana provides the first book-length study of the Isleños and a definitive history of their presence in the state. The few thousand Canary Islanders brought to Louisiana by Spanish governors in the eighteenth century came from a group of islands that, although ostensibly Spanish, had evolved its own distinctive culture and folkways. Settled in frontier areas considered strategic for the defense of the Louisiana colony, the Isleños suffered deprivation, neglect, and eventually abandonment. Living for the most part in remote back-country and delta communities, the Isleños remained isolated from their French and American neighbors. In the twentieth century, pressures to assimilate with the mainstream of Louisiana society have threatened their culture with extinction, though a few Canarians still retain much of their Isleño heritage. Gilbert C. Din’s study of the Isleños covers the entire range of their association with Louisiana. He begins with a brief survey of Canarian history and folkways and concludes with a discussion of the likely ethnic future of the increasingly assimilated Isleño descendants. Din provides a detailed history of the Isleño migration and colonial settlement; post-colonial community development; economic, social, educational, and political patterns; and the course of Isleño assimilation with the general Louisiana population. Offering his own skillfully argued answers to long-standing debates about early Isleño settlements, Din also corrects a number of factual errors on the part of previous historians who did not have access to the same range of archival sources. The Canary Islanders of Louisiana is a strong piece of historical scholarship. It makes an original and much-needed contribution to the history of a people, of Louisiana, and of the American South.
The American's Guide. The Constitutions of the United States of America with the Latest Amendments; Also the Declaration of Independence, Articles of Confederation, with the Federal Constitution and Acts for the Government of the Territories
Author: United States
Publisher:
ISBN:
Category : Constitutional history
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category : Constitutional history
Languages : en
Pages : 408
Book Description
The Illustrated Guide to Film Directors
Author: David Quinlan
Publisher: Rowman & Littlefield
ISBN: 9780389204084
Category : Performing Arts
Languages : en
Pages : 372
Book Description
To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com.
Publisher: Rowman & Littlefield
ISBN: 9780389204084
Category : Performing Arts
Languages : en
Pages : 372
Book Description
To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com.