American Film Now

American Film Now PDF Author: James Monaco
Publisher: New York : Oxford University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 568

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American Film Now

American Film Now PDF Author: James Monaco
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 572

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The American Film Industry

The American Film Industry PDF Author: Tino Balio
Publisher: Univ of Wisconsin Press
ISBN: 0299098737
Category : Performing Arts
Languages : en
Pages : 677

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Book Description
Upon its original publication in 1976, The American Film Industry was welcomed by film students, scholars, and fans as the first systematic and unified history of the American movie industry. Now this indispensible anthology has been expanded and revised to include a fresh introductory overview by editor Tino Balio and ten new chapters that explore such topics as the growth of exhibition as big business, the mode of production for feature films, the star as market strategy, and the changing economics and structure of contemporary entertainment companies. The result is a unique collection of essays, more comprehensive and current than ever, that reveals how the American movie industry really worked in a century of constant change-from kinetoscopes and the coming of sound to the star system, 1950s blacklisting, and today's corporate empires.

American Film Now

American Film Now PDF Author: James Monaco
Publisher: New York : Oxford University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 568

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Book Description


Black Lenses, Black Voices

Black Lenses, Black Voices PDF Author: Mark A. Reid
Publisher: Rowman & Littlefield
ISBN: 9780742526426
Category : Performing Arts
Languages : en
Pages : 148

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Book Description
Black Lenses, Black Voices is a provocative look at films directed and written_and sometimes produced_by African Americans, as well as black-oriented films whose directors or screenwriters are not black. Mark Reid shows how certain films dramatize the contemporary African American community as a politically and economically diverse group, vastly different from film representations of the 1960s. Taking us through the development of African American independent filmmaking before and after World War II, he then illustrates the unique nature of African American family, action, horror, female-centered, and independent films, such as Eve's Bayou, Jungle Fever, Shaft, Souls of Sin, Bones, Waiting to Exhale, Monster's Ball, Sankofa, and many more.

American Film Now

American Film Now PDF Author: James Monaco
Publisher:
ISBN: 9780452255456
Category : Industria cinematográfica
Languages : en
Pages : 544

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A Panorama of American Film Noir (1941-1953)

A Panorama of American Film Noir (1941-1953) PDF Author: Raymond Borde
Publisher: City Lights Books
ISBN: 9780872864122
Category : Performing Arts
Languages : en
Pages : 284

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Book Description
This first book published on film noir established the genre--a classic, at last in translation.

Race in American Film [3 volumes]

Race in American Film [3 volumes] PDF Author: Daniel Bernardi
Publisher: Bloomsbury Publishing USA
ISBN: 0313398402
Category : Performing Arts
Languages : en
Pages : 1127

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Book Description
This expansive three-volume set investigates racial representation in film, providing an authoritative cross-section of the most racially significant films, actors, directors, and movements in American cinematic history. Hollywood has always reflected current American cultural norms and ideas. As such, film provides a window into attitudes about race and ethnicity over the last century. This comprehensive set provides information on hundreds of films chosen based on scholarly consensus of their importance regarding the subject, examining aspects of race and ethnicity in American film through the historical context, themes, and people involved. This three-volume set highlights the most important films and artists of the era, identifying films, actors, or characterizations that were considered racist, were tremendously popular or hugely influential, attempted to be progressive, or some combination thereof. Readers will not only learn basic information about each subject but also be able to contextualize it culturally, historically, and in terms of its reception to understand what average moviegoers thought about the subject at the time of its popularity—and grasp how the subject is perceived now through the lens of history.

American Film

American Film PDF Author: Jon Lewis
Publisher: W. W. Norton & Company
ISBN: 0393979229
Category : Performing Arts
Languages : en
Pages : 5

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Book Description
A beautiful book and a brisk read, American Film is the most enjoyable and interesting overview of the history of American filmmaking available. Focused on aspects of the film business that are of perennial interest to undergraduates, this book will engage students from beginning to end.

American Film in the Digital Age

American Film in the Digital Age PDF Author: Robert C. Sickels
Publisher: Bloomsbury Publishing USA
ISBN: 0275998630
Category : Performing Arts
Languages : en
Pages : 196

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Book Description
This eclectic, yet comprehensive analytical overview of the cataclysmic changes in the American film industry since 1990 shows how they have collectively resulted in a new era—The Digital Age. The American film industry has entered a new era. American Film in the Digital Age traces the industrial changes since 1990 that have brought us to this point, namely: the rise of media conglomerates, the proliferation of pornography through peripheral avenues of mainstream media, the role of star actors and directors in distributing and publicizing their own pet projects, the development of digital technology, and the death of truly independent films. Author Robert Sickels draws straight lines from the movies to music, DVDs, video games, fast food, digital-on-demand, and more, to demonstrate how all forms of media are merging into one. He explores the irony that the success of independent films essentially killed independent cinema, showing how it has become almost impossible to get a film released without the imprimatur of one of the big six media companies—Fox, Viacom, TimeWarner, Disney, General Electric, or CBS. In the end, using recent, popular films as examples, he explains not only how we got where we are, but where we're likely headed as well.

Hollywood As Historian

Hollywood As Historian PDF Author: Peter C. Rollins
Publisher: University Press of Kentucky
ISBN: 0813160308
Category : Performing Arts
Languages : en
Pages : 459

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Book Description
“A commendably comprehensive analysis of the issue of Hollywood’s ability to shape our minds . . . invigorating reading.” ?Booklist Film has exerted a pervasive influence on the American mind, and in eras of economic instability and international conflict, the industry has not hesitated to use motion pictures for propaganda purposes. During less troubled times, citizens’ ability to deal with political and social issues may be enhanced or thwarted by images absorbed in theaters. Tracking the interaction of Americans with important movie productions, this book considers such topics as racial and sexual stereotyping; censorship of films; comedy as a tool for social criticism; the influence of “great men” and their screen images; and the use of film to interpret history. Hollywood As Historian benefits from a variety of approaches. Literary and historical influences are carefully related to The Birth of a Nation and Apocalypse Now, two highly tendentious epics of war and cultural change. How political beliefs of filmmakers affected cinematic styles is illuminated in a short survey of documentary films made during the Great Depression. Historical distance has helped analysts decode messages unintended by filmmakers in the study of The Snake Pit and Dr. Strangelove. Hollywood As Historian offers a versatile, thought-provoking text for students of popular culture, American studies, film history, or film as history. Films considered include: The Birth of a Nation (1915), The Plow that Broke the Plains (1936), The River (1937), March of Time (1935-1953), City Lights (1931), Modern Times (1936), The Great Dictator (1940), The Grapes of Wrath (1940), Native Land (1942), Wilson (1944), The Negro Soldier (1944), The Snake Pit (1948), On the Waterfront (1954), Dr. Strangelove (1964), Who’s Afraid of Virginia Woolf? (1966), and Apocalypse Now (1979). “Recommended reading for anyone concerned with the influence of popular culture on the public perception of history.” ?American Journalism