Aesthetics of Opera in the Ancien Régime, 1647-1785 PDF Download
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Author: Downing A. Thomas
Publisher: Cambridge University Press
ISBN: 9780521801881
Category : History
Languages : en
Pages : 426
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Book Description
This study recognizes the broad impact of opera in early-modern French culture.
Author: Downing A. Thomas
Publisher: Cambridge University Press
ISBN: 9780521801881
Category : History
Languages : en
Pages : 426
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Book Description
This study recognizes the broad impact of opera in early-modern French culture.
Author:
Publisher: Cambridge University Press
ISBN: 0521823595
Category :
Languages : en
Pages : 379
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Book Description
Author: R.J. Arnold
Publisher: Routledge
ISBN: 1134803761
Category : Music
Languages : en
Pages : 340
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Book Description
Why, in the dying days of the Napoleonic Empire, did half of Paris turn out for the funeral of a composer? The death of André Ernest Modeste Grétry in 1813 was one of the sensations of the age, setting off months of tear-stained commemorations, reminiscences and revivals of his work. To understand this singular event, this interdisciplinary study looks back to Grétry’s earliest encounters with the French public during the 1760s and 1770s, seeking the roots of his reputation in the reactions of his listeners. The result is not simply an exploration of the relationship between a musician and his audiences, but of developments in musical thought and discursive culture, and of the formation of public opinion over a period of intense social and political change. The core of Grétry’s appeal was his mastery of song. Distinctive, direct and memorable, his melodies were exported out of the opera house into every corner of French life, serving as folkloristic tokens of celebration and solidarity, longing and regret. Grétry’s attention to the subjectivity of his audiences had a profound effect on operatic culture, forging a new sense of democratic collaboration between composer and listener. This study provides a reassessment of Grétry’s work and musical thought, positioning him as a major figure who linked the culture of feeling and the culture of reason - and who paved the way for Romantic notions of spectatorial absorption and the power of music.
Author: Olivia Bloechl
Publisher: University of Chicago Press
ISBN: 022652289X
Category : History
Languages : en
Pages : 301
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Book Description
From its origins in the 1670s through the French Revolution, serious opera in France was associated with the power of the absolute monarchy, and its ties to the crown remain at the heart of our understanding of this opera tradition (especially its foremost genre, the tragédie en musique). In Opera and the Political Imaginary in Old Regime France, however, Olivia Bloechl reveals another layer of French opera’s political theater. The make-believe worlds on stage, she shows, involved not just fantasies of sovereign rule but also aspects of government. Plot conflicts over public conduct, morality, security, and law thus appear side-by-side with tableaus hailing glorious majesty. What’s more, opera’s creators dispersed sovereign-like dignity and powers well beyond the genre’s larger-than-life rulers and gods, to its lovers, magicians, and artists. This speaks to the genre’s distinctive combination of a theological political vocabulary with a concern for mundane human capacities, which is explored here for the first time. By looking at the political relations among opera characters and choruses in recurring scenes of mourning, confession, punishment, and pardoning, we can glimpse a collective political experience underlying, and sometimes working against, ancienrégime absolutism. Through this lens, French opera of the period emerges as a deeply conservative, yet also more politically nuanced, genre than previously thought.
Author: Ora Frishberg Saloman
Publisher: Peter Lang
ISBN: 9781433103575
Category : Art
Languages : en
Pages : 274
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Book Description
The twelve essays in Listening Well illuminate aesthetic, educative, and evaluative strategies utilized by writers in Paris, Boston, and New York to guide listeners in confronting the challenges of musical modernity between 1764 and 1890. They interpret criticism from treatises, journals, and newspapers for its importance in cultural history and consider the reception of major works by Beethoven and by Berlioz. The essays explore contrasting responses to new operas and symphonies by composers, librettists, authors, critics, and conductors as well as by writers including Chabanon, Lacépède, Berlioz, Urhan, D'Ortigue, Dwight, Fuller, Watson, and Hassard. Readers interested in perceptions of Classicism and Romanticism in music as they relate to French, German, and American literature and criticism will discover how audiences on both sides of the Atlantic were encouraged to listen attentively to the new and controversial in music of the eighteenth and nineteenth centuries.
Author: Robert James Arnold
Publisher: Boydell & Brewer
ISBN: 1783272015
Category : History
Languages : en
Pages : 241
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Book Description
The first full-length treatment of the operatic querelles in eighteenth-century France, placing individual querelles in historical context and tracing common themes of authority, national prestige and the power of music over popular sentiment.
Author: Suzanne Aspden
Publisher: Cambridge University Press
ISBN: 1107033373
Category : Music
Languages : en
Pages : 309
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Book Description
The Rival Sirens examines the vital and intertwined roles of singers, audiences and local cultural context in creating eighteenth-century opera.
Author: Cynthia Verba
Publisher: Oxford University Press
ISBN: 019938102X
Category : History
Languages : en
Pages : 217
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Book Description
"Prompted by controversial views of the composer-theorist Jean-Philippe Rameau, the leading figures of the French Enlightenment engaged in a vigorous philosophical debate about the nature of music. Their dialogue was one of extraordinary depth and richness, and dealth with some of the most fundamental issues of the French Enlightenment. In the newly revised edition of 'Music and the French Enlightenment', Cynthia Verba updates this fascinating story with the prolific scholarship that has emerged since the book was first published." -- rear cover.
Author: Edmund J. Goehring
Publisher: Cambridge University Press
ISBN: 113945630X
Category : Music
Languages : en
Pages : 321
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Book Description
This 2004 book is a full-length, scholarly study of what is widely regarded as Mozart's most enigmatic opera and Lorenzo Da Ponte's most erudite text. Against the long-standing judgement that the opera uses a misguided confidence in reason to traduce feeling, Goehring's study shows how Cosi affirms comedy's regenerative powers and its capacity to grant access to modes of sympathy and understanding that are otherwise inaccessible. In making this argument, the book surveys a rich literary, operatic and intellectual territory. It offers fresh perspective on the relationships between text and tone in the opera, on the tension between comedy and philosophy and its representation in stage works and on the pastoral mode which the opera uses in subtle ways. Throughout, Goehring's argument is sustained by close readings of primary sources, many of them little known, and is richly illustrated with musical examples.
Author: Caroline A. van Eck
Publisher: BRILL
ISBN: 9004229558
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
The present volume is a first attempt to chart the early modern translations of Peri hupsous, both in the literal sense of the history of its dissemination by means of editions, versions and translations in Latin and vernacular languages, but also in the figurative sense of its uses and transformations in the visual arts from 1500 to 1800.
