Aesthetic Reaction to Colors PDF Download
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Author: Homer Guy Bishop
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 78
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Book Description
Author: Homer Guy Bishop
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 78
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Book Description
Author: Edward Branigan
Publisher: Routledge
ISBN: 1315317486
Category : Performing Arts
Languages : en
Pages : 376
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Book Description
Color is one of cinema’s most alluring formal systems, building on a range of artistic traditions that orchestrate visual cues to tell stories, stage ideas, and elicit feelings. But what if color is not—or not only—a formal system, but instead a linguistic effect, emerging from the slipstream of our talk and embodiment in a world? This book develops a compelling framework from which to understand the mobility of color in art and mind, where color impressions are seen through, and even governed by, patterns of ordinary language use, schemata, memories, and narrative. Edward Branigan draws on the work of Ludwig Wittgenstein and other philosophers who struggle valiantly with problems of color aesthetics, contemporary theories of film and narrative, and art-historical models of analysis. Examples of a variety of media, from American pop art to contemporary European cinema, illustrate a theory based on a spectator’s present-time tracking of temporal patterns that are firmly entwined with language use and social intelligence.
Author: Faber Birren
Publisher: John Wiley & Sons
ISBN:
Category : Architecture
Languages : en
Pages : 184
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Book Description
Original publication and copyright date: 1978.
Author: Sijia Song
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 42
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Book Description
Author: Michel Eugène Chevreul
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 544
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Book Description
Author: Patrick Baty
Publisher: Princeton University Press
ISBN: 0691217041
Category : Art
Languages : en
Pages : 143
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Book Description
This fully realized colour catalogue includes elegant contemporary illustrations of every animal, plant or mineral cited in Syme's edition of “Werner's nomenclature of colours”
Author: James J. Winchester
Publisher: Rowman & Littlefield
ISBN: 9780742513914
Category : Philosophy
Languages : en
Pages : 164
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Book Description
James Winchester brings the western philosophical tradition into dialog with contemporary African-American thinkers in an attempt to bridge (or at least understand) the culture gap in aesthetic judgments. Visit our website for sample chapters!
Author: Charles A. Riley (II.)
Publisher: UPNE
ISBN: 9780874517422
Category : Art
Languages : en
Pages : 380
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Book Description
A multidisciplinary look at the role of color in contemporary aesthetics.
Author: Carolyn L. Kane
Publisher: University of Chicago Press
ISBN: 022600287X
Category : Science
Languages : en
Pages : 353
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Book Description
These days, we take for granted that our computer screens—and even our phones—will show us images in vibrant full color. Digital color is a fundamental part of how we use our devices, but we never give a thought to how it is produced or how it came about. Chromatic Algorithms reveals the fascinating history behind digital color, tracing it from the work of a few brilliant computer scientists and experimentally minded artists in the late 1960s and early ‘70s through to its appearance in commercial software in the early 1990s. Mixing philosophy of technology, aesthetics, and media analysis, Carolyn Kane shows how revolutionary the earliest computer-generated colors were—built with the massive postwar number-crunching machines, these first examples of “computer art” were so fantastic that artists and computer scientists regarded them as psychedelic, even revolutionary, harbingers of a better future for humans and machines. But, Kane shows, the explosive growth of personal computing and its accompanying need for off-the-shelf software led to standardization and the gradual closing of the experimental field in which computer artists had thrived. Even so, the gap between the bright, bold presence of color onscreen and the increasing abstraction of its underlying code continues to lure artists and designers from a wide range of fields, and Kane draws on their work to pose fascinating questions about the relationships among art, code, science, and media in the twenty-first century.
Author: Jan J. Koenderink
Publisher:
ISBN: 9780262335171
Category : Colorimetry
Languages : en
Pages : 741
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Book Description
"Color for the Sciences is the first book on colorimetry to offer an account that emphasizes conceptual and formal issues rather than applications. Jan Koenderink's introductory text treats colorimetry--literally, 'color measurement'--as a science, freeing the topic from the usual fixation on conventional praxis and how to get the 'right' result. Readers of Color for the Sciences will learn to rethink concepts from the roots in order to reach a broader, conceptual understanding. After a brief account of the history of the discipline (beginning with Isaac Newton) and a chapter titled 'Colorimetry for Dummies,' the heart of the book covers the main topics in colorimetry, including the space of beams, achromatic beams, edge colors, optimum colors, color atlases, and spectra. Other chapters cover more specialized topics, including implementations, metrics pioneered by Schrödinger and Helmholtz, and extended color space. Color for the Sciences can be used as a reference for professionals or in a formal introductory course on colorimetry. It will be especially useful both for those working with color in a scientific or engineering context who find the standard texts lacking and for professionals and students in image engineering, computer graphics, and computer science. Each chapter ends with exercises, many of which are open-ended, suggesting ways to explore the topic further, and can be developed into research projects. The text and notes contain numerous suggestions for demonstration experiments and individual explorations. The book is self-contained, with formal methods explained in appendixes when necessary"--Provider website.
