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Author: Jonathan Kramnick
Publisher: Stanford University Press
ISBN: 0804770522
Category : Literary Criticism
Languages : en
Pages : 354
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Book Description
How do minds cause events in the world? How does wanting to write a letter cause a person's hands to move across the page? Actions and Objects examines the literature and philosophy of action during the late seventeenth and early eighteenth centuries, when philosophers, novelists, poets, and scientists were all concerned with the place of the mind in the world. They wondered whether belief, desire, and emotion were part of nature—and thus subject to laws of cause and effect—or in a special place outside the natural order. The book emphasizes writers who tried to make actions compatible with external determination and to blur the boundary between mind and matter. This kind of externalism has often been overlooked in the effort to make psychological depth and interiority arise in the eighteenth century. Kramnick follows a long tradition of examining the close relation between literary and philosophical writing, but he fundamentally revises the terrain, situating literature alongside philosophy as jointly interested in discovering how minds work.
Author: Jonathan Kramnick
Publisher: Stanford University Press
ISBN: 0804770522
Category : Literary Criticism
Languages : en
Pages : 354
Get Book Here
Book Description
How do minds cause events in the world? How does wanting to write a letter cause a person's hands to move across the page? Actions and Objects examines the literature and philosophy of action during the late seventeenth and early eighteenth centuries, when philosophers, novelists, poets, and scientists were all concerned with the place of the mind in the world. They wondered whether belief, desire, and emotion were part of nature—and thus subject to laws of cause and effect—or in a special place outside the natural order. The book emphasizes writers who tried to make actions compatible with external determination and to blur the boundary between mind and matter. This kind of externalism has often been overlooked in the effort to make psychological depth and interiority arise in the eighteenth century. Kramnick follows a long tradition of examining the close relation between literary and philosophical writing, but he fundamentally revises the terrain, situating literature alongside philosophy as jointly interested in discovering how minds work.
Author: Peter DeGabriele
Publisher: Bucknell University Press
ISBN: 1611486971
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Sovereign Power and the Enlightenment examines the role of the novelists and historians of the eighteenth century in developing a vision of political modernity that questions traditional narratives about the rise of liberalism and the decline of sovereign power. It provides a new way to link the literature and philosophy of the eighteenth century with the meditations on violence and sovereignty that have preoccupied much of the political philosophy of the first years of the twenty first century. Focusing on the novelists Daniel Defoe, Samuel Richardson, and Ann Radcliffe, and on the historians David Hume and Edward Gibbon, DeGabriele shows how these authors use the resources of their respective genres to expose the persistence of sovereign violence and to outline a type of political subject who could resist the violence more effectively than the individual beloved of modern liberalism.
Author: Kate Novotny Owen
Publisher: Gale, Cengage Learning
ISBN: 1535853913
Category : Study Aids
Languages : en
Pages : 15
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Book Description
Gale Researcher Guide for: Samuel Richardson and the Epistolary Novel is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.
Author: James Smith
Publisher: Manchester University Press
ISBN: 1784997978
Category : Literary Collections
Languages : en
Pages : 194
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Book Description
Samuel Richardson and the theory of tragedy is a bold new interpretation of one of the greatest European novels, Samuel Richardson's Clarissa. It argues that this text needs to be rethought as a dangerous exploration of the ethics of tragedy, on the scale of the great arguments of post-Romantic tragic theory, from Hölderlin to Nietzsche, to Benjamin, Lacan and beyond. Taking the reader through the novel from beginning to end, it also acts as a guidebook for newcomers to Richardson's notoriously massive text, and situates it alongside Richardson's other works and the epistolary novel form in general. Filled with innovative close readings that will provoke scholars, students and general readers of the novel alike, it will also serve as a jumping off point for anyone interested in the way the theory of tragedy continues to be the privileged meeting point between literature and philosophy.
Author: Constantine Sandis
Publisher: Bloomsbury Publishing
ISBN: 1350235121
Category : Philosophy
Languages : en
Pages : 289
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Book Description
Over the course of the last 15 years, Constantine Sandis has advanced our understanding of the role that action plays in shaping our moral thought. In this collection of his best essays in the philosophy of action, Sandis brings together updated versions of his writings, accompanied by a new introduction. Read collectively they demonstrate the breadth of his interests and ability to relate to broader issues within the culture, connecting debates in philosophical psychology about motivation, negligence, and moral responsibility with Greek tragedy, social psychology and literature. Along this path from action to ethics, Sandis engages with Hegel, Wittgenstein, Anscombe, Ricoeur, Davidson, and Dretske, together with contemporary authors such as Jennifer Hornsby and Jonathan Dancy. As he responds to each thinker and theme, he develops his own philosophical position, the key thesis of which is that philosophy of action without ethics is empty, ethics without philosophy of action is blind.
Author: Stefano Mochi
Publisher: Cambridge Scholars Publishing
ISBN: 1527501817
Category : Literary Criticism
Languages : en
Pages : 163
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Book Description
This book examines eighteenth-century novels, with a focus on the skills that readers were expected to master in order to read these works. It analyses how such skills were shaped by the cultural and political climate of the time. Starting with a review of the debate on education that began in England in the eighteenth-century and the way it was influenced by philosophers such as John Locke, it then discusses the demands that novelists like Defoe, Fielding, Sterne, Godwin, Smollett and Richardson made concerning this subject. Various scientific, philosophical, religious and linguistic theories are used to examine the issues above: Chaos Theory, Wittgenstein’s idea of “logical space”, Grice’s cooperative principle, Aristotle’s poetics and de Molinos’ Quietism.
Author: Marcie Frank
Publisher: Rutgers University Press
ISBN: 1684481678
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
"The Novel Stage: Narrative Form from the Restoration to Jane Austen traces the novel's relation to the theater over the course of the long eighteenth century, arguing that the familiar account of the novel as 'new' and distinct from other literary genres risks distorting a true reckoning of the form by failing to engage with the borrowings and departures from other more familiar genres, particularly drama. The Novel Stage traces the migration of tragicomedy, the comedy of manners, and melodrama from the stage to the novel. These genres were shared across print and performance, media that were not construed as opposites in a world in which individual silent reading took place beside playgoing, play-reading, amateur theatricals, and sociable reading aloud. The book thus expands an overly narrow conception of the novel as the genre of realism or domesticity whose highest achievement is its representation of characters' mental lives by describing the influence of the stage and its genres. Beginning in the later 1600s with Aphra Behn, The Novel Stage concludes with a chapter on some novelists of the Romantic period and a coda about Victorian novels. The Novel Stage's account of the novel provides an enriched, because more specific, sense of its formal accomplishments that drew on this ensemble of cultural forms and turns that lens back onto drama"--Provided by publisher.
Author: Vivasvan Soni
Publisher: Northwestern University Press
ISBN: 0810136333
Category : Literary Criticism
Languages : en
Pages : 522
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Book Description
Written by theologians, literary scholars, political theorists, classicists, and philosophers, the essays in Judgment and Action address the growing sense that certain key concepts in humanistic scholarship have become suspect, if not downright unintelligible, amid the current plethora of critical methods. These essays aim to reassert the normative force of judgment and action, two concepts at the very core of literary analysis, systematic theology, philosophy, ethics, aesthetics, and other disciplines. Interpretation is essential to every humanistic discipline, and every interpretation is an act of judgment. Yet the work of interpretation and judgment has been called into question by contemporary methods in the humanities, which incline either toward contextual determination of meaning or toward the suspension of judgment altogether. Action is closely related to judgment and interpretation and like them, it has been rendered questionable. An action is not simply the performance of a deed but requires the deed’s intelligibility, which can be secured only through interpretation and judgment. Organized into four broad themes—interiority/contemplation, ethics, politics/community, and aesthetics/image—the aim of this broad-ranging and insightful collection is to illuminate the histories of judgment and action, identify critical sites from which rethinking them may begin, clarify how they came to be challenged, and relocate them within a broader intellectual-historical trajectory that renders them intelligible.
Author: Stephanie Insley Hershinow
Publisher: Johns Hopkins University Press
ISBN: 1421438836
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
Drawing on bold close readings, Born Yesterday alters the landscape of literary historical eighteenth-century studies and challenges some of novel theory's most well-worn assumptions.
Author: James Noggle
Publisher: Cornell University Press
ISBN: 1501747134
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
Unfelt offers a new account of feeling during the British Enlightenment, finding that the passions and sentiments long considered as preoccupations of the era depend on a potent insensibility, the secret emergence of pronounced emotions that only become apparent with time. Surveying a range of affects including primary sensation, love and self-love, greed, happiness, and patriotic ardor, James Noggle explores literary evocations of imperceptibility and unfeeling that pervade and support the period's understanding of sensibility. Each of the four sections of Unfelt—on philosophy, the novel, historiography, and political economy—charts the development of these idioms from early in the long eighteenth century to their culmination in the age of sensibility. From Locke to Eliza Haywood, Henry Fielding, and Frances Burney, and from Dudley North to Hume and Adam Smith, Noggle's exploration of the insensible dramatically expands the scope of affect in the period's writing and thought. Drawing inspiration from contemporary affect theory, Noggle charts how feeling and unfeeling flow and feed back into each other, identifying emotional dynamics at their most elusive and powerful: the potential, the incipient, the emergent, the virtual.
