Abstract & Surrealist Art in America PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Abstract & Surrealist Art in America PDF full book. Access full book title Abstract & Surrealist Art in America by Sidney Janis. Download full books in PDF and EPUB format.
Author: Sidney Janis
Publisher: Beaufort Books
ISBN:
Category : Art
Languages : en
Pages : 168
Get Book Here
Book Description
Author: Sidney Janis
Publisher: Beaufort Books
ISBN:
Category : Art
Languages : en
Pages : 168
Get Book Here
Book Description
Author: Sidney Janis
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
Get Book Here
Book Description
Author: S. Janis
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Brandt (Mortimer) Gallery, New York
Publisher:
ISBN:
Category : Painting, Abstract
Languages : en
Pages : 4
Get Book Here
Book Description
Author: Mortimer Brandt (Firm)
Publisher:
ISBN:
Category : Art, Abstract
Languages : en
Pages : 1
Get Book Here
Book Description
Author: Sandra Zalman
Publisher: Routledge
ISBN: 1351571095
Category : Art
Languages : en
Pages : 237
Get Book Here
Book Description
Consuming Surrealism in American Culture: Dissident Modernism argues that Surrealism worked as a powerful agitator to disrupt dominant ideas of modern art in the United States. Unlike standard accounts that focus on Surrealism in the U.S. during the 1940s as a point of departure for the ascendance of the New York School, this study contends that Surrealism has been integral to the development of American visual culture over the course of the twentieth century. Through analysis of Surrealism in both the museum and the marketplace, Sandra Zalman tackles Surrealism?s multi-faceted circulation as both elite and popular. Zalman shows how the American encounter with Surrealism was shaped by Alfred Barr, William Rubin and Rosalind Krauss as these influential curators mobilized Surrealism to compose, to concretize, or to unseat narratives of modern art in the 1930s, 1960s and 1980s - alongside Surrealism?s intersection with advertising, Magic Realism, Pop, and the rise of contemporary photography. As a popular avant-garde, Surrealism openly resisted art historical classification, forcing the supposedly distinct spheres of modernism and mass culture into conversation and challenging theories of modern art in which it did not fit, in large part because of its continued relevance to contemporary American culture.
Author: Joanna Pawlik
Publisher: Univ of California Press
ISBN: 0520309049
Category : Art
Languages : en
Pages : 295
Get Book Here
Book Description
Re-viewing surrealism in Charles Henri Ford's Poem posters (1964-5) -- Encountering surrealism : Nadja (1928) and autobiographical beat writing -- Blackening surrealism : Ted Joans' ethnographic surrealist historiography -- Turning on surrealism : queer psychedelia -- Hystericising surrealism : the marvelous in popular culture.
Author: Isabelle Dervaux
Publisher: National Academy Museum and School of Fine Arts
ISBN:
Category : Art
Languages : en
Pages : 198
Get Book Here
Book Description
While Surrealism was becoming out of fashion in Europe in the 1930s, it enjoyed a growing popularity on the other side of the Atlantic. This text traces the history of this movement in the United States from about 1930 to 1950 by examining its manifestations throughout the country.
Author: Museum of Modern Art (New York, N.Y.)
Publisher: [New York] : Published for the Museum of Modern Art by Arno Press, 1969 [c1951]
ISBN:
Category : Art
Languages : en
Pages : 168
Get Book Here
Book Description
Catalogue of the exhibition held Jan. 23-Mar. 25, 1951, by Margaret Miller: p. 148-156.
Author: Charles Darwent
Publisher: Thames & Hudson
ISBN: 0500778965
Category : Art
Languages : en
Pages : 328
Get Book Here
Book Description
In 1957 the American artist Robert Motherwell made an unexpected claim: I have only known two painting milieus well the Parisian Surrealists, with whom I began painting seriously in New York in 1940, and the native movement that has come to be known as abstract expressionism, but which genetically would have been more properly called abstract surrealism. Motherwells bold assertion, that Abstract Expressionism was neither new nor local, but born of a brief liaison between America and France, verged on the controversial. Surrealists in New York tells the story of this liaison and the European exiles who bought Surrealism with them an artistic exchange between the Old World and the New centring on taciturn printmaker Stanley William Hayter and the legendary Atelier 17 print studio he founded. Here artists experiments literally pushed the boundaries of modern art. It was in Hayters studio that Jackson Pollock found the balance of freedom and control that would culminate in his distinctive drip paintings. The impact of Max Ernst, André Masson, Louise Bourgeois and other noted émigrés on the work of Motherwell, Pollock, Mark Rothko and the American avant-garde has for too long been quietly written out of art history. Drawing on first-hand documents, interviews and archive materials, Charles Darwent brings to life the events and personalities from this crucial encounter. In so doing, he reveals a fascinating new perspective on the history of the art of the twentieth century.
