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![A Token of Love. Select Poetry. [A collection of sonnets, edited by T. Albin.] PDF](https://books.google.com/books/content/images/frontcover/qMUbCNsCh0kC?fife=w150-h200)
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Languages : en
Pages : 166
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![A Token of Love. Select Poetry. [A collection of sonnets, edited by T. Albin.] PDF](https://books.google.com/books/content/images/frontcover/qMUbCNsCh0kC?fife=w80-h100)
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Languages : en
Pages : 166
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Category :
Languages : en
Pages : 566
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Author: British Library
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Category :
Languages : en
Pages : 1016
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Author: British Museum. Department of Printed Books
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Category : English literature
Languages : en
Pages : 1018
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Author:
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ISBN:
Category : Books
Languages : en
Pages : 778
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Author: British Museum. Department of Printed Books
Publisher:
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Category : English imprints
Languages : en
Pages : 536
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Author: Jerome Rothenberg
Publisher: Univ of California Press
ISBN: 0520273850
Category : Literary Criticism
Languages : en
Pages : 792
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"Global anthology of twentieth-century poetry"--Back cover.
Author: William J. Long
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 463
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Book Description
"English Literature: Its History and Its Significance for the Life of the English-Speaking World" by William J. Long resents the whole splendid history of English literature from Anglo-Saxon times to the close of the Victorian Era. It's a useful and interesting guide for students as well as teachers of English literature, specially European and American, despite over a hundred years passing since the time of its first publication.
Author: Jiří Měsíc
Publisher: Univerzita Palackého v Olomouci
ISBN: 8024457873
Category : Music
Languages : en
Pages : 228
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This monograph arose from thinking about the literary tradition as described by the Anglo-American modernist writers Ezra Pound and T. S. Eliot. In their view, the tradition of European love-lyrics crystallized in the work of the medieval Occitan troubadours, who represented the cultural and political milieu of the Occitanie of that period and whose work reflected the religious influences of Judaism, Christianity, and Islam. The main subject of their poetry was the worship of a divinized feminine character resembling the Virgin Mary, the Gnostic Sophia, or the ancient Mother Goddess. Their literary preoccupations further flourished in Tuscany, as well as among the German Minnesängers, and at the court of the Sicilian King Frederick II (1194–1250), from where they infiltrated into English literature during the Renaissance. In this period, Classical literature, in combination with troubadour poetry, became the cornerstone of English artistic production. However, it is not so well known that troubadour poetry took as its model the medieval poetry written in Andalusian Arabic. This enigmatic essence is what makes this literature so relevant as it is the first instance of the synthesizing of religions, mythologies, philosophies, literatures, symbols, and motifs coming from cultures other than our own. Nowadays, it is not surprising that contemporary artists draw on the troubadour poets and that they are even contrasted with them by critics. Such is the case of Leonard Cohen, who, during his career, revealed erudition in medieval poetry and religion and whose work shows many parallels with the work of his Occitan and Andalusian predecessors. For this reason, the book presents a comparison of the texts and motifs present in their works and refers to another important facet of their œuvre: religion and mysticism. The purpose is to highlight the importance of troubadour poetry in the rise of popular culture in the second half of the 20th century.
Author: Serge Gavronsky
Publisher: Univ of California Press
ISBN: 9780520915237
Category : Poetry
Languages : en
Pages : 388
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Book Description
A quiet revolution is taking place in avant-garde French poetry and prose. In this collection of twelve interviews with some of France's most important poets and writers, Serge Gavronsky introduces American readers to these exciting new developments. As Gavronsky explains, a neolyricism is now replacing the formalism of the 1960s, '70s, and '80s. In his substantial introduction, Gavronsky notes how the ideological definition of writing (écriture) has given way to more open forms of writing. Human experiences of the most ordinary kinds are finding a place in the text. These interviews offer a view of the poets' and writers' creative processes and range over such topics as current literary theory, the impact of American poetry in France, and the place of feminism in contemporary French writing. Each interview is accompanied by samples of the writer's work in French and in Gavronsky's English translations. Toward a New Poetics provides a highly informative cultural and critical perspective on contemporary writing in France, introducing us to works which are now transforming the idea of literature itself.
