Author: City Art Museum of St. Louis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 610
Book Description
Special Exhibition Catalogue
Author: City Art Museum of St. Louis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 610
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 610
Book Description
Annual Report
Author: Art Association of Indianapolis, Indiana
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 140
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 140
Book Description
Annual Report
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 450
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 450
Book Description
Art and Progress
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 496
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 496
Book Description
Making the Unknown Known
Author: Victoria H. Cummins
Publisher: Texas A&M University Press
ISBN: 1648431518
Category : Art
Languages : en
Pages : 743
Book Description
In Making the Unknown Known, leading scholars throughout Texas explore the significant role women artists played in developing early Texas art from the nineteenth century through the latter part of the twentieth century. The biographies presented here allow readers to compare these women’s experiences across time as they negotiated the gendered expectations about artists in society at large and the Texas art community itself. Surveying the contributions women made to the visual arts in the Lone Star state, Making the Unknown Known analyzes women’s artistic work with respect to geographic and historical connections. Including surveys of the work of artists such as Louise Wüste, Emma Richardson Cherry, Eleanor Onderdonk, Grace Spaulding John, and others, it offers a groundbreaking assessment of the role women artists have played in interpreting the meaning, history, heritage, and unique character of Texas. It places women artists within the larger social and cultural contexts in which they lived. In that regard, it contains an analysis of their varied styles of art, the media they employed, and the subject matter contained in their art. It thus evaluates the contributions made by women artists to defining the nature of the wider Texas experience as an American region. Beautifully illustrated throughout with rich, full-color reproductions of the works created by the artists, this volume provides an enriched understanding of the important but underappreciated role women artists have played in the development of the fine arts in Texas. At last, the unknown story can be known.
Publisher: Texas A&M University Press
ISBN: 1648431518
Category : Art
Languages : en
Pages : 743
Book Description
In Making the Unknown Known, leading scholars throughout Texas explore the significant role women artists played in developing early Texas art from the nineteenth century through the latter part of the twentieth century. The biographies presented here allow readers to compare these women’s experiences across time as they negotiated the gendered expectations about artists in society at large and the Texas art community itself. Surveying the contributions women made to the visual arts in the Lone Star state, Making the Unknown Known analyzes women’s artistic work with respect to geographic and historical connections. Including surveys of the work of artists such as Louise Wüste, Emma Richardson Cherry, Eleanor Onderdonk, Grace Spaulding John, and others, it offers a groundbreaking assessment of the role women artists have played in interpreting the meaning, history, heritage, and unique character of Texas. It places women artists within the larger social and cultural contexts in which they lived. In that regard, it contains an analysis of their varied styles of art, the media they employed, and the subject matter contained in their art. It thus evaluates the contributions made by women artists to defining the nature of the wider Texas experience as an American region. Beautifully illustrated throughout with rich, full-color reproductions of the works created by the artists, this volume provides an enriched understanding of the important but underappreciated role women artists have played in the development of the fine arts in Texas. At last, the unknown story can be known.
Loan Exhibition of Original French Prints from the XVth Century to the XXth Century from the Collection of Mr. and Mrs. George W. Davison : March 29 to May 1, 1932
Author:
Publisher:
ISBN:
Category : Prints, French
Languages : en
Pages : 150
Book Description
Publisher:
ISBN:
Category : Prints, French
Languages : en
Pages : 150
Book Description
Arts Digest
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 762
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 762
Book Description
Edith Halpert, the Downtown Gallery, and the Rise of American Art
Author: Rebecca Shaykin
Publisher: Yale University Press
ISBN: 0300231008
Category : Art
Languages : en
Pages : 233
Book Description
This book presents the fascinating untold story of art-world tastemaker Edith Halpert, who sold, promoted, and effectively defined American art in the 20th century.
Publisher: Yale University Press
ISBN: 0300231008
Category : Art
Languages : en
Pages : 233
Book Description
This book presents the fascinating untold story of art-world tastemaker Edith Halpert, who sold, promoted, and effectively defined American art in the 20th century.
Art Digest
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 872
Book Description
Includes section "The great calender of American exhibitions."
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 872
Book Description
Includes section "The great calender of American exhibitions."
Southern/Modern
Author: Jonathan Stuhlman
Publisher: UNC Press Books
ISBN: 1469674092
Category : Art
Languages : en
Pages : 722
Book Description
Inspired by a companion exhibition, Southern/Modern is the first book to survey progressive art created in the American South during the first half of the twentieth century. Featuring twelve essays, this lavishly illustrated volume includes all the works from the exhibition and assesses a broader body of contextual pieces to offer a fascinating, multipronged look at modernism's thriving presence in the South—until now, something largely overlooked in histories of American art. Contributors take a broad view of the region, considering artists working in the states below the Mason-Dixon Line and those bordering the Mississippi River. It examines the central roles played by women and artists of color, providing a fuller, richer, and more accurate overview of the artistic activity in the region than has been previously presented. The book is structured around key themes, including the embrace of "high" modernism, the importance of emerging university programs and artist colonies, the depiction of rural and urban modern life, and the role of artists from the South who left and artists from outside the region who came to the South seeking new subjects. Contributors are Daniel Belasco, Katelyn D. Crawford, William Underwood Eiland, William R. Ferris, Shawnya Harris, Todd A. Herman, Karen Towers Klacsmann, Leo G. Mazow, Christopher C. Oliver, Jeffrey Richmond-Moll, Martha R. Severens, Jonathan Stuhlman, Rebecca VanDiver, and Jonathan Frederick Walz.
Publisher: UNC Press Books
ISBN: 1469674092
Category : Art
Languages : en
Pages : 722
Book Description
Inspired by a companion exhibition, Southern/Modern is the first book to survey progressive art created in the American South during the first half of the twentieth century. Featuring twelve essays, this lavishly illustrated volume includes all the works from the exhibition and assesses a broader body of contextual pieces to offer a fascinating, multipronged look at modernism's thriving presence in the South—until now, something largely overlooked in histories of American art. Contributors take a broad view of the region, considering artists working in the states below the Mason-Dixon Line and those bordering the Mississippi River. It examines the central roles played by women and artists of color, providing a fuller, richer, and more accurate overview of the artistic activity in the region than has been previously presented. The book is structured around key themes, including the embrace of "high" modernism, the importance of emerging university programs and artist colonies, the depiction of rural and urban modern life, and the role of artists from the South who left and artists from outside the region who came to the South seeking new subjects. Contributors are Daniel Belasco, Katelyn D. Crawford, William Underwood Eiland, William R. Ferris, Shawnya Harris, Todd A. Herman, Karen Towers Klacsmann, Leo G. Mazow, Christopher C. Oliver, Jeffrey Richmond-Moll, Martha R. Severens, Jonathan Stuhlman, Rebecca VanDiver, and Jonathan Frederick Walz.