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Author: A. R. Penck
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
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Book Description
The exhibition gives an impression of a period of about forty years of the artist's work.
Author: A. R. Penck
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
Get Book Here
Book Description
The exhibition gives an impression of a period of about forty years of the artist's work.
Author: A. R. Penck
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 52
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Book Description
Author: Städtische Museen Heilbronn
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
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Book Description
Author: Lena Fritsch
Publisher:
ISBN: 9781910807316
Category :
Languages : en
Pages : 0
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Book Description
- Showcases the work of internationally acclaimed German artist A.R. Penck (1939-2017). 2019 marks 80 years since his birth; it is also the 30-year-anniversary of the end of the Cold War- The project honors an important artist who emigrated from East to West Germany and whose work addresses issues facing modern man in society- Published to accompany a show at the Ashmolean, Oxford, from 27 June to 3 November, 2019The artistic language of A.R. Penck (1936-2017) - characterised by brusquely and expressively painted signs and 'primitive' symbols - is instantly recognisable. Abiding interests in systems theory and cybernetics, as well as pre-historic cultures and science fiction, guided his art toward an investigation of the relationships between man and society's power systems. His prolific artistic output was primarily driven by his desire to create a universal artistic language that addresses the issues facing modern man. This publication accompanies A.R. Penck's first solo exhibition in Oxford. It features works created between 1970 and 1990 and introduces his art to an audience that might be unfamiliar with it by focussing on the artist's signature motif of the Standart stick figure in its diverse forms. The artist was born as Ralf Winkler in Dresden, East Germany. Rejected by the establishment for the decidedly un-academic style of his works and their political overtones, he persisted as an 'underground' autodidact in what was then the GDR. He adopted the pseudonym A.R. Penck to counter difficulties with East German authorities who banned his works from public exhibition. With the aid of friends, his works were smuggled to West Germany, where they were exhibited for the first time in 1968 in Cologne. In 1980, Penck emigrated to the West, first living outside Cologne, then in London and Ireland, often dividing his time between different locations.
Author: Seth Howes
Publisher: Camden House (NY)
ISBN: 1640140689
Category : History
Languages : en
Pages : 282
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Book Description
Documents the rich allusiveness and intellectual probity of experimental filmmaking-a form that thrived despite having been officially banned-in East German socialism's final years
Author: John Yau
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
"This is the first full-length monograph on A. R. Penck, one of the leading artists to emerge from postwar Germany...Included in this monograph are extensive biographical information and a selection of Penck's own writings."--book jacket.
Author: Jack Cowart
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
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Book Description
Author: Sarah E. James
Publisher: MIT Press
ISBN: 0262046563
Category : Art
Languages : en
Pages : 397
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Book Description
The experimental practices of a group of artists in the former East Germany upends assumptions underpinning Western art’s postwar histories. In Paper Revolutions, Sarah James offers a radical rethinking of experimental art in the former East Germany (the GDR). Countering conventional accounts that claim artistic practices in the GDR were isolated and conservative, James introduces a new narrative of neo-avantgarde practice in the Eastern Bloc that subverts many of the assumptions underpinning Western art’s postwar histories. She grounds her argument in the practice of four artists who, uniquely positioned outside academies, museums, and the art market, as these functioned in the West, created art in the blind spots of state censorship. They championed ephemeral practices often marginalized by art history: postcards and letters, maquettes and models, portfolios and artists’ books. Through their “lived modernism,” they produced bodies of work animated by the radical legacies of the interwar avant-garde. James examines the work and daily practices of the constructivist graphic artist, painter, and sculptor Hermann Glöckner; the experimental graphic artist and concrete and sound poet Carlfriedrich Claus; the mail artist, concrete poet, and conceptual artist Ruth Wolf-Rehfeldt; and the mail artist, “visual poet,” and installation artist Karla Sachse. She shows that all of these artists rejected the idea of art as a commodity or a rarefied object, and instead believed in the potential of art to create collectivized experiences and change the world. James argues that these artists, entirely neglected by Western art history, produced some of the most significant experimental art to emerge from Germany during the Cold War.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1812
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Book Description
Author: Martina Weinhart
Publisher: National Geographic Books
ISBN: 3791359940
Category : Art
Languages : en
Pages : 0
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Book Description
This book reveals the magnificent landscape paintings of the Group of Seven and their associates and explores how they contributed to Canada's modern cultural identity. The early decades of the 20th century were marked by artistic, economic, and social transformation in Canada and around the world. Starting in Toronto, a group of young modern artists, including Tom Thomson and Lawren S. Harris, and Emily Carr in British Columbia, desired to create a new painting vocabulary for the young nation coming into its own cultural identity. They turned away from city life and explored Canada's landscape, painting sublime vistas, monumental rivers, ancient forests around the great lakes, the mighty Rocky Mountains, and the arctic tundra, determined to break away from European stylistic traditions. Together, their paintings imagined a mythical Canada, expansive and rugged, that added to their country's growing sense of national pride. Featuring paintings, sketches, photographs, film stills, and documentary material, this catalog examines the language of Canadian modernism. It also includes essays and interviews that offer contemporary indigenous perspectives on the impact of industry on nature, issues surrounding national identity, and modern Canadian landscape painting. This generously illustrated book critically reviews Canada's modernism in art history.
