Author: Lisa Pon
Publisher: Cambridge University Press
ISBN: 1316300668
Category : History
Languages : en
Pages : 305
Book Description
In 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forlì, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forlì carried that print - now known as the Madonna of the Fire - into their cathedral, where two centuries later a new chapel was built to enshrine it. In this book, Lisa Pon considers a cascade of moments in the Madonna of the Fire's cultural biography: when ink was impressed onto paper at a now-unknown date; when that sheet was recognized by Forlì's people as miraculous; when it was enshrined in various tabernacles and chapels in the cathedral; when it or one of its copies was - and still is - carried in procession. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal.
A Printed Icon in Early Modern Italy
Author: Lisa Pon
Publisher: Cambridge University Press
ISBN: 1316300668
Category : History
Languages : en
Pages : 305
Book Description
In 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forlì, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forlì carried that print - now known as the Madonna of the Fire - into their cathedral, where two centuries later a new chapel was built to enshrine it. In this book, Lisa Pon considers a cascade of moments in the Madonna of the Fire's cultural biography: when ink was impressed onto paper at a now-unknown date; when that sheet was recognized by Forlì's people as miraculous; when it was enshrined in various tabernacles and chapels in the cathedral; when it or one of its copies was - and still is - carried in procession. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal.
Publisher: Cambridge University Press
ISBN: 1316300668
Category : History
Languages : en
Pages : 305
Book Description
In 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forlì, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forlì carried that print - now known as the Madonna of the Fire - into their cathedral, where two centuries later a new chapel was built to enshrine it. In this book, Lisa Pon considers a cascade of moments in the Madonna of the Fire's cultural biography: when ink was impressed onto paper at a now-unknown date; when that sheet was recognized by Forlì's people as miraculous; when it was enshrined in various tabernacles and chapels in the cathedral; when it or one of its copies was - and still is - carried in procession. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal.
Printed Icon
Author: Lisa Pon
Publisher: Cambridge University Press
ISBN: 1107098513
Category : Art
Languages : en
Pages : 305
Book Description
Lisa Pon examines the cultural biography of the city of Forlì's miraculous woodcut, the Madonna of the Fire.
Publisher: Cambridge University Press
ISBN: 1107098513
Category : Art
Languages : en
Pages : 305
Book Description
Lisa Pon examines the cultural biography of the city of Forlì's miraculous woodcut, the Madonna of the Fire.
The Hebrew Book in Early Modern Italy
Author: Joseph R. Hacker
Publisher: University of Pennsylvania Press
ISBN: 081220509X
Category : Religion
Languages : en
Pages : 334
Book Description
The rise of printing had major effects on culture and society in the early modern period, and the presence of this new technology—and the relatively rapid embrace of it among early modern Jews—certainly had an effect on many aspects of Jewish culture. One major change that print seems to have brought to the Jewish communities of Christian Europe, particularly in Italy, was greater interaction between Jews and Christians in the production and dissemination of books. Starting in the early sixteenth century, the locus of production for Jewish books in many places in Italy was in Christian-owned print shops, with Jews and Christians collaborating on the editorial and technical processes of book production. As this Jewish-Christian collaboration often took place under conditions of control by Christians (for example, the involvement of Christian typesetters and printers, expurgation and censorship of Hebrew texts, and state control of Hebrew printing), its study opens up an important set of questions about the role that Christians played in shaping Jewish culture. Presenting new research by an international group of scholars, this book represents a step toward a fuller understanding of Jewish book history. Individual essays focus on a range of issues related to the production and dissemination of Hebrew books as well as their audiences. Topics include the activities of scribes and printers, the creation of new types of literature and the transformation of canonical works in the era of print, the external and internal censorship of Hebrew books, and the reading interests of Jews. An introduction summarizes the state of scholarship in the field and offers an overview of the transition from manuscript to print in this period.
Publisher: University of Pennsylvania Press
ISBN: 081220509X
Category : Religion
Languages : en
Pages : 334
Book Description
The rise of printing had major effects on culture and society in the early modern period, and the presence of this new technology—and the relatively rapid embrace of it among early modern Jews—certainly had an effect on many aspects of Jewish culture. One major change that print seems to have brought to the Jewish communities of Christian Europe, particularly in Italy, was greater interaction between Jews and Christians in the production and dissemination of books. Starting in the early sixteenth century, the locus of production for Jewish books in many places in Italy was in Christian-owned print shops, with Jews and Christians collaborating on the editorial and technical processes of book production. As this Jewish-Christian collaboration often took place under conditions of control by Christians (for example, the involvement of Christian typesetters and printers, expurgation and censorship of Hebrew texts, and state control of Hebrew printing), its study opens up an important set of questions about the role that Christians played in shaping Jewish culture. Presenting new research by an international group of scholars, this book represents a step toward a fuller understanding of Jewish book history. Individual essays focus on a range of issues related to the production and dissemination of Hebrew books as well as their audiences. Topics include the activities of scribes and printers, the creation of new types of literature and the transformation of canonical works in the era of print, the external and internal censorship of Hebrew books, and the reading interests of Jews. An introduction summarizes the state of scholarship in the field and offers an overview of the transition from manuscript to print in this period.
Listening as Spiritual Practice in Early Modern Italy
Author: Andrew Dell'Antonio
Publisher: Univ of California Press
ISBN: 0520269292
Category : History
Languages : en
Pages : 232
Book Description
In this volume the author looks at the rise of a cultivated audience whose skill involved listening rather than playing or singing, in the early 17th century.
Publisher: Univ of California Press
ISBN: 0520269292
Category : History
Languages : en
Pages : 232
Book Description
In this volume the author looks at the rise of a cultivated audience whose skill involved listening rather than playing or singing, in the early 17th century.
Medical Charlatanism in Early Modern Italy
Author: David Gentilcore
Publisher: Oxford University Press, USA
ISBN: 0199245355
Category : History
Languages : en
Pages : 443
Book Description
From the mid-sixteenth century onwards, the Italian Protomedicato tribunals, Colleges of Physicians, or Health Offices (jurisdiction varied from state to state) required charlatans to submit their wares for inspection and, upon approval, pay a licence fee in order to set up a stage from which to perform and sell them. The licensing of charlatans became an administrative routine. As far as the medical magistracies were concerned, charlatans had a defineable identity, constituting a specific trade or occupation. This book studies the way charlatans were represented, by contemporaries and by historians, how they saw themselves and, most importantly, it reconstructs the place of charlatans in early modern Italy. It explores the goods and services charlatans provided, their dealings with the public and their marketing strategies. It does so from a range of perspectives: social, cultural, economic, political, geographical, biographical and, of course, medical. Charlatans are not just some curiosity on the fringes of medicine: they offered health care to an extraordinarily wide sector of the population. Moreover, from their origins in Renaissance Italy, the Italian ciarlatano was the prototype for itinerant medical practitioners throughout Europe. This book offers a different look at charlatans. It is the first to take seriously the licences issued to charlatans in the Italian states, compiling them into a 'charlatans database' of over 1,300 charlatans active throughout Italy over the course of some three centuries. In addition, it makes use of other types of archival documents, such as trial records and wills, to give the charlatans a human face, as well as a wide range of artistic and printed sources, not forgetting the output of the charlatans themselves, in the form of handbills and pamphlets.
Publisher: Oxford University Press, USA
ISBN: 0199245355
Category : History
Languages : en
Pages : 443
Book Description
From the mid-sixteenth century onwards, the Italian Protomedicato tribunals, Colleges of Physicians, or Health Offices (jurisdiction varied from state to state) required charlatans to submit their wares for inspection and, upon approval, pay a licence fee in order to set up a stage from which to perform and sell them. The licensing of charlatans became an administrative routine. As far as the medical magistracies were concerned, charlatans had a defineable identity, constituting a specific trade or occupation. This book studies the way charlatans were represented, by contemporaries and by historians, how they saw themselves and, most importantly, it reconstructs the place of charlatans in early modern Italy. It explores the goods and services charlatans provided, their dealings with the public and their marketing strategies. It does so from a range of perspectives: social, cultural, economic, political, geographical, biographical and, of course, medical. Charlatans are not just some curiosity on the fringes of medicine: they offered health care to an extraordinarily wide sector of the population. Moreover, from their origins in Renaissance Italy, the Italian ciarlatano was the prototype for itinerant medical practitioners throughout Europe. This book offers a different look at charlatans. It is the first to take seriously the licences issued to charlatans in the Italian states, compiling them into a 'charlatans database' of over 1,300 charlatans active throughout Italy over the course of some three centuries. In addition, it makes use of other types of archival documents, such as trial records and wills, to give the charlatans a human face, as well as a wide range of artistic and printed sources, not forgetting the output of the charlatans themselves, in the form of handbills and pamphlets.
Votive Panels and Popular Piety in Early Modern Italy
Author: Fredrika H. Jacobs
Publisher: Cambridge University Press
ISBN: 1107023041
Category : Art
Languages : en
Pages : 265
Book Description
This book traces the origins and development of the use of votive panel paintings in Italy in the fifteenth and sixteenth centuries.
Publisher: Cambridge University Press
ISBN: 1107023041
Category : Art
Languages : en
Pages : 265
Book Description
This book traces the origins and development of the use of votive panel paintings in Italy in the fifteenth and sixteenth centuries.
"Prints in Translation, 1450?750 "
Author: EdwardH. Wouk
Publisher: Routledge
ISBN: 1351553208
Category : Art
Languages : en
Pages : 556
Book Description
Printed artworks were often ephemeral, but in the early modern period, exchanges between print and other media were common, setting off chain reactions of images and objects that endured. Paintings, sculpture, decorative arts, musical or scientific instruments, and armor exerted their own influence on prints, while prints provided artists with paper veneers, templates, and sources of adaptable images. This interdisciplinary collection unites scholars from different fields of art history who elucidate the agency of prints on more traditionally valued media, and vice-versa. Contributors explore how, after translations across traditional geographic, temporal, and material boundaries, original 'meanings' may be lost, reconfigured, or subverted in surprising ways, whether a Netherlandish motif graces a cabinet in Italy or the print itself, colored or copied, is integrated into the calligraphic scheme of a Persian royal album. These intertwined relationships yield unexpected yet surprisingly prevalent modes of perception. Andrea Mantegna's 1470/1500 Battle of the Sea Gods, an engraving that emulates the properties of sculpted relief, was in fact reborn as relief sculpture, and fabrics based on print designs were reapplied to prints, returning color and tactility to the very objects from which the derived. Together, the essays in this volume witness a methodological shift in the study of print, from examining the printed image as an index of an absent invention in another medium - a painting, sculpture, or drawing - to considering its role as a generative, active agent driving modes of invention and perception far beyond the locus of its production.
Publisher: Routledge
ISBN: 1351553208
Category : Art
Languages : en
Pages : 556
Book Description
Printed artworks were often ephemeral, but in the early modern period, exchanges between print and other media were common, setting off chain reactions of images and objects that endured. Paintings, sculpture, decorative arts, musical or scientific instruments, and armor exerted their own influence on prints, while prints provided artists with paper veneers, templates, and sources of adaptable images. This interdisciplinary collection unites scholars from different fields of art history who elucidate the agency of prints on more traditionally valued media, and vice-versa. Contributors explore how, after translations across traditional geographic, temporal, and material boundaries, original 'meanings' may be lost, reconfigured, or subverted in surprising ways, whether a Netherlandish motif graces a cabinet in Italy or the print itself, colored or copied, is integrated into the calligraphic scheme of a Persian royal album. These intertwined relationships yield unexpected yet surprisingly prevalent modes of perception. Andrea Mantegna's 1470/1500 Battle of the Sea Gods, an engraving that emulates the properties of sculpted relief, was in fact reborn as relief sculpture, and fabrics based on print designs were reapplied to prints, returning color and tactility to the very objects from which the derived. Together, the essays in this volume witness a methodological shift in the study of print, from examining the printed image as an index of an absent invention in another medium - a painting, sculpture, or drawing - to considering its role as a generative, active agent driving modes of invention and perception far beyond the locus of its production.
Art and Miracle in Renaissance Tuscany
Author: Robert Maniura
Publisher: Cambridge University Press
ISBN: 1108426840
Category : Art
Languages : en
Pages : 281
Book Description
Miraculous images are the focus for an exploration of art and devotion in Renaissance Italy.
Publisher: Cambridge University Press
ISBN: 1108426840
Category : Art
Languages : en
Pages : 281
Book Description
Miraculous images are the focus for an exploration of art and devotion in Renaissance Italy.
The Oxford Handbook of the Bible and the Reformation
Author: Jennifer Powell McNutt
Publisher: Oxford University Press
ISBN: 0191067458
Category : Religion
Languages : en
Pages : 785
Book Description
During the Reformation of the sixteenth century, the role of the Bible in both Protestant and Roman Catholic branches of western Christianity was vital and complex. Drawing on new technologies such as movable type, this period saw extraordinary energy and enterprise put into the translation, interpretation, and publication of Christianity's sacred text. As a result, an increasingly broad section of the population, from scholars and clergy to laity and children, came to be involved in the reception of the Bible and its position in early modern religious expression. The Oxford Handbook of the Bible and the Reformation provides readers with a deeper understanding of the expansive history of the Bible as it was shaped, shared, and received across Christian traditions. Chapters explore the biblical canon, translation and print, the development of Reformation hermeneutics, the history of Bible commentators, and exegesis relating to key texts and theological themes of Reformation writing and discourse. Engaging the subject broadly, intricately, and robustly, the expertise of over fifty leading experts illuminates the early modern Bible's composition and position as scripture and, from the Renaissance era on, as a printed book. By including the contributions of radical reformers, Catholics, and women scholars, the Handbook presents a deep and wide-ranging account of the importance of the Bible's reach and authority among all western Christians.
Publisher: Oxford University Press
ISBN: 0191067458
Category : Religion
Languages : en
Pages : 785
Book Description
During the Reformation of the sixteenth century, the role of the Bible in both Protestant and Roman Catholic branches of western Christianity was vital and complex. Drawing on new technologies such as movable type, this period saw extraordinary energy and enterprise put into the translation, interpretation, and publication of Christianity's sacred text. As a result, an increasingly broad section of the population, from scholars and clergy to laity and children, came to be involved in the reception of the Bible and its position in early modern religious expression. The Oxford Handbook of the Bible and the Reformation provides readers with a deeper understanding of the expansive history of the Bible as it was shaped, shared, and received across Christian traditions. Chapters explore the biblical canon, translation and print, the development of Reformation hermeneutics, the history of Bible commentators, and exegesis relating to key texts and theological themes of Reformation writing and discourse. Engaging the subject broadly, intricately, and robustly, the expertise of over fifty leading experts illuminates the early modern Bible's composition and position as scripture and, from the Renaissance era on, as a printed book. By including the contributions of radical reformers, Catholics, and women scholars, the Handbook presents a deep and wide-ranging account of the importance of the Bible's reach and authority among all western Christians.
Imago and Contemplatio in the Visual Arts and Literature (1400–1700)
Author: Stijn Bussels
Publisher: BRILL
ISBN: 9004682643
Category : History
Languages : en
Pages : 541
Book Description
This volume contains twenty-four essays, which, in their subjects and methodology, pay tribute to the scholarship of Walter S. Melion. The contributions are grouped under three categories: “Devotion,” “Art and Image Theory,” and “Vision and Contemplation.” The Devotion section addresses votive practices, theological theory and polemic literature. The Art and Image Theory section focuses on Jesuit image theory, the reflexive dimension of works, and artists’ reflections on the function of images. Finally, the Vision and Contemplation section discusses the ‘early modern eye’ as a tool for thoughtful, prolonged looking to ascertain visual wit, deception, self-assessment and friendship, sacred and profane allegories.
Publisher: BRILL
ISBN: 9004682643
Category : History
Languages : en
Pages : 541
Book Description
This volume contains twenty-four essays, which, in their subjects and methodology, pay tribute to the scholarship of Walter S. Melion. The contributions are grouped under three categories: “Devotion,” “Art and Image Theory,” and “Vision and Contemplation.” The Devotion section addresses votive practices, theological theory and polemic literature. The Art and Image Theory section focuses on Jesuit image theory, the reflexive dimension of works, and artists’ reflections on the function of images. Finally, the Vision and Contemplation section discusses the ‘early modern eye’ as a tool for thoughtful, prolonged looking to ascertain visual wit, deception, self-assessment and friendship, sacred and profane allegories.