A Musical Chronology of The British Isles. Volume 2 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download A Musical Chronology of The British Isles. Volume 2 PDF full book. Access full book title A Musical Chronology of The British Isles. Volume 2 by Dez Wright. Download full books in PDF and EPUB format.
Author: Dez Wright
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
The eighteenth century may have been a period when the only truly world figures in British music - Handel and J. C. Bach - were Germans, but what is fascinating about the century is how the music industry became increasingly sophisticated. Career opportunities for musicians now existed outside the traditions of court and church. Patronage was still vital in other parts of Europe, and most composers were employed as court or church Kapellmeisters or, if they were lucky, had private support. The opportunities to make a living composing to commission and performing in concert simply didn't exist in Vienna or Paris. And it was in its infrastructure and opportunities that Britain led the world during the eighteenth century, even if its legacy on a purely musical level was a little thin. This chronology is the second part of the story of the music of these islands arranged strictly on a month-by-month, year-by-year basis. Each year is prefaced by a brief overview of historical events in the British Isles, followed by important contemporary events in music elsewhere, and finally a list of major works of art and literature that appeared here. There then follows a chronological account of musical events. Volume one covers the period up to the end of the seventeenth century, and a further five are planned which will take the story up to the twenty-first century.
Author: Dez Wright
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
The eighteenth century may have been a period when the only truly world figures in British music - Handel and J. C. Bach - were Germans, but what is fascinating about the century is how the music industry became increasingly sophisticated. Career opportunities for musicians now existed outside the traditions of court and church. Patronage was still vital in other parts of Europe, and most composers were employed as court or church Kapellmeisters or, if they were lucky, had private support. The opportunities to make a living composing to commission and performing in concert simply didn't exist in Vienna or Paris. And it was in its infrastructure and opportunities that Britain led the world during the eighteenth century, even if its legacy on a purely musical level was a little thin. This chronology is the second part of the story of the music of these islands arranged strictly on a month-by-month, year-by-year basis. Each year is prefaced by a brief overview of historical events in the British Isles, followed by important contemporary events in music elsewhere, and finally a list of major works of art and literature that appeared here. There then follows a chronological account of musical events. Volume one covers the period up to the end of the seventeenth century, and a further five are planned which will take the story up to the twenty-first century.
Author: Dez Wright
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Dez Wright
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
This voulme in the series A Musical Chronology of the British Isles covers a period of less than forty years, but during this period Britain and its music industry changed completely. In 1880 there was a healthy concert life in the capital and elsewhere, but few composers or musicians who could claim to be world figures. By 1918 the operettas of Gilbert and Sullivan were performed throughout the English speaking world, and composers such as Elgar, Parry and, to a lesser degree, Stanford, Vaughan Williams, Coleridge-Taylor, Holst, Bax, Smyth and others had international reputations. Choral music had always cut across class boundaries, particularly in Wales and the north of England, but now the Proms and the Saturday concerts at Crystal Palace reached out to all. Music hall peaked during this period as the new cinema industry began to offer an increasingly sophisticated alternative. The biggest change in music in the home, however, was the introduction of the phonograph and the gramophone. Before the twentieth century music at home meant playing or singing it yourself, or, for the wealthy, hiring others to play. Now there was the possibility of music on demand. Radio, just around the corner in 1918, changed habits even further. This fourth book of seven takes up the story in the year when The Pirates of Penzance opened in London, and Benjamin Disraeli's Conservatives lost the election to William Gladstone's Liberals. It ends just seven weeks after the armistice that ended the First World War in a year when women over thirty had the vote for the first time, and four months before the Original Dixieland Jazz Band brought the jazz age to London. As with previous volumes, brief passages on events in the islands, events in the world of music away from these shores, and significant achievements in other art forms are followed by a chronological journey through the main musical events of each year, including important recordings. At the end of this are listed key publications of books, scores and songs.
Author: Dez Wright
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
This third volume of seven in the series covers the evolution of British music and the music industry over the first eighty years of the nineteenth century. At the end of the previous century musical life in London consisted of concerts (often funded by subscribers who paid a certain amount per season for a seat), vernacular and Italian opera, and, in summer, the pleasure gardens. Other major cities in the islands, such as Dublin and Edinburgh, offered a similar range of entertainments. Popular ballads and airs were sold as broadsheets, and could increasingly be heard in urban streets blaring out from barrel organs, a relatively new invention. Employment prospects for a musician were largely confined to the theatre, the church and, possibly, as a musician/tutor in a private household. Home music making was largely a pursuit of the wealthy. Fast-forward eighty years and the musical landscape of the British Isles had changed completely. In 1880 concerts were still largely the preserve of the moneyed elites, but the emerging middle classes and the new generations of factory workers now had the music halls and the new kind of musical theatre provided by the likes of Gilbert and Sullivan. Performers could become household names, and musicians and jobbing composers could make a decent living. Music education had been restricted to private lessons and on-the-job-training in 1800, but in 1880 there were internationally known schools such as the Royal Academy of Music and the Royal College of Music in London. Music in the home, too, had changed radically. The new Victorian middle classes in their suburban villas inevitably owned a piano, and a piano required sheet music to play. Undemanding instrumental music, and sentimental and moralistic ballads were the order of the day. Many of the great European composers spent time in Britain in the eighteenth century, and this is something that continued during the nineteenth. Mendelssohn, Weber, Berlioz, Liszt and others all spent very profitable periods in the country. There had been no one at home of a comparable stature, if one discounts foreign-born, but adopted sons like Handel and Johann Christian Bach, since the days of Purcell. William Sterndale Bennett was the most important figure furing the first half of the century, not so much for his compositions, but for the high standards he brought to music teaching, and for the invigorating influence he had on concert life. His pupils included Sullivan and Hubert Parry, and these two, along with Charles Villiers Stanford and Alexander Mackenzie, were responsible to a large degree for the renaissance of musical life that began in the last quarter of the century.
Author: Laurence Bristow-Smith
Publisher:
ISBN: 9782970065463
Category :
Languages : en
Pages :
Get Book Here
Book Description
Volume One begins with a set of pipes from 2000 BC discovered in an Irish bog and follows the story of British music through invasions and religious and political upheavals up to the end of the eighteenth century. It shows the dominance of the Church and the monarchy giving way to promoters and managers whose motives were much more commercial.
Author: Laurence Bristow-Smith
Publisher:
ISBN: 9782970065470
Category : Music
Languages : en
Pages : 522
Get Book Here
Book Description
Volume Two begins with Queen Victoria and the Empire. It charts the story of British music through its Renaissance period at the end of the 19th century, through the rise of the music halls and folksong, the arrival of radio, cinema, and recorded music, through the great upheavals of two World Wars, right up to the Beatles, hifi and symphonic rock.
Author: Peter Holman
Publisher: Routledge
ISBN: 1351557327
Category : Music
Languages : en
Pages : 428
Get Book Here
Book Description
The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history. Much has been done recently to revise this view, though research still tends to focus on London as the commercial and cultural hub of the British Isles. It is becoming increasingly clear, however, that by the mid-eighteenth century musical activity outside London was highly distinctive in terms of its reach, the way it was organized, and its size, richness, and quality. There was an extraordinary amount of musical activity of all sorts, in provincial theatres and halls, in the amateur orchestras and choirs that developed in most towns of any size, in taverns, and convivial clubs, in parish churches and dissenting chapels, and, of course, in the home. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period. The essays brought together here testify to the vital role played by music in provincial culture, not only in socializing and networking, but in regional economies and rivalries, demographics and class dynamics, religion and identity, education and recreation, and community and the formation of tradition. Most important, perhaps, as our focus shifts from London to the regions, new light is shed on neglected figures and forgotten repertoires, all of them worthy of reconsideration.
Author: Charles Humphries
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 434
Get Book Here
Book Description
Author: Kenneth L. Campbell
Publisher: Bloomsbury Publishing
ISBN: 1474216692
Category : History
Languages : en
Pages : 479
Get Book Here
Book Description
CHOICE Outstanding Academic Title 2017 A History of the British Isles is a balanced and integrated political, social, cultural and religious history of the British Isles in all its complexity, exploring the constantly evolving dialogue and relationship between the past and the present. A wide range of topics and questions are addressed for each period and territory discussed, including England's Wars of the Roses of the 15th century and their influence on court politics during the 16th century; Ireland's Rebellion of 1798, the Potato Famine of the 1840s and the Easter Rising of 1916; the two World Wars and the Great Depression; British cultural and social change during the 1960s; and the history and future of the British Isles in the present day. Kenneth Campbell integrates the histories of England, Ireland, Scotland, and Wales by exploring common themes and drawing on comparative examples, while also demonstrating how those histories are different, making this a genuinely integrated text. Campbell's approach allows readers to appreciate the history of the British Isles not just for its own sake, but for the purposes of understanding our current political divisions, our world and ourselves.
Author: Andrew Deakin
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 122
Get Book Here
Book Description
