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Author: Eva Griffith
Publisher: Cambridge University Press
ISBN: 1107471354
Category : Drama
Languages : en
Pages : 307
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Book Description
Eva Griffith's book fills a major gap concerning the world of Shakespearean drama. It tells the previously untold story of the Servants of Queen Anna of Denmark, a group of players parallel to Shakespeare's King's Men, and their London playhouse, The Red Bull. Built in vibrant Clerkenwell, The Red Bull lay within the northern suburbs of Jacobean London, with prostitution to the west and the Revels Office to the east. Griffith sets the playhouse in the historical context of the Seckford and Bedingfeld families and their connections to the site. Utilising a wealth of primary evidence including maps, plans and archival texts, she analyses the court patronage of figures such as Sir Robert Sidney, Queen Anna's chamberlain, alongside the company's members, function and repertoire. Plays performed included those by Webster, Dekker and Heywood - entertainments characterised by spectacle, battle sequence and courtroom drama, alongside London humour and song.
Author: Eva Griffith
Publisher: Cambridge University Press
ISBN: 1107471354
Category : Drama
Languages : en
Pages : 307
Get Book Here
Book Description
Eva Griffith's book fills a major gap concerning the world of Shakespearean drama. It tells the previously untold story of the Servants of Queen Anna of Denmark, a group of players parallel to Shakespeare's King's Men, and their London playhouse, The Red Bull. Built in vibrant Clerkenwell, The Red Bull lay within the northern suburbs of Jacobean London, with prostitution to the west and the Revels Office to the east. Griffith sets the playhouse in the historical context of the Seckford and Bedingfeld families and their connections to the site. Utilising a wealth of primary evidence including maps, plans and archival texts, she analyses the court patronage of figures such as Sir Robert Sidney, Queen Anna's chamberlain, alongside the company's members, function and repertoire. Plays performed included those by Webster, Dekker and Heywood - entertainments characterised by spectacle, battle sequence and courtroom drama, alongside London humour and song.
Author: Lucy Munro
Publisher: Cambridge University Press
ISBN: 9781139446051
Category : Drama
Languages : en
Pages : 300
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Book Description
This book provides a detailed study of the Children of the Queen's Revels, the most enduring and influential of the Jacobean children's companies. Between 1603 and 1613 the Queen's Revels staged plays by Francis Beaumont, George Chapman, John Fletcher, Ben Jonson, John Marston and Thomas Middleton, all of whom were at their most innovative when writing for this company. Combining theatre history and critical analysis, this study provides a history of the Children of the Queen's Revels, and an account of their repertory. It examines the 'biography' of the company - demonstrating the involvement in dramatic production of dramatists, shareholders, patrons, audiences and actors alike, and reappraising issues such as management, performance style and audience composition - before exploring their groundbreaking practices in comedy, tragicomedy and tragedy. The book also includes five documentary appendices detailing the plays, people and performances of the Queen's Revels Company.
Author: Eva Griffith
Publisher: Cambridge University Press
ISBN: 1107041880
Category : Architecture
Languages : en
Pages : 307
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Book Description
The first history of the Queen's Servants, parallel players to Shakespeare's company, and their playhouse, The Red Bull.
Author: Andrew Gurr
Publisher: Cambridge University Press
ISBN: 1107040639
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
This book examines the conditions of the original performances in seventeenth-century indoor theatres.
Author: Blakemore G. Evans
Publisher: New Amsterdam Books
ISBN: 1461710790
Category : Performing Arts
Languages : en
Pages : 434
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Book Description
The purpose of this absorbing collection is to illuminate the world of the theatre by setting it squarely in its historical context. To that end, Professor Evans draws on the whole spectrum of Elizabethan-Jacobean writing, from official documents to diaries and letters. Part I, The Theatre and the World, deals, through contemporary writings, with the drama itself, the audiences and their responses, theatrical companies, acting and actors, and buildings and technical matters. Part II, The Worlds and the Theatre, illustrates how the problems of everyday life, complicated as they were by moral, religious, social, political, and economic issues, provided an ever-fruitful source of materials to the dramatists who practiced their craft during this extraordinarily creative period.
Author: Alexander Leggatt
Publisher: Routledge
ISBN: 1134983468
Category : Performing Arts
Languages : en
Pages : 240
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Book Description
Jacobean Public Theatre recovers for the modern reader the acting, production and performance values of the public theatre of Jacobean London. It relates this drama to the popular culutre of the day and concludes with a close study of four important plays, including King Lear, which emerge in an unexpected light as the products of popular tradition.
Author: Callan Davies
Publisher: Routledge
ISBN: 100017431X
Category : Drama
Languages : en
Pages : 320
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Book Description
Callan Davies presents “strangeness” as a fresh critical paradigm for understanding the construction and performance of Jacobean drama—one that would have been deeply familiar to its playwrights and early audiences. This study brings together cultural analysis, philosophical enquiry, and the history of staged special effects to examine how preoccupation with the strange unites the verbal, visual, and philosophical elements of performance in works by Marston, Shakespeare, Middleton, Dekker, Heywood, and Beaumont and Fletcher. Strangeness in Jacobean Drama therefore offers an alternative model for understanding this important period of English dramatic history that moves beyond categories such as “Shakespeare’s late plays,” “tragicomedy,” or the home of cynical and bloodthirsty tragedies. This book will be of great interest to students and scholars of early modern drama and philosophy, rhetorical studies, and the history of science and technology.
Author: Laurie Johnson
Publisher: Routledge
ISBN: 1351578820
Category : Literary Criticism
Languages : en
Pages : 363
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Book Description
The playhouse at Newington Butts has long remained on the fringes of histories of Shakespeare’s career and of the golden age of the theatre with which his name is associated. A mile outside London, and relatively disused by the time Shakespeare began his career in the theatre, this playhouse has been easy to forget. Yet for eleven days in June, 1594, it was home to the two companies that would come to dominate the London theatres. Thanks to the ledgers of theatre entrepreneur, Philip Henslowe, we have a record of this short venture. Shakespeare's Lost Playhouse is an exploration of a brief moment in time when the focus of the theatrical world in England was on this small playhouse. To write this history, Laurie Johnson draws on archival studies, archaeology, environmental studies, geography, social, political, and cultural studies as well as methods developed within literary and theatre history to expand the scope of our understanding of the theatres, the rise of the playing business, and the formations of the playing companies.
Author: John Webster
Publisher: Bloomsbury Publishing
ISBN: 1408138131
Category : Drama
Languages : en
Pages : 449
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Book Description
The Duchess of Malfi is one of the major tragedies of the early modern period and remains popular in the theatre as well as in the classroom. The story of the Duchess's secret marriage and the cruel revenge of her brothers has fascinated and appalled audiences for centuries. This new Arden edition offers readers a comprehensive, illustrated introduction to the play's historical, critical and performance history. The text is modernised and edited to the highest scholarly standards, with textual notes and commentary notes on the same page for ease of reference. This is the lead title in the launch of The Arden Early Modern Drama Series, a series which offers all the depth and quality of thinking long associated with the Arden. The edition will be valued by students, teachers and theatre professionals.
Author: Simon Smith
Publisher: Cambridge University Press
ISBN: 1107180848
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
This book re-examines early modern musical culture to suggest how music shapes meaning in plays by Shakespeare and his contemporaries.
