A HISTORY OF THE NINETEENTH CENTURY THEATRE ARCHITECTURE IN THE UNITED STATES PDF Download
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Author: John Cornwall Edwards
Publisher:
ISBN:
Category :
Languages : en
Pages : 666
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Book Description
Author: John Cornwall Edwards
Publisher:
ISBN:
Category :
Languages : en
Pages : 666
Get Book Here
Book Description
Author: John Cornwall Edwards
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 368
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Book Description
Author: Jeanne Halgren Kilde
Publisher: Oxford University Press, USA
ISBN: 9780195179729
Category : Architecture
Languages : en
Pages : 330
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Book Description
In the 1880s, socio-economic and technological changes in the United States contributed to the rejection of Christian architectural traditions and the development of the radically new auditorium church. Jeanne Kilde links this shift in evangelical Protestant architecture to changes in worship style and religious mission.
Author: Barry Witham
Publisher: Cambridge University Press
ISBN: 9780521308588
Category : Drama
Languages : en
Pages : 370
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Book Description
Describes the growth and development of theatre in the United States. Documents and commentary are arranged into chapters on business practice, acting, theatre buildings, drama, design, and audience behavior.
Author: Andrew Davis
Publisher: Penn State Press
ISBN: 0271030534
Category : History
Languages : en
Pages : 428
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Book Description
America&’s Longest Run: A History of the Walnut Street Theatre traces the history of America&’s oldest theater. The Philadelphia landmark has been at or near the center of theatrical activity since it opened, as a circus, on February 2, 1809. This book documents the players and productions that appeared at this venerable house and the challenges the Walnut has faced from economic crises, changing tastes, technological advances, and competition from new media. The Walnut&’s history is a classic American success story. Built in the early years of the nineteenth century, the Walnut responded to the ever-changing tastes and desires of the theatergoing public. Originally operated as a stock company, the Walnut has offered up every conceivable form of entertainment&—pageantry and spectacle, opera, melodrama, musical theater, and Shakespeare. It escaped the wrecking ball during the Depression by operating as a burlesque house, a combination film and vaudeville house, and a Yiddish theater, before becoming the Philadelphia headquarters for the Federal Theatre Project. Because Philadelphia is located so close to New York City, the Walnut has served as a tryout house for many Broadway-bound shows, including A Streetcar Named Desire, The Diary of Anne Frank, and A Raisin in the Sun. Today, the Walnut operates as a nonprofit performing arts center. It is one of the most successful producing theaters in the country, with more than 350,000 attending performances each year.
Author: Marty Gould
Publisher: Routledge
ISBN: 1136740538
Category : Performing Arts
Languages : en
Pages : 290
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Book Description
In this study, Gould argues that it was in the imperial capital’s theatrical venues that the public was put into contact with the places and peoples of empire. Plays and similar forms of spectacle offered Victorian audiences the illusion of unmediated access to the imperial periphery; separated from the action by only the thin shadow of the proscenium arch, theatrical audiences observed cross-cultural contact in action. But without narrative direction of the sort found in novels and travelogues, theatregoers were left to their own interpretive devices, making imperial drama both a powerful and yet uncertain site for the transmission of official imperial ideologies. Nineteenth-century playwrights fed the public’s interest in Britain’s Empire by producing a wide variety of plays set in colonial locales: India, Australia, and—to a lesser extent—Africa. These plays recreated the battles that consolidated Britain’s hold on overseas territories, dramatically depicted western humanitarian intervention in indigenous cultural practices, celebrated images of imperial supremacy, and occasionally criticized the sexual and material excesses that accompanied the processes of empire-building. An active participant in the real-world drama of empire, the Victorian theatre produced popular images that reflected, interrogated, and reinforced imperial policy. Indeed, it was largely through plays and spectacles that the British public vicariously encountered the sights and sounds of the distant imperial periphery. Empire as it was seen on stage was empire as it was popularly known: the repetitions of character types, plot scenarios, and thematic concerns helped forge an idea of empire that, though largely imaginary, entertained, informed, and molded the theatre-going British public.
Author: David Thatcher Gies
Publisher: Cambridge University Press
ISBN: 0521380464
Category : Literary Criticism
Languages : en
Pages : 408
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Book Description
This is the first comprehensive study of the theatre of nineteenth-century Spain, a most important genre which produced more than 10,000 plays during the course of the century. David Gies assesses this mass of material - much of it hitherto unknown - as text, spectacle, and social phenomenon. His book sheds light on political drama during Napoleonic times, the theatre of dictatorship (1820s), Romanticism, women dramatists, socialist drama, neo-Romantic drama, the relationship between parody and the dominant literary currents of the day, and the challenging work of Galdós. A chapter on the battle to create a National Theatre reveals the deep conflicts generated by the various interested factions in the middle of the century. This readable account will at last allow students and scholars properly to re-evaluate the canon of texts.
Author: David Naylor
Publisher: Schiffer Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 264
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Book Description
Celebrates the history of 40 of the finest stage theaters still in operation around the United States. Original photographs include stunning examples of early Eastern town hall opera houses, Midwest venues, and boomtown opera houses. Also, state-by-state and chronological listings of over 200 more surviving nineteenth-century theaters.
Author: Don B. Wilmeth
Publisher: Cambridge University Press
ISBN: 9780521651790
Category : Drama
Languages : en
Pages : 626
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Book Description
The second volume of the authoritative, multi-volume Cambridge History of American Theatre, first published in 1999, begins in the post-Civil War period and traces the development of American theatre up to 1945. It covers all aspects of theatre from plays and playwrights, through actors and acting, to theatre groups and directors. Topics examined include vaudeville and popular entertainment, European influences, theatre in and beyond New York, the rise of the Little Theatre movement, changing audiences, modernism, the Federal Theatre movement, scenography, stagecraft, and architecture. Contextualising chapters explore the role of theatre within the context of American social and cultural history, and the role of American theatre in relation to theatre in Europe and beyond. This definitive history of American theatre includes contributions from the following distinguished academics - Thomas Postlewait, John Frick, Tice L. Miller, Ronald Wainscott, Brenda Murphy, Mark Fearnow, Brooks McNamara, Thomas Riis, Daniel J. Watermeier, Mary C. Henderson, and Warren Kliewer.
Author: George O. Seilhamer
Publisher:
ISBN: 9781410222336
Category : Literary Criticism
Languages : en
Pages : 392
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Book Description
First published 1888-1891, Seilhamer's work remains the most comprehensive history of theater in America right up to the eve of the nineteenth century. Exhaustive in coverage, the work treats in detail many little-known companies and actors, and there is a great deal of material on the surprisingly vibrant American theater of the revolutionary period. It is the standard study of the pre-Revolutionary drama in America. This title is cited and recommended by Books for College Libraries and Guide to the Study of the United States of America.
