A History of Music & Dance in Florida, 1565-1865 PDF Download
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Author: Wiley L. Housewright
Publisher: Tuscaloosa : University of Alabama Press
ISBN:
Category : History
Languages : en
Pages : 540
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Book Description
This volume chronicles Florida's aboriginal and European music and dance from the South's earliest permanent settlement to the end of the Civil War. It draws on documents of cultural history to reveal the vast heritage and diversity of 300 years of Florida music and dance.
Author: Wiley L. Housewright
Publisher: Tuscaloosa : University of Alabama Press
ISBN:
Category : History
Languages : en
Pages : 540
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Book Description
This volume chronicles Florida's aboriginal and European music and dance from the South's earliest permanent settlement to the end of the Civil War. It draws on documents of cultural history to reveal the vast heritage and diversity of 300 years of Florida music and dance.
Author: Kate Van Winkle Keller
Publisher: Pendragon Press
ISBN: 9781576471272
Category : History
Languages : en
Pages : 720
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Book Description
Spanish exploration and settlement -- French exploration and settlement -- The English plantation colonies in the South -- The tobacco colonies -- New England -- The Middle Atlantic colonies.
Author: Tina Bucuvalas
Publisher: Univ. Press of Mississippi
ISBN: 1617031402
Category : History
Languages : en
Pages : 322
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Book Description
An overview of the traditional, changing folklife from a vibrant southern state
Author: Gregory Hansen
Publisher: University of Alabama Press
ISBN: 0817315535
Category : Music
Languages : en
Pages : 266
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Book Description
This biography of 97-year-old fiddler Richard Seaman, who grew up in Kissimmee Park, Florida, relies on oral history and folklore research to define the place of musicianship and storytelling in the state's history from one artist's perspective.
Author: Gavin James Campbell
Publisher: Univ of North Carolina Press
ISBN: 0807863351
Category : Social Science
Languages : en
Pages : 244
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Book Description
Startled by rapid social changes at the turn of the twentieth century, citizens of Atlanta wrestled with fears about the future of race relations, the shape of gender roles, the impact of social class, and the meaning of regional identity in a New South. Gavin James Campbell demonstrates how these anxieties were played out in Atlanta's popular musical entertainment. Examining the period from 1890 to 1925, Campbell focuses on three popular musical institutions: the New York Metropolitan Opera (which visited Atlanta each year), the Colored Music Festival, and the Georgia Old-Time Fiddlers' Convention. White and black audiences charged these events with deep significance, Campbell argues, turning an evening's entertainment into a struggle between rival claimants for the New South's soul. Opera, spirituals, and fiddling became popular not just because they were entertaining, but also because audiences found them flexible enough to accommodate a variety of competing responses to the challenges of making a New South. Campbell shows how attempts to inscribe music with a single, public, fixed meaning were connected to much larger struggles over the distribution of social, political, cultural, and economic power. Attitudes about music extended beyond the concert hall to simultaneously enrich and impoverish both the region and the nation that these New Southerners struggled to create.
Author: Candace Bailey
Publisher: SIU Press
ISBN: 0809385570
Category : History
Languages : en
Pages : 276
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Book Description
Candace Bailey’s exploration of the intertwining worlds of music and gender shows how young southern women pushed the boundaries of respectability to leave their unique mark on a patriarchal society. Before 1861, a strictly defined code of behavior allowed a southern woman to identify herself as a “lady” through her accomplishments in music, drawing, and writing, among other factors. Music permeated the lives of southern women, and they learned appropriate participation through instruction at home and at female training institutions. A belle’s primary venue was the parlor, where she could demonstrate her usefulness in the domestic circle by providing comfort and serving to enhance social gatherings through her musical performances, often by playing the piano or singing. The southern lady performed in public only on the rarest of occasions, though she might attend public performances by women. An especially talented lady who composed music for a broader audience would do so anonymously so that her reputation would remain unsullied. The tumultuous Civil War years provided an opportunity for southern women to envision and attempt new ways to make themselves useful to the broader, public society. While continuing their domestic responsibilities and taking on new ones, young women also tested the boundaries of propriety in a variety of ways. In a broad break with the past, musical ladies began giving public performances to raise money for the war effort, some women published patriotic Confederate music under their own names, supporting their cause and claiming public ownership for their creations. Bailey explores these women’s lives and analyzes their music. Through their move from private to public performance and publication, southern ladies not only expanded concepts of social acceptability but also gained a valued sense of purpose. Music and the Southern Belle places these remarkable women in their social context, providing compelling insight into southern culture and the intricate ties between a lady’s identity and the world of music. Augmented by incisive analysis of musical compositions and vibrant profiles of composers, this volume is the first of its kind, making it an essential read for devotees of Civil War and southern history, gender studies, and music.
Author: David Nicholls
Publisher: Cambridge University Press
ISBN: 9780521454292
Category : Music
Languages : en
Pages : 668
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Book Description
The Cambridge History of American Music, first published in 1998, celebrates the richness of America's musical life. It was the first study of music in the United States to be written by a team of scholars. American music is an intricate tapestry of many cultures, and the History reveals this wide array of influences from Native, European, African, Asian, and other sources. The History begins with a survey of the music of Native Americans and then explores the social, historical, and cultural events of musical life in the period until 1900. Other contributors examine the growth and influence of popular musics, including film and stage music, jazz, rock, and immigrant, folk, and regional musics. The volume also includes valuable chapters on twentieth-century art music, including the experimental, serial, and tonal traditions.
Author: Richard Crawford
Publisher: W. W. Norton & Company
ISBN: 9780393048100
Category : History
Languages : en
Pages : 1000
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Book Description
An illustrated history of America's musical heritage ranges from the earliest examples of Native American traditional song to the innovative sound of contemporary rock and jazz.
Author: Tim Brookes
Publisher: Grove/Atlantic, Inc.
ISBN: 1555846130
Category : Music
Languages : en
Pages : 353
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Book Description
From humble folk instrument to American icon, the story of the guitar is told in this “exceptionally well-written” memoir by the NPR commentator (Guitar Player). In this blend of personal memoir and cultural history, National Public Radio commentator Tim Brookes narrates the long and winding history of the guitar in the United States as he recounts his own quest to build the perfect instrument. Pairing up with a master artisan from the Green Mountains of Vermont, Brookes learns how a perfect piece of cherry wood is hued, dovetailed, and worked on with saws, rasps, and files. He also discovers how the guitar first arrived in America with the conquistadors before being taken up by an extraordinary variety of hands: miners and society ladies, lumberjacks and presidents’ wives. In time, the guitar became America’s vehicle of self-expression. Nearly every immigrant group has appropriated it to tell their story. “Part history, part love song, Guitar strikes just the right chords.” —Andrew Abrahams, People
Author: Canter Brown, Jr.
Publisher: LSU Press
ISBN: 0807168599
Category : History
Languages : en
Pages : 343
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Book Description
In this exceptional biography, Canter Brown, Jr., removes Ossian Bingley Hart (1821–1874)—a Unionist, the principal founder of the Republican Party in Florida, and a Reconstruction-era governor of the state—from the shadows of history. Through an examination of Hart’s life and career, Brown offers new insight into the political problems of the day—the role of Unionism in Deep South politics in particular—and enriches our understanding of the complexities of Reconstruction. Brown traces Hart’s life from his privileged childhood in the newly founded port town of Jacksonville through his service as a volunteer soldier in the Second Seminole War, his education in South Carolina, and the dawn of his legal and political career on Florida’s Atlantic frontier to his election as governor in 1872 and his premature death sixteen months later. Brown’s multifaceted biography offers a rare glimpse at the persistence of Loyalism in the post-Civil War South and clearly illustrates the pivotal role played by both Loyalists and African Americans in southern politics of that era and how these two groups merged to resist carpetbag rule.
