A History of Music & Dance in Florida, 1565-1865 PDF Download
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Author: Wiley L. Housewright
Publisher: Tuscaloosa : University of Alabama Press
ISBN:
Category : History
Languages : en
Pages : 540
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Book Description
This volume chronicles Florida's aboriginal and European music and dance from the South's earliest permanent settlement to the end of the Civil War. It draws on documents of cultural history to reveal the vast heritage and diversity of 300 years of Florida music and dance.
Author: Wiley L. Housewright
Publisher: Tuscaloosa : University of Alabama Press
ISBN:
Category : History
Languages : en
Pages : 540
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Book Description
This volume chronicles Florida's aboriginal and European music and dance from the South's earliest permanent settlement to the end of the Civil War. It draws on documents of cultural history to reveal the vast heritage and diversity of 300 years of Florida music and dance.
Author: Tina Bucuvalas
Publisher: Univ. Press of Mississippi
ISBN: 1617031402
Category : History
Languages : en
Pages : 322
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Book Description
An overview of the traditional, changing folklife from a vibrant southern state
Author: Kate Van Winkle Keller
Publisher: Pendragon Press
ISBN: 9781576471272
Category : History
Languages : en
Pages : 720
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Book Description
Spanish exploration and settlement -- French exploration and settlement -- The English plantation colonies in the South -- The tobacco colonies -- New England -- The Middle Atlantic colonies.
Author: David Nicholls
Publisher: Cambridge University Press
ISBN: 9780521454292
Category : Music
Languages : en
Pages : 668
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Book Description
The Cambridge History of American Music, first published in 1998, celebrates the richness of America's musical life. It was the first study of music in the United States to be written by a team of scholars. American music is an intricate tapestry of many cultures, and the History reveals this wide array of influences from Native, European, African, Asian, and other sources. The History begins with a survey of the music of Native Americans and then explores the social, historical, and cultural events of musical life in the period until 1900. Other contributors examine the growth and influence of popular musics, including film and stage music, jazz, rock, and immigrant, folk, and regional musics. The volume also includes valuable chapters on twentieth-century art music, including the experimental, serial, and tonal traditions.
Author: Larry Eugene Rivers
Publisher: University Press of Florida
ISBN: 0813059267
Category : History
Languages : en
Pages : 545
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Book Description
This important illustrated social history of slavery tells what life was like for bond servants in Florida from 1821 to 1865, offering new insights from the perspective of both slave and master. Starting with an overview of the institution as it evolved during the Spanish and English periods, Larry E. Rivers looks in detail and in depth at the slave experience, noting the characteristics of slavery in the Middle Florida plantation belt (the more traditional slave-based, cotton-growing economy and society) as distinct from East and West Florida (which maintained some attitudes and traditions of Spain). He examines the slave family, religion, resistance activity, slaves’ participation in the Civil War, and their social interactions with whites, Indians, other slaves, and masters. Rivers also provides a dramatic account of the hundreds of armed free blacks and runaways among the Seminole, Creek, and Mikasuki Indians on the peninsula, whose presence created tensions leading to the great slave rebellion, the Second Seminole War (1835-42). Slavery in Florida is built upon painstaking research into virtually every source available on the subject--a wealth of historic documents, personal papers, slave testimonies, and census and newspaper reports. This serious critical work strikes a balance between the factual and the interpretive. It will be significant to all readers interested in slavery, the Civil War, the African American experience, and Florida and southern U.S. history, and it could serve as a comprehensive resource for secondary school teachers and students.
Author: Candace Bailey
Publisher: SIU Press
ISBN: 0809385570
Category : History
Languages : en
Pages : 276
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Book Description
Candace Bailey’s exploration of the intertwining worlds of music and gender shows how young southern women pushed the boundaries of respectability to leave their unique mark on a patriarchal society. Before 1861, a strictly defined code of behavior allowed a southern woman to identify herself as a “lady” through her accomplishments in music, drawing, and writing, among other factors. Music permeated the lives of southern women, and they learned appropriate participation through instruction at home and at female training institutions. A belle’s primary venue was the parlor, where she could demonstrate her usefulness in the domestic circle by providing comfort and serving to enhance social gatherings through her musical performances, often by playing the piano or singing. The southern lady performed in public only on the rarest of occasions, though she might attend public performances by women. An especially talented lady who composed music for a broader audience would do so anonymously so that her reputation would remain unsullied. The tumultuous Civil War years provided an opportunity for southern women to envision and attempt new ways to make themselves useful to the broader, public society. While continuing their domestic responsibilities and taking on new ones, young women also tested the boundaries of propriety in a variety of ways. In a broad break with the past, musical ladies began giving public performances to raise money for the war effort, some women published patriotic Confederate music under their own names, supporting their cause and claiming public ownership for their creations. Bailey explores these women’s lives and analyzes their music. Through their move from private to public performance and publication, southern ladies not only expanded concepts of social acceptability but also gained a valued sense of purpose. Music and the Southern Belle places these remarkable women in their social context, providing compelling insight into southern culture and the intricate ties between a lady’s identity and the world of music. Augmented by incisive analysis of musical compositions and vibrant profiles of composers, this volume is the first of its kind, making it an essential read for devotees of Civil War and southern history, gender studies, and music.
Author: Tim Brookes
Publisher: Grove/Atlantic, Inc.
ISBN: 1555846130
Category : Music
Languages : en
Pages : 353
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Book Description
From humble folk instrument to American icon, the story of the guitar is told in this “exceptionally well-written” memoir by the NPR commentator (Guitar Player). In this blend of personal memoir and cultural history, National Public Radio commentator Tim Brookes narrates the long and winding history of the guitar in the United States as he recounts his own quest to build the perfect instrument. Pairing up with a master artisan from the Green Mountains of Vermont, Brookes learns how a perfect piece of cherry wood is hued, dovetailed, and worked on with saws, rasps, and files. He also discovers how the guitar first arrived in America with the conquistadors before being taken up by an extraordinary variety of hands: miners and society ladies, lumberjacks and presidents’ wives. In time, the guitar became America’s vehicle of self-expression. Nearly every immigrant group has appropriated it to tell their story. “Part history, part love song, Guitar strikes just the right chords.” —Andrew Abrahams, People
Author: Gregory Hansen
Publisher: University of Alabama Press
ISBN: 0817315535
Category : Music
Languages : en
Pages : 266
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Book Description
This biography of 97-year-old fiddler Richard Seaman, who grew up in Kissimmee Park, Florida, relies on oral history and folklore research to define the place of musicianship and storytelling in the state's history from one artist's perspective.
Author: Irma H. Collins
Publisher: Scarecrow Press
ISBN: 0810886529
Category : Music
Languages : en
Pages : 375
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Book Description
In Irma Collins’ Dictionary of Music Education, readers find more than just a lexicon. It is a journey through musical times and the story of the evolution of music education. Dictionary of Music Education includes entries on key individuals, critical terms, important events, and notable organizations, offering readers a broad survey of the field of music education.
Author: Ann Ostendorf
Publisher: University of Georgia Press
ISBN: 082033975X
Category : History
Languages : en
Pages : 274
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Book Description
Sounds American provides new perspectives on the relationship between nationalism and cultural production by examining how Americans grappled with musical diversity in the early national and antebellum eras. During this period a resounding call to create a distinctively American music culture emerged as a way to bind together the varied, changing, and uncertain components of the new nation. This played out with particular intensity in the lower Mississippi River valley, and New Orleans especially. Ann Ostendorf argues that this region, often considered an exception to the nation—with its distance from the center of power, its non-British colonial past, and its varied population—actually shared characteristics of many other places eventually incorporated into the country, thus making it a useful case study for the creation of American culture. Ostendorf conjures the territory's phenomenally diverse “music ways” including grand operas and balls, performances by church choirs and militia bands, and itinerant violin instructors. Music was often associated with “foreigners,” in particular Germans, French, Irish, and Africans. For these outsiders, music helped preserve collective identity. But for critics concerned with developing a national culture, this multitude of influences presented a dilemma that led to an obsessive categorization of music with racial, ethnic, or national markers. Ultimately, the shared experience of categorizing difference and consuming this music became a unifying national phenomenon. Experiencing the unknown became a shared part of the American experience.
