A Critical Edition with Introduction and Notes of Gil Vicente's Floresta de Enganos PDF Download
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Author: Constantine Christopher Stathatos
Publisher:
ISBN:
Category :
Languages : es
Pages : 546
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Book Description
Author: Constantine Christopher Stathatos
Publisher:
ISBN:
Category :
Languages : es
Pages : 546
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Book Description
Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 510
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Book Description
Author: Paul Sheren
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 260
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Book Description
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 310
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Book Description
Author: University of London
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 678
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Book Description
Author: University of London
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 402
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Book Description
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 552
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Book Description
Author: Gil Vicente
Publisher:
ISBN:
Category :
Languages : en
Pages : 156
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Book Description
Author: Folke Gernert
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110695758
Category : Foreign Language Study
Languages : en
Pages : 260
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Book Description
Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille.
Author: Robert Lima
Publisher: University Press of Kentucky
ISBN: 0813184509
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
The mythological, folkloric, and religious beliefs of Western culture have resulted in a long and ongoing history of esoteric themes in theatre from the Middle Ages to the present in Spain and the America. Now Robert Lima, a noted comparatist, brings to bear on this material his wide knowledge of the world of the occult. Lima defines the terms "occult" and "occultism" broadly to embrace the many ways in which humans have sought to fathom a secret knowledge held to be accessible only through such supernatural agencies as alchemy, angelology, asceticism, astrology, demonolatry, divination, ecstasy, magic, necromancy, possession, Santeria, séances, voudoun, and witchcraft. The dramatic works covered range from medieval materializations of Hell to the Golden Age plays of Lope de vega, Tirso de Molina, and Calderón de la Barca, to modern stage works by Valle-Inclán, García Lorca, Casona, Miras, and a number of significant Afro-Brazilian and Caribbean dramatists. The concluding comprehensive bibliography of the drama of the occult is invaluable.
