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Author: Chris J Mitchell
Publisher: Chris J Mitchell
ISBN:
Category : Performing Arts
Languages : en
Pages : 28
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Book Description
This book provides a short and concise overview of the vastly complex history of the origins of cinema. From the very first zoetropes and magic lanterns, to the first motion capture film cameras. Covering the key individuals involved in the creation of cinema, such as, Albertus Magnus, Eadweard Muybridge, Louis Le Prince and the Lumiere Brothers. Any film fan or anyone with an interest in the history of cinema should find this book both interesting and useful.
Author: Chris J Mitchell
Publisher: Chris J Mitchell
ISBN:
Category : Performing Arts
Languages : en
Pages : 28
Get Book Here
Book Description
This book provides a short and concise overview of the vastly complex history of the origins of cinema. From the very first zoetropes and magic lanterns, to the first motion capture film cameras. Covering the key individuals involved in the creation of cinema, such as, Albertus Magnus, Eadweard Muybridge, Louis Le Prince and the Lumiere Brothers. Any film fan or anyone with an interest in the history of cinema should find this book both interesting and useful.
Author: Wheeler Winston Dixon
Publisher: Rutgers University Press
ISBN: 0813595142
Category : Performing Arts
Languages : en
Pages : 520
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Book Description
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Author: Emilie Bickerton
Publisher: Verso Books
ISBN: 1844678318
Category : Performing Arts
Languages : en
Pages : 177
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Book Description
Cahiers du Cinéma was the single most influential project in the history of film. Founded in 1951, it was responsible for establishing film as the ‘seventh art,’ equal to literature, painting or music, and it revolutionized film-making and writing. Its contributors would put their words into action: the likes of Godard, Truffaut, Rivette, Rohmer were to become some of the greatest directors of the age, their films part of the internationally celebrated nouvelle vague. In this authoritative new history, Emilie Bickerton explores the evolution and impact of Cahiers du Cinéma, from its early years, to its late-sixties radicalization, its internationalization, and its response to the television age of the seventies and eighties. Showing how the story of Cahiers continues to resonate with critics, practitioners and the film-going public, A Short History of Cahiers du Cinéma is a testimony to the extraordinary legacy and archive these ‘collected pages of a notebook’ have provided for the world of cinema.
Author: Anthony Slide
Publisher: Scarecrow Press
ISBN: 9780810827226
Category : Drama
Languages : en
Pages : 316
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Book Description
Provides a concise history of the American motion picture industry before 1920.
Author: Peter Cowie
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: David Parkinson
Publisher: Thames & Hudson
ISBN: 9780500202777
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
This is an analysis of what has been called the seventh art. It traces the development of film from its scientific origins through to cinema today, covering the key elements and players that have contributed to its artistic and technical development.
Author: Wheeler Winston Dixon
Publisher: Rutgers University Press
ISBN: 0813560578
Category : Performing Arts
Languages : en
Pages : 480
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Book Description
A Short History of Film, Second Edition, provides a concise and accurate overview of the history of world cinema, detailing the major movements, directors, studios, and genres from 1896 through 2012. Accompanied by more than 250 rare color and black-and-white stills—including many from recent films—the new edition is unmatched in its panoramic view, conveying a sense of cinema's sweep in the twentieth and early twenty-first centuries as it is practiced in the United States and around the world. Wheeler Winston Dixon and Gwendolyn Audrey Foster present new and amended coverage of the industry in addition to updating the birth and death dates and final works of notable directors. Their expanded focus on key films brings the book firmly into the digital era and chronicles the death of film as a production medium. The book takes readers through the invention of the kinetoscope, the introduction of sound and color between the two world wars, and ultimately the computer-generated imagery of the present day. It details significant periods in world cinema, including the early major industries in Europe, the dominance of the Hollywood studio system in the 1930s and 1940s, and the French New Wave of the 1960s. Attention is given to small independent efforts in developing nations and the more personal independent film movement that briefly flourished in the United States, the significant filmmakers of all nations, and the effects of censorship and regulation on production everywhere. In addition, the authors incorporate the stories of women and other minority filmmakers who have often been overlooked in other texts. Engaging and accessible, this is the best one-stop source for the history of world film available for students, teachers, and general audiences alike.
Author: Peter Cowie
Publisher:
ISBN: 9780302020647
Category : Cinéma - Histoire
Languages : en
Pages : 261
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Book Description
Author: David A. Cook
Publisher: Anthem Press
ISBN: 1839980141
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
A History of Three-Dimensional Cinema chronicles 3-D cinema as a single, continuous and coherent medium, proceeding from 19th-century experiments in stereoscopic photography and lantern projection (1839–1892) to stereoscopic cinema’s “long novelty period” (1893–1952). It proceeds to examine the first Hollywood boom in anaglyphic stereo (1953–1955), when the mainstream industry produced 69 features in 3-D, mostly action films that could exploit the depth illusion, but also a handful of big-budget films—for example, Kiss Me Kate (George Sidney, 1953) and Dial M for Murder (Alfred Hitchcock, 1954)—until audiences tired of the process; the anaglyphic revival of 1970–1985, when 3-D was sustained as a novelty feature in sensational genres like soft-core pornography and horror; the age of IMAX 3-D (1986–2008); the current era of digital 3-D cinema, which began in 2009 when James Cameron’s Avatar became the highest-grossing feature of all time and the studios once again stampeded into 3-D production; and finally the future promise of Virtual Reality.
Author: David Robinson
Publisher: London : Eyre Methuen
ISBN:
Category : Performing Arts
Languages : en
Pages : 520
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Book Description
