A Catalogue of the Genuine and Capital Collection of Pictures, PDF Download
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Author: Mr. Langford (Abraham)
Publisher:
ISBN:
Category : Auction catalogs
Languages : en
Pages : 12
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Book Description
Author: Mr. Langford (Abraham)
Publisher:
ISBN:
Category : Auction catalogs
Languages : en
Pages : 12
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Book Description
Author: Mr. Christie (James)
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 8
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Book Description
Author: John William Mollett
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 122
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Book Description
Author: George Vertue
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 240
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Book Description
Author: Thorpe, Thomas, firm, booksellers, London
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 1468
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Book Description
Author: Lidia De Michelis
Publisher: Cambridge Scholars Publishing
ISBN: 1527535479
Category : History
Languages : en
Pages : 312
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Book Description
This collection addresses Anglo-Italian influences, correspondences and relationships through the lens of an expansive notion of eighteenth-century political history, explored in its fecund dialogue with cultural history. Its multifaceted approach fleshes out the idea of the Enlightenment community of people linking and sharing different forms and structures of knowledge into a comprehensive picture of the Age of Reason. This book probes fields of great relevance for the cultural interpretation of historical experience, and composes a lively, and as yet unexplored, map of an interconnected European world. Anglo-Italian encounters are explored here primarily through the interweaving of political and cultural history, adding a valuable cog to contemporary insight into the cosmopolitan nature of Enlightenment Europe. The essays here range in scope from the public economy and international trade to finance, moral philosophy, the ethics and politics of translation, travel, the cosmopolitan impact of Italian music and taste, and the art of gardening.
![A catalogue, briefly descriptive, of various books and original manuscripts of the poet Gray [signed C.W.]. PDF](https://books.google.com/books/content/images/frontcover/MhACAAAAQAAJ?fife=w80-h100)
Author: Charles Wright (librarian at Stoke park.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 42
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Book Description
Author: Ruth Bernard Yeazell
Publisher: Princeton University Press
ISBN: 0691165270
Category : Art
Languages : en
Pages : 348
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Book Description
How the practice of titling paintings has shaped their reception throughout modern history A picture's title is often our first guide to understanding the image. Yet paintings didn’t always have titles, and many canvases acquired their names from curators, dealers, and printmakers—not the artists. Taking an original, historical look at how Western paintings were named, Picture Titles shows how the practice developed in response to the conditions of the modern art world and how titles have shaped the reception of artwork from the time of Bruegel and Rembrandt to the present. Ruth Bernard Yeazell begins the story with the decline of patronage and the rise of the art market in the seventeenth and eighteenth centuries, as the increasing circulation of pictures and the democratization of the viewing public generated the need for a shorthand by which to identify works at a far remove from their creation. The spread of literacy both encouraged the practice of titling pictures and aroused new anxieties about relations between word and image, including fears that reading was taking the place of looking. Yeazell demonstrates that most titles composed before the nineteenth century were the work of middlemen, and even today many artists rely on others to name their pictures. A painter who wants a title to stick, Yeazell argues, must engage in an act of aggressive authorship. She investigates prominent cases, such as David’s Oath of the Horatii and works by Turner, Courbet, Whistler, Magritte, and Jasper Johns. Examining Western painting from the Renaissance to the present day, Picture Titles sheds new light on the ways that we interpret and appreciate visual art.
Author: Milo Keynes
Publisher: Boydell Press
ISBN: 9781843831334
Category : Art
Languages : en
Pages : 164
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Book Description
Catalogue and iconography of the extraordinary wealth of images of Sir Isaac Newton, both before and after his death. Sir Isaac Newton [1642-1727] is rare among figures of the past for the number of authentic paintings, engravings and images of him which survive. He was painted by some nine different artists in the latter part of his life, and after his death both portraits and sculptures continued to proliferate, the amazing demand for representations of his image demonstrating his immense fame. This iconography, lavishly illustrated in both colour and black and white, and involving the disciplines of History of Art and History of Science, catalogues 231 icons in two sections, and is thus an invaluable guide to the images. Part I contains 122 portraits and Part II 109 sculptures, about fifty of which were produced before his death, the rest from then until 1800.
