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Author: Georg Philipp Telemann
Publisher:
ISBN:
Category : Recorder music, Arranged
Languages : en
Pages : 28
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Book Description
Author: Georg Philipp Telemann
Publisher:
ISBN:
Category : Recorder music, Arranged
Languages : en
Pages : 28
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Book Description
Author: Michael Walker
Publisher: Lulu.com
ISBN: 1329898540
Category : Music
Languages : en
Pages : 32
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Book Description
Transcribed from facsimilies of the original manuscript for guitar and ukulele here are three songs and six Fantasias from Renaissance Spain for the intermediate to advanced player. Although Miguel de Fuenllana wrote primarilly for the six course vihuella, the composer specifically included these nine pieces written specifically for the Renaissance four course guitar. These are beautiful pieces which may be played on either the guitar or ukulele.
Author: Harold Reeves (Firm)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 700
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Book Description
Author: David Grimes
Publisher: Mel Bay Publications
ISBN: 1619116952
Category : Music
Languages : en
Pages : 181
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Book Description
In his quest to compile an anthology of the best pieces by vihuela composers, David Grimes encountered the rich complexity of the music of Luys Milan. He also noticed many discrepancies in fingering and in the notes themselves in various existing transcribed editions. Following a period of exhaustive research the author prepared this authoritative guitar edition of the fifty fantasias in Milan's seminal 1536 book, El Maestro. The resulting edition provides a more accurate sense of the virtuosity of this music. These extraordinary pieces are presented here in standard notation only with extensive historical and performance notes. Of this collection the author writes," It is my sincere hope that this new edition will help bring this glorious repertoire to the attention of more of today's many outstanding performers, and that Milan's fantasias will more often take their deserved place on recital programs, alongside the masterworks of John Dowland and Francesco da Milano."
Author: Orlando Gibbons
Publisher:
ISBN:
Category : Canons, fugues, etc. (Organ)
Languages : en
Pages : 80
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Book Description
Author: Scheurmann, G., firm, music publishers, London
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 904
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Book Description
Author: Esteban Daza
Publisher: A-R Editions, Inc.
ISBN: 0895791668
Category : Vihuela music
Languages : en
Pages : 106
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Book Description
Author: John Harley
Publisher: Routledge
ISBN: 0429830548
Category : Music
Languages : en
Pages : 338
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Book Description
First published in 1999, this volume is the first full-length study to deal with the life and music of Orlando Gibbons since E.H. Fellowes’s short book, originally published in 1923. John Harley investigates in detail the family and musical background from which Orlando Gibbons emerged, and gives a fascinating account of the activities of his father, William Gibbons, as a wait in Oxford and Cambridge. He traces, too, the activities of Orlando’s brothers – Edward, who was the master of the choristers at King’s College, Cambridge and later at Exeter Cathedral; Ferdinando, who may have taken over from his father as head of the Cambridge waits, and who became a wait in Lincoln; and Ellis, who contributed two madrigals to Thomas Morley’s collection of 1601, The Triumphs of Oriana. Attention naturally focuses principally on Orlando Gibbons. A full record is given of his remarkably youthful appointment as an organist of the Chapel Royal (he was probably less than twenty at the time) and of his life at court. His additional appointments as one of Prince Charles’s musicians and as organist of Westminster Abbey are also described, as is his sudden and premature death in his early forties. Gibbons’s music is carefully examined in a series of chapters dealing with his pieces for keyboard and for viols, his songs, his full and verse anthems, and his works for the Anglican liturgy. His development as a composer within these genres is followed, and the character of particular pieces is considered. John Harley concludes that whereas, at one time, Gibbons ‘tended to be admired as a successor to Tallis and Byrd, working in a style not essentially different from theirs’, it is now ‘easier to view him as a pioneer, whose work was cut short by his untimely death’. Orlando Gibbons’s son Christopher was only a child when his father died, but he became one of the foremost composers and keyboard players of his generation, writing and performing chamber works and music for the stage during the Commonwealth. Following the Restoration of King Charles II, Christopher Gibbons gained his father’s former posts at the Chapel Royal and Westminster Abbey, for which establishments he wrote a number of anthems. His importance is recognized by the inclusion of a long chapter on his life and works.
Author: Michael Walker
Publisher: Lulu.com
ISBN: 0359730833
Category : Music
Languages : en
Pages : 140
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Book Description
Here are 25 Ricercars and Fantasias from the Renaissance composed by Francesco da Milano, known as "Il Divino" transcribed for the baritone ukulele, Renaissance guitar, low G ukelele and many other four course instruments. Of course, they may all be played on the guitar.
Author: Michael Fleming
Publisher: Routledge
ISBN: 1317147154
Category : Music
Languages : en
Pages : 475
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Book Description
Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.
