49.Esposizione Internazionale D'arte PDF Download
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Author: Harald Szeemann
Publisher:
ISBN: 9788843595273
Category :
Languages : en
Pages :
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Book Description
Author: Harald Szeemann
Publisher:
ISBN: 9788843595273
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Harald Szeemann
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 450
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Book Description
Author: Biennale di Venezia (
Publisher:
ISBN: 9788843596072
Category : Art, Modern
Languages : en
Pages : 415
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Book Description
Author: Biennale de Venise
Publisher:
ISBN: 9788843595273
Category :
Languages : en
Pages : 415
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Book Description
Author:
Publisher:
ISBN: 9788843595273
Category :
Languages : en
Pages :
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Book Description
Author: Harald Szeemann
Publisher:
ISBN:
Category :
Languages : en
Pages : 295
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Book Description
Author: Mark Wallinger
Publisher: British Council Visual Arts
ISBN:
Category : Art, British
Languages : en
Pages : 72
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Book Description
Author: Eva Meyer-Hermann
Publisher: Yale University Press
ISBN: 0300230281
Category : Art
Languages : en
Pages : 493
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Book Description
This first volume in a catalogue raisonné of Tuymans's paintings surveys nearly 200 works from the vital early years of his career Credited with a key role in the revival of painting in the 1990s, Belgian artist Luc Tuymans (b. 1958) continues to produce subtle, and at times unsettling, works that engage with history, technology, and everyday life. This first volume in a catalogue raisonné of Tuymans's paintings surveys nearly 200 works that were vital to his artistic development. The years 1972 to 1994 witnessed the maturation of his signature method of painting from preexisting imagery--such as magazine images, Polaroids, and television footage--as well as his first solo exhibition. Also dating from this period are many of his seminal canvases, along with ten poignant portraits of the ailing human body and the enigmatic series Superstition that comprised his first works exhibited in the United States. The catalogue features brilliant new photography of each of the paintings and an illustrated chronology with archival images and installation shots of the works in this volume. This publication is a testament to Tuymans's persistent assertion of the relevance and importance of painting--a conviction that he maintains even in today's digital world, when his work continues to be a touchstone for artists and scholars.
Author: Julian Jason Haladyn
Publisher: John Hunt Publishing
ISBN: 1782799990
Category : Art
Languages : en
Pages : 194
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Book Description
Boredom and Art examines the use of boredom as a strategy in modern and contemporary art to resist or frustrate the effects of consumerism and capitalism. This book traces the emergence of what Haladyn terms the will to boredom in which artists, writers and philosophers actively attempt to use the lack of interest inherent in the state of being 'bored' to challenge people. Instead of accepting the prescribed meanings of life given to us by consumer or mass culture, boredom represents the possibility of creating meaning: ‘a threshold of great deeds’ in Walter Benjamin’s memorable wording. It is this conception of boredom as a positive experience of modern subjectivity that is the main critical position of Haladyn's study, in which he proposes that boredom is used by artists as a form of aesthetic resistance that, at its most positive, is the will to boredom.
Author: Kaija Kaitavuori
Publisher: Bloomsbury Publishing
ISBN: 1838609563
Category : Art
Languages : en
Pages : 265
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Book Description
The early 21st century has seen contemporary art make continued use of audience participation, in which the spectator becomes part of the artwork itself. In this book, Kaija Kaitavuori claims that the `participator' is a new artistic role that does not fall under the auspices of artist or spectator and in proving such she devises a four-group typology of involvement. Her classification distinguishes between different forms of engagement and identifies their specific features. The key criteria she proposes are how concepts of authorship and ownership shift in relation to collectively created work, how contracts regulating the use and production of shared work are arranged and the extent to which involvement in making art can be regarded as democratic. This highly original book thus offers students and teachers the tools with which to improve their understanding of participatory art and removes the confusing terminology that has characterized so many other discussions.
