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Author: Moritz Baßler
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110637650
Category : Literary Criticism
Languages : en
Pages : 736
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Book Description
The historical avant-gardes defined themselves largely in terms of their relationship to various versions of realism. At first glance modernism primarily seems to take a counter-position against realism, yet a closer investigation reveals that these relations are more complex. This book is dedicated to the links between realism, modernism and the avant-garde in their international context from the late 19th century up to the present day.
Author: Moritz Baßler
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110637650
Category : Literary Criticism
Languages : en
Pages : 736
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Book Description
The historical avant-gardes defined themselves largely in terms of their relationship to various versions of realism. At first glance modernism primarily seems to take a counter-position against realism, yet a closer investigation reveals that these relations are more complex. This book is dedicated to the links between realism, modernism and the avant-garde in their international context from the late 19th century up to the present day.
Author: Łukasz Ronduda
Publisher: Sternberg Press
ISBN:
Category : Art
Languages : pl
Pages : 238
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Book Description
Edited by ?ukasz Ronduda and Florian Zeyfang, 1,2,3? Avant-Gardes includes texts by David Crowley, Steven Ball and David Curtis, Anselm Franke, Leire Vergara, Jan Verwoert, Axel John Wieder and Micha? Wolinski. Artist pages by Pawe? Althamer and Artur ?mijewski, Bernadette Corporation, Matthew Buckingham, Judith Hopf and Katrin Pesch, Igor Krenz, Jonathan Monk, Jeroen de Rijke and Willem de Rooij, and Wilhelm Sasnal complete this compendium as a contribution toward an extended examination of the history and practice of experimental filmmaking and art.Artists: Akademia Ruchu, Antosz & Andzia, Pawe? Althamer/Artur ?mijewski, Piotr Andrejew, Bernadette Corporation, Kazimierz Bendkowski, Matthew Buckingham, Bogdan Dziworski, Marcin Gi'ycki, Janusz Haka, Oskar Hansen, Judith Hopf / Katrin Pesch, Tadeusz Junak, Jacques de Koning, Igor Krenz, Grzegorz Krolikiewicz, Zo'a Kulik, Pawe? Kwiek, Przemys'aw Kwiek, Natalia LL, Jolanta Marcolla, Jonathan Monk, Ewa Partum, Andrzej Paw'owski, Zygmunt Piotrowski, Jeroen de Rijke/Willem de Rooij, Jozef Robakowski, Zbigniew Rybczy'ski, Zygmunt Rytka, Wilhelm Sasnal, Jadwiga Singer, Zdzis'aw Sosnowski, Mieczys'aw Szczuka , Micha? Tarkowski, Stefan & Franciszka Themerson, Teresa Tyszkiewicz, Ryszard Wa'ko, Jan S. Wojciechowski, Krzysztof Zar'bski, Florian Zeyfang
Author: Solomon R. Guggenheim Museum
Publisher: ABRAMS
ISBN: 9780810968684
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
"In this volume, which accompanies the largest exhibition ever mounted at the Guggenheim Museum, twenty-one essays by eminent scholars from Germany, Great Britain, Russia, and the United States explore the activity of the Russian and Soviet avant-garde in all its diversity and complexity. These essays trace the work of Malevich's Unovis (Affirmers of the New Art) collective in Vitebsk, which introduced Suprematism's all-encompassing geometries into the design of textiles, ceramics, and indeed whole environments; the postrevolutionary reform of art education and the creation of Moscow's Vkhutemas (Higher Artistic-Technical Workshops), where the formal and analytical princples of the avant-garde were the basis of instruction; the debates over a "proletarian art" and the transition to Constructivism, "production art," and the "artist-constructor"; the organization of new artist-administered "museums of artistic culture"; the "third path" in non-objective art taken by Mikhail Larionov; the return to figuration in the mid-1920s by the young artists - and former students of the avant-garde - in Ost (the Society of Easel Painters); the debates among photographers, in the late 1920s and early 1930s, on the superiority of the fragmented or continuous image as a representation of the new socialist reality; book, porcelain, fabric, and stage design; and the evolution of a new architecture, from the experimental projects of Zhivskul'ptarkh (the Synthesis of Painting, Sculpture, and Architecture Commission) to the multistage competition, in 1931-32, for the Palace of Soviets, which "proved" the inapplicability of a Modernist architecture to the Bolshevik Party's aspirations."
Author: Silvina Schammah Gesser
Publisher: Liverpool University Press
ISBN: 1836240929
Category : Art
Languages : en
Pages : 361
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Book Description
This book explores the role played by artists and intellectuals who constructed and disseminated various competing images of national identity which polarized Spanish society prior to the Civil War. The convergence of modern and essentialist discourses and practices, especially in literature and poetry, in what is conventionally called in Spanish letters "The Generation of '27", created fissures between competing views of aesthetics and ideology that cut across political affiliation. Silvina Schammah exposes the paradoxes facing Madrid's cultural vanguards, as they were torn by their ambition for universality, cosmopolitanism and transcendence on the one hand and by the centripetal forces of nationalistic ideologies on the other. Taking upon themselves roles to become the disseminators and populizers of radical positions and world-views first elaborated and conducted by the young urban intelligentsia, their proposed aim of incorporating diverse identities embedded in different cultural constructions and discourse was to have very real and tragic consequences as political and intellectual lines polarized in the years prior to the Spanish Civil War.
Author: Peter Bürger
Publisher: Manchester University Press
ISBN: 9780719014536
Category : Art
Languages : en
Pages : 196
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Book Description
Author: Jochen Noth
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 336
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Book Description
Since the mid-1980s, China has seen a flowering of artistic activity that has paralleled and often commented on the explosion in material culture brought about by economic reform. China Avant-garde provides an overview of recent cultural developments and presents examples of works by 60 ofthe most prominent and influential Chinese artists active today . Articles by prominent Chinese art historians detail recent history in the arts, as well as presenting discussions of developments in cinema, literature (including theatre and poetry), Chinese classical and popular music, and photography.
Author: Timothy Brown
Publisher: Berghahn Books
ISBN: 0857450794
Category : History
Languages : en
Pages : 307
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Book Description
The wave of anti-authoritarian political activity associated with the term “1968” can by no means be confined under the rubric of “protest,” understood narrowly in terms of street marches and other reactions to state initiatives. Indeed, the actions generated in response to “1968” frequently involved attempts to elaborate resistance within the realm of culture generally, and in the arts in particular. This blurring of the boundary between art and politics was a characteristic development of the political activism of the postwar period. This volume brings together a group of essays concerned with the multifaceted link between culture and politics, highlighting lesser-known case studies and opening new perspectives on the development of anti-authoritarian politics in Europe from the 1950s to the fall of Communism and beyond.
Author: Catherine Cooke
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 148
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Book Description
Author: Richard John Murphy
Publisher: Cambridge University Press
ISBN: 9780521648691
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
In Modernism, Expressionism and Theories of the Avant Garde, Richard Murphy mobilises theories of the postmodern to challenge our understanding of the avant-garde. He assesses the importance of the avant-garde for contemporary culture and for the debates among theorists of postmodernism such as Jameson, Eagleton, Lyotard and Habermas. Murphy reconsiders the classic formulation of the avant-garde in Lukacs and Bloch, especially their discussion of aesthetic autonomy, and investigates the relationship between art and politics via a discussion of Marcuse, Adorno and Benjamin. Combining close textual readings of a wide range of films as well as works of literature, it draws on a rich array of critical theories, such as those of Bakhtin, Todorov, MacCabe, Belsey and Raymond Williams. This interdisciplinary project will appeal to all those interested in modernist and avant-garde movements of the early twentieth century, and provides a critical rethinking of the present-day controversy regarding postmodernity.
Author: Boris Groys
Publisher: Verso Books
ISBN: 1844678091
Category : Art
Languages : en
Pages : 145
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Book Description
From the ruins of communism, Boris Groys emerges to provoke our interest in the aesthetic goals pursued with such catastrophic consequences by its founders. Interpreting totalitarian art and literature in the context of cultural history, this brilliant essay likens totalitarian aims to the modernists’ goal of producing world-transformative art. In this new edition, Groys revisits the debate that the book has stimulated since its first publication.
