Zora B. Vulich. June 30, 1949. -- Committed to the Committee of the Whole House and Ordered to be Printed PDF Download
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Languages : en
Pages :
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Category :
Languages : en
Pages :
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Author: United States. Congress. House
Publisher:
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Category : United States
Languages : en
Pages : 1964
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Author: United States. Congress
Publisher:
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Category : Law
Languages : en
Pages : 1264
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The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
Author: United States. Congress. House
Publisher:
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Category : Legislation
Languages : en
Pages : 1048
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Some vols. include supplemental journals of "such proceedings of the sessions, as, during the time they were depending, were ordered to be kept secret, and respecting which the injunction of secrecy was afterwards taken off by the order of the House."
Author: Michael Branch
Publisher:
ISBN:
Category : Anthropology
Languages : en
Pages : 324
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Author: William Henry Black
Publisher:
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Category : Cattle
Languages : en
Pages : 888
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Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
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Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Author: Lari A. Bishop
Publisher:
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Category : Corporations
Languages : en
Pages : 50
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Author:
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Category : Government publications
Languages : en
Pages : 1806
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Author: Svetozar Koljević
Publisher: Oxford University Press, USA
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 410
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