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Author: Damien Stankiewicz
Publisher: University of Toronto Press
ISBN: 1442624809
Category : Social Science
Languages : en
Pages : 300
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Book Description
Europe Un-Imagined examines one of the world’s first and only trans nationally produced television channels, Association relative à la télévision européenne (ARTE). ARTE calls itself the "European culture channel" and was launched in 1991 with a French-German intergovernmental mandate to produce television and other media that promoted pan-European community and culture. Damien Stankiewicz’s ground-breaking ethnographic study of the various contexts of media production work at ARTE (the newsroom, the editing studio, the screening room), reveals how ideas about French, German, and European culture coalesce and circulate at the channel. He argues that the reproduction of nationalism often goes unacknowledged and unremarked upon, and questions whether something like a European "imagination" can be produced. Stankiewicz describes the challenges that ARTE staff face, including rapidly changing media technologies and audiences, unreflective national stereotyping, and unwieldy bureaucratic infrastructure, which ultimately limit the channel’s abilities to cultivate a transnational, "European" public. Europe Un-Imagined challenges its readers to find new ways of thinking about how people belong in the world beyond the problematic logics of national categorization.
Author: Damien Stankiewicz
Publisher: University of Toronto Press
ISBN: 1442624809
Category : Social Science
Languages : en
Pages : 300
Get Book Here
Book Description
Europe Un-Imagined examines one of the world’s first and only trans nationally produced television channels, Association relative à la télévision européenne (ARTE). ARTE calls itself the "European culture channel" and was launched in 1991 with a French-German intergovernmental mandate to produce television and other media that promoted pan-European community and culture. Damien Stankiewicz’s ground-breaking ethnographic study of the various contexts of media production work at ARTE (the newsroom, the editing studio, the screening room), reveals how ideas about French, German, and European culture coalesce and circulate at the channel. He argues that the reproduction of nationalism often goes unacknowledged and unremarked upon, and questions whether something like a European "imagination" can be produced. Stankiewicz describes the challenges that ARTE staff face, including rapidly changing media technologies and audiences, unreflective national stereotyping, and unwieldy bureaucratic infrastructure, which ultimately limit the channel’s abilities to cultivate a transnational, "European" public. Europe Un-Imagined challenges its readers to find new ways of thinking about how people belong in the world beyond the problematic logics of national categorization.
Author: Sandra Barriales-Bouche
Publisher: Cambridge Scholars Publishing
ISBN: 1443807966
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
In the context of the transformations that Europe is undergoing, Zoom in, Zoom out: Crossing Borders in Contemporary European Cinema attempts to serve as a testimony to the multiple ways in which European filmmakers are questioning the many borders of the continent. European films have become a vital cultural space where the relationship between borders and identity is being renegotiated. The films discussed here self-consciously address the question of European identity while overtly crossing geographic, cultural, linguistic and aesthetic borders. While all the articles explore the crossing of borders in Contemporary European films, the volume maintains diverse themes and perspectives as subtopics. It includes articles not only about films that deal thematically with border-crossings, but also articles that examine movies that cross borders in genres and techniques. The articles have different theoretical approaches (Film theory, Cultural Studies, History, Sociology, Philosophy, and Psychoanalysis) and cover films from well-known cinematic traditions (French, Spanish, German, and Italian) as well as lesser-known cinematic traditions (Yugoslavian, Greek, and Irish). As a whole, the essays frame the self-conscious gesture by European filmmakers to define European cinema as a work-in-progress, or at the very least, as a project that, like Europe itself, raises as many questions as it answers. "This volume is a welcome addition to the growing critical literature on the evolution of the conception and practice of national cinema in Europe over the last two decades. Sandra Barriales-Bouche and Marjorie Attignol Salvodon have chosen a solid selection of representative case studies that reflects different critical approaches to the problem of maintaining local or national cinema production in Europe during a period of intense globalization. Their insightful introduction formulates the theme of “unsettled borders” and “renegotiated identities” that will resonate in the nine essays that follow. With a focus on the critical concept of these unsettled borders, the various authors explore the ways that the traditional mark of national space has been transformed through political and economic realignments as well as new technologies and the emergence of a new generation of filmmakers for whom national cinema no longer means what it did even twenty years ago. The volume provides a good balance of critical approaches that includes auteur studies, descriptions of state policies and the particular practices of filmmakers and producers in different parts of the continent (Spain, Germany, Ireland, the Balkans) and, finally, useful appendices that provide a close-up view of the complex nature of international co-productions." —Marvin D’Lugo, Professor of Spanish, Clark University "This is an interesting collection of essays that has been well conceived and organised. The standard of writing is high and I recommend publication. I particularly commend the conceptual framework underpinning the volume. This marries a cultural studies approach, which still dominates the study of film in Area Studies and language departments across Europe and the US (where filmic texts are increasingly used as teaching tools), with the more industry-based focus one tends to find adopted by Media and Screen Studies departments. Thus this collection will appeal to a wide range of students and academics. The introduction sets out the volume’s overarching framework cogently and clearly, giving a nuanced exploration of the way that the notion of the border can be used as a dynamic prism to help define and explore the limits of our understanding of Europe, European identity and European culture, within which cinema has long played a key role. The editors give a good account, for example, of the way film has been employed as a space to explore the possibilities of European integration by EU politicians as well as highlighting the flaws inherent within this project. They do, however, perhaps suggest a certain Western European/North American-centric view in their suggestion that the cinema of Yugoslavia, Greece or Ireland is somehow less well known than other national and transnational cinemas explored here. Less well known to whom? ... However, from the broad range of cinemas explored in the rest of the volume clearly this is not the case. Particular high points for me are the chapters on the work of Fatih Akin by Janis Little Solomon and John Davidson’s discussion of Schulze gets the Blues, as well as Olivier Asselin’s fascinating account of Database Cinema. This will be a good addition to scholarship on European film and I look forward to receiving my copy." —Professor Paul Cooke (University of Leeds)
Author: Carolyn Christov-Bakargiev
Publisher: Phaidon Press
ISBN: 9780714868592
Category : Art
Languages : en
Pages : 220
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Book Description
Edited by one of the world’s foremost authorities on the subject, Arte Povera is the most complete overview of this movement ever published.
Author: Rough Guides
Publisher: Penguin
ISBN: 0241298873
Category : Travel
Languages : en
Pages : 213
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Book Description
The Rough Guides Snapshot Argentina: Buenos Aires is the ultimate travel guide to Argentina's vibrant capital. It leads you through the city with reliable information and comprehensive coverage of all the sights and attractions, from the Casa Rosada to Recoleta cemetery and from San Telmo's sultry tango shows to Borges' beloved Palermo Viejo. Detailed maps and up-to-date listings pinpoint the best cafés, restaurants, hotels, shops, bars and nightlife, ensuring you make the most of your trip, whether passing through, staying for the weekend or spending longer in the city. The Rough Guides Snapshot Argentina: Buenos Aires covers the city center and Puerto Madero; the southern barrios of Monserrat, San Telmo and La Boca; well-heeled Retiro, Recoleta, Palermo and Belgrano in the north; plus the residential neighborhoods in the west of the city. Also included is the Basics section from the Rough Guide to Argentina, with all the practical information you need for travelling in and around the country, including transport, food, drink, costs, health, accommodation and festivals. Also published as part of the Rough Guide to Argentina.
![Actas del VII Congreso Internacional de “Sinestesia: Ciencia y Arte”. El Reto físico/digital //VII International Congress “Synaesthesia: Science and Art” * The digital / physical challenge *. 26-29 October 2022 [live+digital] Granada & Alcalà la Real / Spain. + Actividades Paralelas 2022. PDF](https://books.google.com/books/content/images/frontcover/JJmcEAAAQBAJ?fife=w80-h100)
Author: 51 autores investigadores
Publisher: Fundación Internacional artecittà
ISBN: 8494866567
Category : Education
Languages : en
Pages : 572
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Book Description
Libro de Actas del VII Congreso Internacional de Sinestesia, Ciencia y Arte celebrado en Granada y Alcalá la Real, Jaén ( España) Sedes: Facultad de Bellas Artes Alonso Cano, Universidad de Granada, España. Convento de Capuchino, Alcalá la Real (Jaén), España. Teatro Martínez Montañés, Alcalá la Real (Jaén), España. Versión digital, Septiembre de 2022. Primera Edición/First edition: Septiembre 2022 E-book ISBN: 978-84-948665-6-2 Comité editorial: Mª José de Córdoba Serrano; Dina Riccò; Timothy B. Layden. Diseño imagen, trípticos de promoción y cartel: Federico Barquero Mesa. ©Editorial: Fundación Internacional Artecittà. Granada. 2022. C/Doctor Medina Olmos nº 44. 18015-Granada, España.
[email protected] http://www.artecitta.es Nota aclaratoria: E-book interactivo. Formato PDF. Todo el material recogido en este libro de Actas está protegido por copyright, ley internacional, y no debe ser reproducido, distribuido, ni publicado sin el permiso expreso solicitado previamente a sus autores//All materials contained on this Book are protected by International copyright laws and cannot be reproduced, distributed, transmitted, displayed, published or broadcasted without the prior written permission of the publisher. Los textos se presentan como han sido enviados por los congresistas/investigadores, respetando si han querido publicar sus textos completos o sólo los resúmenes. Comité Organizador/Organization Committee: Comité de dirección: Mª José de Córdoba. F.I.A.C. y UGR, Granada, España.; Dina Riccò, Politecnico di Milano y F.I.A.C., Milán, Italia. Coordinadores FIAC: Julia López de la Torre y Timothy B Layden. Coordinadores Internacionales: Sean A Day, (IASAS y FIAC); Anton Sidoroff Dorso (Delegación FIAC Rusia); Ninghui Xiong (Delegación FIAC, (China); Timothy B Layden (Delegación FIAC, Inglaterra); Gaby Cardoso (Argentina). Comité Científico//scientific committee: Sean A Day, Joerg Jewanski, Anton Sidoroff Dorso, Danko Nikolic, Dina Riccò, Mª José de Córdoba, Helena Melero.
Author: Aa. Vv.
Publisher: Mimesis
ISBN: 8857529983
Category : Performing Arts
Languages : en
Pages : 238
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Book Description
As Jacques Derrida wrote in 1995, while considering Archive Fever, nothing is less reliable or less clear today than the word “archive”. Nevertheless, the historic-cultural dimension of the contemporary discursive practices in cinema and art develops in the semantic openendedness of the term, in the repositioning of the idea of archive.The individual disciplines involved in one such field – history of cinema and art, theory of cinema and art, aesthetics, semiotics, philology, etc. – begin to open up to questioning the notion of archive even ‘in negative’: in other words what – after Michel Foucault – the “archive” is not, or does not seem to be. The “archive” is not the ‘library of libraries’ or ‘encyclopedia’, it is not ‘memory’, it is not museum, it is not a ‘database’.In recent years, the attention focused on such ideas has not so much highlighted the ‘impulses’, ‘turns’ and specific forms of art (“art archive”) as it has revealed in many ways how the “archive” concerns us in the interrelation of aesthetic, political, ethical and legal levels among various disciplinary fields.
Author: Praveen Gulati
Publisher: Elsevier Health Sciences
ISBN: 8131263584
Category : Medical
Languages : en
Pages : 2319
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Book Description
Comprehensive Textbook of Clinical Radiology is a fully integrated illustrated textbook of radiology to cater for residents and practising radiologists. It is a one-stop solution for all academic needs in radiology. It helps radiologists as a single reference book to gain complete knowledge instead of referring to multiple resources. More than 500 authors, recognized experts in their subspeciality, have contributed to this book. To meet the expectations of clinical radiologists, thorough clinical expertise and familiarity with all the imaging modalities appropriate to address their clinical questions are necessary, regardless of one's favoured subspeciality. To keep the content relevant to them, we have tried to stay upgraded to their level. This book comprises six volumes, which gives information on Radiological Anatomy, Embryology, Nomogram, Normal Variants, Physics, Imaging Techniques, and all the aspects of Diagnostic Radiology including Neuroradiology, Head and Neck, Chest and CVS, Abdomen, Obstetrics and Gynaecology, Breast, Musculoskeletal and Multisystem Disorders & related Interventional techniques. It will serve as a primary reference for residents and subspeciality trainees and fellows to facilitate their learning in preparation for their examination, and also the consultant radiologists in their daily clinical practice.This volume is subdivided into three sections. Section 1 covers the principles of clinical radiology and deals with basic to advanced aspects of general radiology. The physics of each imaging modality is described in detail for radiology residents. Principles of pathology, genetics and statistics important for radiologists from research point of view are enumerated. Basic principles of medicine including management of contrast reactions, basic and advanced life support which are important for radiologists in day to day practice are dealt in dedicated chapter. Section 2 covers the multisystem disorders that affect multiple body systems either at the same time or over a period of time. Imaging plays a vital role in identifying the extent of systems involved and also in diagnosis by recognising the pattern of systems involved. The last part of the section deals with the general principles of oncoimaging dealing with multisystem involvement and facilitates easier understanding of this complex subject. The format is ideal for both in-depth knowledge and daily reference. Section 3 covers head and neck imaging, anatomy of neck, techniques of imaging and paediatric neck. In addition, all neck spaces and lymph nodes are discussed with anatomy and pathology with high-quality images and line diagrams. Orbits, temporal bone, sinuses and skull base are included with discussion on imaging anatomy, variants and pathologies. Cancer imaging, PETCT and post-operative imaging are fully discussed along with TNM imaging. Unique chapters on Sleep apnea, Emergency Radiology, Dental imaging, Superficial and trans-spatial lesions and Imaging of all cranial nerves are included.
Author:
Publisher:
ISBN:
Category : Art, Brazilian
Languages : en
Pages : 92
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Book Description
Author: Terence Scully
Publisher: University of Toronto Press
ISBN: 1442692170
Category : History
Languages : en
Pages : 801
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Book Description
Bartolomeo Scappi (c. 1500-1577) was arguably the most famous chef of the Italian Renaissance. He oversaw the preparation of meals for several Cardinals and was such a master of his profession that he became the personal cook for two Popes. At the culmination of his prolific career he compiled the largest cookery treatise of the period to instruct an apprentice on the full craft of fine cuisine, its methods, ingredients, and recipes. Accompanying his book was a set of unique and precious engravings that show the ideal kitchen of his day, its operations and myriad utensils, and are exquisitely reproduced in this volume. Scappi's Opera presents more than one thousand recipes along with menus that comprise up to a hundred dishes, while also commenting on a cook's responsibilities. Scappi also included a fascinating account of a pope's funeral and the complex procedures for feeding the cardinals during the ensuing conclave. His recipes inherit medieval culinary customs, but also anticipate modern Italian cookery with a segment of 230 recipes for pastry of plain and flaky dough (torte, ciambelle, pastizzi, crostate) and pasta (tortellini, tagliatelli, struffoli, ravioli, pizza). Terence Scully presents the first English translation of the work. His aim is to make the recipes and the broad experience of this sophisticated papal cook accessible to a modern English audience interested in the culinary expertise and gastronomic refinement within the most civilized niche of Renaissance society.
Author: Elena Shtromberg
Publisher: Getty Publications
ISBN: 1606067923
Category : Art
Languages : en
Pages : 290
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Book Description
With insightful essays and interviews, this volume examines how artists have experimented with the medium of video across different regions of Latin America since the 1960s. The emergence of video art in Latin America is marked by multiple points of development, across more than a dozen artistic centers, over a period of more than twenty-five years. When it was first introduced during the 1960s, video was seen as empowering: the portability of early equipment and the possibility of instant playback allowed artists to challenge and at times subvert the mainstream media. Video art in Latin America was—and still is—closely related to the desire for social change. Themes related to gender, ethnic, and racial identity as well as the consequences of social inequality and ecological disasters have been fundamental to many artists’ practices. This compendium explores the history and current state of artistic experimentation with video throughout Latin America. Departing from the relatively small body of existing scholarship in English, much of which focuses on individual countries, this volume approaches the topic thematically, positioning video artworks from different periods and regions throughout Latin America in dialogue with each other. Organized in four broad sections—Encounters, Networks and Archives, Memory and Crisis, and Indigenous Perspectives—the book’s essays and interviews encourage readers to examine the medium of video across varied chronologies and geographies.
