Zimbabwe Ngoma Rhythms & Songs: Bulawayo township rhythms & songs 1995 to 2010 PDF Download
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Author: Othnell Moyo
Publisher:
ISBN: 9780797492493
Category :
Languages : en
Pages :
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Book Description
Author: Othnell Moyo
Publisher:
ISBN: 9780797492493
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Max Mojapelo
Publisher: African Minds
ISBN: 1920299289
Category : Biography & Autobiography
Languages : en
Pages : 377
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Book Description
South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still fi nds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the musics of the black communities. Beyond Memory: Recording the History, Moments and Memories of South African Music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of a man, Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a deejay at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries.
Author: Nyoni, Bednicho
Publisher: University of Bamberg Press
ISBN: 3863096649
Category : Religion
Languages : en
Pages : 352
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Book Description
"Western neglecting traditional religion is an important factor for the failure of many developmental strategies towards Africa. Therefore, religion(s) of the indigenous peoples must be given the neccesary attention. The book presents the example of the Shona religion playing a critical role in the life of the Zimbabweans. If incorporated, it will contribute to the better success of development initiatives." --back cover
Author: Clapperton Chakanetsa Mavhunga
Publisher: MIT Press
ISBN: 0262533901
Category : Technology & Engineering
Languages : en
Pages : 257
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Book Description
Explorations of science, technology, and innovation in Africa not as the product of “technology transfer” from elsewhere but as the working of African knowledge. In the STI literature, Africa has often been regarded as a recipient of science, technology, and innovation rather than a maker of them. In this book, scholars from a range of disciplines show that STI in Africa is not merely the product of “technology transfer” from elsewhere but the working of African knowledge. Their contributions focus on African ways of looking, meaning-making, and creating. The chapter authors see Africans as intellectual agents whose perspectives constitute authoritative knowledge and whose strategic deployment of both endogenous and inbound things represents an African-centered notion of STI. “Things do not (always) mean the same from everywhere,” observes Clapperton Chakanetsa Mavhunga, the volume's editor. Western, colonialist definitions of STI are not universalizable. The contributors discuss topics that include the trivialization of indigenous knowledge under colonialism; the creative labor of chimurenga, the transformation of everyday surroundings into military infrastructure; the role of enslaved Africans in America as innovators and synthesizers; the African ethos of “fixing”; the constitutive appropriation that makes mobile technologies African; and an African innovation strategy that builds on domestic capacities. The contributions describe an Africa that is creative, technological, and scientific, showing that African STI is the latest iteration of a long process of accumulative, multicultural knowledge production. Contributors Geri Augusto, Shadreck Chirikure, Chux Daniels, Ron Eglash, Ellen Foster, Garrick E. Louis, D. A. Masolo, Clapperton Chakanetsa Mavhunga, Neda Nazemi, Toluwalogo Odumosu, Katrien Pype, Scott Remer
Author: Joyce Jenje-Makwenda
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 204
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Book Description
Zimbabwe Township Music is a celebration of age-old popular music, which was evolved by the early urban settlers as far back as the 1930's. Urban culture in those days was a product of mixed traditional, contemporary and Western influences, which all moulded into the unique township music. It is therefore the musical off-spring and melodic fusion of several tribal and cultural urban settlers in the early Black townships; typified by such variants as kwe la, tsabatsaba, marabiand afro-jazz.Township Music often became a symbol of identity and dissent in the Black townships, which did not go so well with the authorities of the day. As the political situation became tense, the music went under around 1963, when the Federation of Rhodesia and Nyasaland came to an end. At Zimbabwe's independence in 1980, Township Music resurfaced and trickled slowly back into the country, to a much awaited reception and revival. Today the Township Music craze is gripping the country, drawing even youthful enthusiasts in its wake. It would be painstaking to list the numerous pace-setters along the milestones of this musical odyssey. It suffices to mention only a representative few: Josaya Hadebe, Kenneth and Lina Mattaka, Evelyn and Simon Juba, Augustine Musarurwa, Moses Mphahlo-Mafuruse, Sonny Sondo, Simanga Tutani, John White, Andrew Chakanyuka, Dorothy Masuka, Faith Dauti, Paul Lunga, Tanga wekwa Sando, Prudence Katomeni Mbofana and Duduzile Manhenga.
Author: Shimmer Chinodya
Publisher: African Books Collective
ISBN: 1779223285
Category : Fiction
Languages : en
Pages : 313
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Book Description
The 1990 Commonwealth Writers Regional Prize voted Harvest of Thorns the winner in the Best Book category. Harvest of Thorns tells the story of Benjamin Tichafa who grows up in Rhodesia in the 1960s. From a conservative, religious family, but exposed to the heady ideas of the black nationalist movements, the young student is pulled in different directions. Isolated and troubled at boarding school, he is provoked into leaving, making his way to Mozambique, and joining the freedom fighters. There, in the crucible of a bitter civil war of liberation, the young man develops into manhood. Returning, hardened, at independence, he feels that little has changed, not least within his own family circumstances, and asks himself what it means to be free in the new Zimbabwe.
Author: Laurence Kaptain
Publisher: Honeyrock
ISBN:
Category : Music
Languages : en
Pages : 192
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Book Description
To the people of the state of Chiapas, the marimba is both heard as a musical instrument and viewed as a cultural icon. Woven into the fabric of everyday life in the rugged and exotic land of southernmost Mexico, it is indeed difficult to walk down any street without hearing las maderas que cantan (the wood that sings). This monograph examines the heritage of the marimba, its repertoire and current performance practice, as well as the personalities past and present that have been exponents of this important Mexican musical tradition.
Author: Michael Denning
Publisher: Verso Books
ISBN: 1781688567
Category : Music
Languages : en
Pages : 321
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Book Description
A radically new reading of the origins of recorded music Noise Uprising brings to life the moment and sounds of a cultural revolution. Between the development of electrical recording in 1925 and the outset of the Great Depression in the early 1930s, the soundscape of modern times unfolded in a series of obscure recording sessions, as hundreds of unknown musicians entered makeshift studios to record the melodies and rhythms of urban streets and dancehalls. The musical styles and idioms etched onto shellac disks reverberated around the globe: among them Havana’s son, Rio’s samba, New Orleans’ jazz, Buenos Aires’ tango, Seville’s flamenco, Cairo’s tarab, Johannesburg’s marabi, Jakarta’s kroncong, and Honolulu’s hula. They triggered the first great battle over popular music and became the soundtrack to decolonization.
Author: Ezra Chitando
Publisher: University of Bamberg Press
ISBN: 3863092546
Category : Africa
Languages : en
Pages : 246
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Book Description
Author: Hershini Bhana Young
Publisher: UPNE
ISBN: 9781584655190
Category : History
Languages : en
Pages : 252
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Book Description
In Haunting Capital, Hershini Young sets out to re-theorize the African diaspora "so that the concept becomes unintelligible without an understanding of gender as a constitutive element." Young uses the historically injured bodies of black women, as represented in novels by black women, to talk about colonialism, gender, race, memory and haunting. Haunting Capital departs from traditional trauma studies, which stress individual wounding and psychotherapeutic models. Instead, Young explores the notion of injury as a collective wounding, resulting from the trauma of capitalistic regimes such as slavery and colonialism. She also introduces the idea of the ghost to her discussion of collective injury, where it functions not only on theoretical and metaphorical levels, but also by invoking African cosmologies in which ghosts are ancestral beings with a real spiritual presence. More specifically, Young insists on the contemporary reality of African nations and eschews the presentation of Africa as a vague, undifferentiated point of origin that characterizes many other studies of the African diaspora. Her reading of African contemporary novels by women, alongside African American and Caribbean novels, works to show the African diaspora as haunted by similar, though different, issues of gendered and racialized violence.
