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Author: Folker Froebe
Publisher: Georg Olms Verlag
ISBN: 3487151774
Category : Music
Languages : en
Pages : 322
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Book Description
Varia 1 I. OTT: Das kompositorische Verfahren in Jean Moutons Quadrupelkanon • J. HAMER: Louis Couperins Préludes non mesurés • F. FROEBE: Zur Rekomposition eines ›französischen‹ Modellkomplexes in Bachs Pièce d’Orgue BWV 572 • L. KRÄMER: Form und Soziolekt in Schuberts Tänzen • B. SPRICK: Überlegungen zur Anfangswendung von Beethovens Streichquartett op. 130 • R. LANG: Zur pädagogischen Qualität musiktheoretischer Lehrdialoge • L. KUNKEL: Akkordstrukturen in George Gershwins Porgy and Bess • F. FROEBE / B. PETERSEN / J.P. SPRICK: XI. Jahreskongress der Gesellschaft für Musiktheorie (GMTH) • K. BREYER: Clemens Kühn / John Leigh (Hgg.), Systeme der Musiktheorie Varia 2 H. MOSSBURGER: ›Res‹ oder ›Verba‹? • M. GRABOW: Zur Bedeutung von Analyse für Reinhard Febels Bearbeitung von BWV 639 • G. LUCHTERHANDT: Arnold Schönbergs Tonalitätsdenken • C. RAZ: From Trinidad to Cyberspace: Reconsidering Ernst Toch’s Geographical Fugue • H. SOOK OH: Die ästhetische Bedeutung des musikalischen Zitats in der koreanischen Musik des 20. und 21. Jahrhunderts • S. PROBST: Hugo Riemann zwischen Theorie und Praxis • M. NINGEL: Das Farbenspiel in Debussys La mer est plus belle • W. BITZAN: Eine analytische Annäherung an Claude Debussys Verlaine-Lied Clair de lune • A. MORAITIS: Nordic Conference on aural Disciplines in higher Music Education • M. SCHWENKREIS: Giorgio Sanguinetti, The Art of Partimento • J. MENKE: Nachruf auf Eckehard Kiem
Author: Folker Froebe
Publisher: Georg Olms Verlag
ISBN: 3487151774
Category : Music
Languages : en
Pages : 322
Get Book Here
Book Description
Varia 1 I. OTT: Das kompositorische Verfahren in Jean Moutons Quadrupelkanon • J. HAMER: Louis Couperins Préludes non mesurés • F. FROEBE: Zur Rekomposition eines ›französischen‹ Modellkomplexes in Bachs Pièce d’Orgue BWV 572 • L. KRÄMER: Form und Soziolekt in Schuberts Tänzen • B. SPRICK: Überlegungen zur Anfangswendung von Beethovens Streichquartett op. 130 • R. LANG: Zur pädagogischen Qualität musiktheoretischer Lehrdialoge • L. KUNKEL: Akkordstrukturen in George Gershwins Porgy and Bess • F. FROEBE / B. PETERSEN / J.P. SPRICK: XI. Jahreskongress der Gesellschaft für Musiktheorie (GMTH) • K. BREYER: Clemens Kühn / John Leigh (Hgg.), Systeme der Musiktheorie Varia 2 H. MOSSBURGER: ›Res‹ oder ›Verba‹? • M. GRABOW: Zur Bedeutung von Analyse für Reinhard Febels Bearbeitung von BWV 639 • G. LUCHTERHANDT: Arnold Schönbergs Tonalitätsdenken • C. RAZ: From Trinidad to Cyberspace: Reconsidering Ernst Toch’s Geographical Fugue • H. SOOK OH: Die ästhetische Bedeutung des musikalischen Zitats in der koreanischen Musik des 20. und 21. Jahrhunderts • S. PROBST: Hugo Riemann zwischen Theorie und Praxis • M. NINGEL: Das Farbenspiel in Debussys La mer est plus belle • W. BITZAN: Eine analytische Annäherung an Claude Debussys Verlaine-Lied Clair de lune • A. MORAITIS: Nordic Conference on aural Disciplines in higher Music Education • M. SCHWENKREIS: Giorgio Sanguinetti, The Art of Partimento • J. MENKE: Nachruf auf Eckehard Kiem
Author: Hugo Riemann
Publisher:
ISBN:
Category : Composition (Music)
Languages : la
Pages : 468
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Book Description
Author: Fred Lerdahl
Publisher: Oxford University Press
ISBN: 0199884404
Category : Music
Languages : en
Pages : 430
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Book Description
Building on the foundation of Lerdahl and Jackendoff's influential A Generative Theory of Tonal Music, this volume presents a multidimensional model of diatonic and chromatic spaces that quantifies listeners' intuitions of the relative distances of pitches, chords, and keys from a given tonic. The model is employed to assign prolongational structure, represent paths through the space, and compute patterns of tension and attraction as musical events unfold, thereby providing a partial basis for understanding musical narration, expectation, and expression. Conceived as both a music-theoretic treatise and a contribution to the cognitive science of music, this book will be of interest to music theorists, musicologists, composers, computer musicians, and cognitive psychologists.
Author: Giorgio Sanguinetti
Publisher: Oxford University Press
ISBN: 0199908990
Category : Music
Languages : en
Pages : 400
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Book Description
At the height of the Enlightenment, four conservatories in Naples stood at the center of European composition. Maestros taught their students to compose with unprecedented swiftness and elegance using the partimento, an instructional tool derived from the basso continuo that encouraged improvisation as the path to musical fluency. Although the practice vanished in the early nineteenth century, its legacy lived on in the music of the next generation. In The Art of Partimento, performer and music-historian Giorgio Sanguinetti chronicles the history of this long-forgotten Neapolitan art. Sanguinetti has painstakingly reconstructed the oral tradition that accompanied these partimento manuscripts, now scattered throughout Europe. Beginning with the origins of the partimento in the circles of Corelli, Pasquini, and Alessandro Scarlatti in Rome and tracing it through the peak of the tradition in Naples, The Art of Partimento gives a glimpse into the daily life and work of an eighteenth century composer. The Art of the Partimento is also a complete practical handbook to reviving the tradition today. Step by step, Sanguinetti guides the aspiring composer through elementary realization to more advanced exercises in diminution, imitation, and motivic coherence. Based on the teachings of the original masters, Sanguinetti challenges the reader to become a part of history, providing a variety of original partimenti in a range of genres, forms, styles, and difficulty levels along the way and allowing the student to learn the art of the partimento for themselves at their own pace. As both history and practical guide, The Art of Partimento presents a new and innovative way of thinking about music theory. Sanguinetti's unique approach unites musicology and music theory with performance, which allows for a richer and deeper understanding than any one method alone, and offers students and scholars of composition and music theory the opportunity not only to understand the life of this fascinating tradition, but to participate in it as well.
Author: Nicholas Baragwanath
Publisher:
ISBN: 0197514081
Category : Education
Languages : en
Pages : 433
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Book Description
In this first-ever book on the solfeggio tradition, one of the pillars of eighteenth-century music education, author Nicholas Baragwanath illuminates how performers and composers developed their exceptional skills in improvising and inventing melodies.
Author: Joseph Riepel
Publisher: Harmonologia
ISBN: 9781576472453
Category : Music
Languages : en
Pages : 471
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Book Description
This book offers a clear and consistent English translation of Riepel's first two volumes, which contain a substantially complete presentation of the first and most influential comprehensive compositional and analytical theory that relates to the major homophonic instrumental forms of the eighteenth century, the symphony, concerto, and sonata. Used in conjunction with the glossary of translated terms, this translation offers new illumination of Riepel's theory, even for native German speakers. The five chapters of commentary demonstrate that Riepel conceived of macrorhythms at the phrase and period level based on the dynamics of implication and realization; that he distilled this theory from his study of works by Benda and the Grauns, their teacher Pisendel, and, to some extent, his teacher Vivaldi; that Leopold Mozart used Riepel's approach to train his young son, Wolfgang; that Koch's theory of symphonic composition is essentially a partial modernization of Riepel's; and that Riepel's theory of analysis amounts to a kind of parsing that does not depend on intention for its validity. Riepel's focus on the Absatz ("comma") and cadence as segment-defining punctuations simplifies the task of informed listening for the modern student and provides a secure, consistent, and non-essentialist foundation for period-sensitive analysis and criticism.
Author: Timour Klouche
Publisher: Springer Science & Business Media
ISBN: 3642045782
Category : Computers
Languages : en
Pages : 546
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Book Description
This volume comprises a selection of papers presented at the first International C- ference on Mathematics and Computation in Music – mcm2007. The conference took place at the Staatliches Institut für Musikforschung PK – National Institute for Music Research in Berlin during May 18–20, 2007 and was jointly organized by the National Institute for Music Research Berlin and the Society of Mathematics and Computation in Music. The papers were selected for the conference by the program committee and classfied into talks and posters. All papers underwent further selection, revision and elaboration for this book publication. The articles cover a research field which is heterogeneous with respect to content, scientific language and methodology. On one hand, this reflects the heterogeneity and richness of the musical subject domain itself. On the other hand, it exemplifies a t- sion which has been explicitly intended by both the organizers and the founders of the society, namely to support the integration of mathematical and computational - proaches to music theory, composition, analysis and performance. The subdivision into three parts reflects the original structure of the program. These parts are opened by invited papers and followed by talks and posters.
Author: Mariana Montiel
Publisher: Springer
ISBN: 3030213927
Category : Computers
Languages : en
Pages : 403
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Book Description
This book constitutes the thoroughly refereed proceedings of the 7th International Conference on Mathematics and Computation in Music, MCM 2019, held in Madrid, Spain, in June 2019. The 22 full papers and 10 short papers presented were carefully reviewed and selected from 48 submissions. The papers feature research that combines mathematics or computation with music theory, music analysis, composition, and performance. They are organized in topical sections on algebraic and other abstract mathematical approaches to understanding musical objects; remanaging Riemann: mathematical music theory as “experimental philosophy”?; octave division; computer-based approaches to composition and score structuring; models for music cognition and beat tracking; pedagogy of mathematical music theory. The chapter “Distant Neighbors and Interscalar Contiguities” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
