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Author: Jean-Baptiste-Camille Corot
Publisher: Hirmer Verlag GmbH
ISBN:
Category : Art
Languages : en
Pages : 188
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Book Description
While best know for his landscapes, French painter Camille Corot nonetheless left in his wake a considerable number of rarely exhibited yet highly sought figure paintings. And while Corot initially used these oil studies to improve the quality of his free composition for later historical and narrative landscapes, it was not long before his figure paintings became autonomous works, prized for their direct portrayal of emotional and spiritual states. Standing out in Corot's creative output is the remarkable oil painting A Girl Reading. This volume puts this impressive painting into context with a variety of Corot's paintings and drawings that both shed light on the role of reading that is characteristic of his work and provide the first representative overview of the artist's works inspired by the genre as a whole. Included are essays on Corot as a figure painter and thirty full-color, extensively annotated examples of his work.
Author: Jean-Baptiste-Camille Corot
Publisher: Hirmer Verlag GmbH
ISBN:
Category : Art
Languages : en
Pages : 188
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Book Description
While best know for his landscapes, French painter Camille Corot nonetheless left in his wake a considerable number of rarely exhibited yet highly sought figure paintings. And while Corot initially used these oil studies to improve the quality of his free composition for later historical and narrative landscapes, it was not long before his figure paintings became autonomous works, prized for their direct portrayal of emotional and spiritual states. Standing out in Corot's creative output is the remarkable oil painting A Girl Reading. This volume puts this impressive painting into context with a variety of Corot's paintings and drawings that both shed light on the role of reading that is characteristic of his work and provide the first representative overview of the artist's works inspired by the genre as a whole. Included are essays on Corot as a figure painter and thirty full-color, extensively annotated examples of his work.
Author: Natalia Brodskaya
Publisher: Parkstone International
ISBN: 1781609683
Category : Art
Languages : en
Pages : 142
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Book Description
For Claude Monet the designation ‘impressionist’ always remained a source of pride. In spite of all the things critics have written about his work, Monet continued to be a true impressionist to the end of his very long life. He was so by deep conviction, and for his Impressionism he may have sacrificed many other opportunities that his enormous talent held out to him. Monet did not paint classical compositions with figures, and he did not become a portraitist, although his professional training included those skills. He chose a single genre for himself, landscape painting, and in that he achieved a degree of perfection none of his contemporaries managed to attain. Yet the little boy began by drawing caricatures. Boudin advised Monet to stop doing caricatures and to take up landscapes instead. The sea, the sky, animals, people, and trees are beautiful in the exact state in which nature created them – surrounded by air and light. Indeed, it was Boudin who passed on to Monet his conviction of the importance of working in the open air, which Monet would in turn transmit to his impressionist friends. Monet did not want to enrol at the Ecole des Beaux-Arts. He chose to attend a private school, L’Académie Suisse, established by an ex-model on the Quai d’Orfèvres near the Pont Saint-Michel. One could draw and paint from a live model there for a modest fee. This was where Monet met the future impressionist Camille Pissarro. Later in Gleyre’s studio, Monet met Auguste Renoir Alfred Sisley, and Frédéric Bazille. Monet considered it very important that Boudin be introduced to his new friends. He also told his friends of another painter he had found in Normandy. This was the remarkable Dutchman Jongkind. His landscapes were saturated with colour, and their sincerity, at times even their naïveté, was combined with subtle observation of the Normandy shore’s variable nature. At this time Monet’s landscapes were not yet characterized by great richness of colour. Rather, they recalled the tonalities of paintings by the Barbizon artists, and Boudin’s seascapes. He composed a range of colour based on yellow-brown or blue-grey. At the Third Impressionist Exhibition in 1877 Monet presented a series of paintings for the first time: seven views of the Saint-Lazare train station. He selected them from among twelve he had painted at the station. This motif in Monet’s work is in line not only with Manet’s Chemin de fer (The Railway) and with his own landscapes featuring trains and stations at Argenteuil, but also with a trend that surfaced after the railways first began to appear. In 1883, Monet had bought a house in the village of Giverny, near the little town of Vernon. At Giverny, series painting became one of his chief working procedures. Meadows became his permanent workplace. When a journalist, who had come from Vétheuil to interview Monet, asked him where his studio was, the painter answered, “My studio! I’ve never had a studio, and I can’t see why one would lock oneself up in a room. To draw, yes – to paint, no”. Then, broadly gesturing towards the Seine, the hills, and the silhouette of the little town, he declared, “There’s my real studio.”Monet began to go to London in the last decade of the nineteenth century. He began all his London paintings working directly from nature, but completed many of them afterwards, at Giverny. The series formed an indivisible whole, and the painter had to work on all his canvases at one time. A friend of Monet’s, the writer Octave Mirbeau, wrote that he had accomplished a miracle. With the help of colours he had succeeded in recreating on the canvas something almost impossible to capture: he was reproducing sunlight, enriching it with an infinite number of reflections. Alone among the impressionists, Claude Monet took an almost scientific study of the possibilities of colour to its limits; it is unlikely that one could have gone any further in that direction.
Author: Suzanne Greub
Publisher: Hirmer Verlag GmbH
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
The Musée des Beaux-Arts, Reims owns the second largest collection of works by Jean-Baptiste Camille Corot after the Louvre, as well as excellent landscape paintings by artists of the Barbizon School. Corot was one of the most significant painters involved with the barbizonists. Studying the Reims holdings further, it seemed evident to edit a catalogue and curate an exhibition that reaches from the romantic spirit in French landscape painting to the School of Barbizon on to the group of artists around Eugène-Louis Boudin at Honfleur - the true cradle of Impressionism - and lastly to the impressionists Claude Monet, Camille Pissarro and Pierre-Auguste Renoir.00Exhibition: Cornell Fine Arts Museum, Winter Park, USA (20.01.-08.04.2018) / Frye Art Museum, Seattle, USA (12.05.-05.08.2018).
Author: Jackie Bennett
Publisher: White Lion Publishing
ISBN: 1781318743
Category : Gardening
Languages : en
Pages : 227
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Book Description
The Artist’s Garden will feature up to 20 gardens that have inspired and been home to some of the greatest painters of history. These gardens not only supplied the inspiration for creative works but also illuminate the professional motivation and private life of the artists themselves – from Cezanne’s house in the south of France to Childe Hassam at Celia Thaxter’s garden off the coast off Maine. Flowers and gardens have often been the first choice for artists looking for a subject. A garden close to the artist’s studio is not only convenient for daily material and ideas, but also has the advantage of changing through the seasons and over time. Claude Monet’s Giverny was the catalyst for hundreds of great paintings (by Monet and other artists), each one different from the one before. Sometimes a whole village becomes the focus for a colony of artists as at Gerberoy in Picardy and Skagen on the northernmost tip of Denmark. This book is about the real homes and gardens that inspired these great artists – gardens that can still be visited today. The relationship between artist and garden is a complex one. A few artists, including Pierre Bonnard and his neighbour Monet were keen gardeners, as much in love with their plants as their work, while for others like Sorolla in Madrid, his courtyard home was both a sanctuary and a source of ideas.
Author:
Publisher: Pomegranate
ISBN: 9780876544433
Category : Art
Languages : en
Pages : 154
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Book Description
In this best-selling book Elizabeth Murray discusses the development and maintenance of Claude Monet's Giverny estate as well as Monet's color theories, design elements, and use of light and shade. Richly illustrated with Murray's lush photographs of the present-day Giverny gardens, Monet's Passion also offers full-color illustrations of the gardens drawn to scale and four Giverny-based garden plans that can be executed anywhere.
Author: Ross King
Publisher: Bloomsbury Publishing
ISBN: 1408861968
Category : Art
Languages : en
Pages : 416
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Book Description
Claude Monet's water lily paintings are among the most iconic and beloved works of art of the past century. Yet these entrancing images were created at a time of terrible private turmoil and sadness for the artist. The dramatic history behind these paintings is little known; Ross King's Mad Enchantment tells the full story for the first time and, in the process, presents a compelling and original portrait of one of our most popular and cherished artists. By the outbreak of war in 1914, Monet, then in his mid-seventies, was one of the world's most famous and successful painters, with a large house in the country, a fleet of automobiles and a colossal reputation. However, he had virtually given up painting following the death of his wife Alice in 1911 and the onset of blindness a year later. Nonetheless, it was during this period of sorrow, ill health and creative uncertainty that – as the guns roared on the Western Front – he began the most demanding and innovative paintings he had ever attempted. Encouraged by close friends such as Georges Clemenceau, France's dauntless prime minister, Monet would work on these magnificent paintings throughout the war years and then for the rest of his life. So obsessed with his monumental task that the village barber was summoned to clip his hair as he worked beside his pond, he covered hundreds of yards of canvas with shimmering layers of pigment. As his ambitions expanded with his paintings, he began planning what he intended to be his legacy to the world: the 'Musée Claude Monet' in the Orangerie in Paris. Drawing on letters and memoirs and focusing on this remarkable period in the artist's life, Mad Enchantment gives an intimate portrayal of Claude Monet in all his tumultuous complexity, and firmly places his water lily paintings among the greatest achievements in the history of art.
Author: Bijou Le Tord
Publisher: Doubleday Books for Young Readers
ISBN: 9780385311021
Category : Art appreciation
Languages : en
Pages : 0
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Book Description
In a garden of spectacular beauty in Giverny, France, Claude Monet painted flowers. Dazzled by the light, he painted with rich colors of vermilion, emerald, and violet. His poppies, tulips, irises, and waterlilies have awed the world. In her radiant watercolors, Bijou Le Tord uses Monet's own palette of only eight colors. Her magnificent paintings and poetic words celebrate the extraordinary vision of the beloved impressionist painter, Claude Monet.
Author:
Publisher:
ISBN: 9780681075818
Category : Artists
Languages : en
Pages : 228
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Book Description
Author: Irish Society (London, England)
Publisher:
ISBN:
Category : Irises (Plants)
Languages : en
Pages : 482
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Book Description
Author: Doris Kutschbach
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 148
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Book Description
Looking at Monet's art in the context of his lifestyle, this book is suitable for artists, designers, gardeners, and life-style gurus alike.
