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Author: Matthew Gibson
Publisher: Oxford University Press
ISBN: 1942954255
Category : Literary Criticism
Languages : en
Pages : 368
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Book Description
Yeats, Philosophy, and the Occult\ is a collection of essays examining the thought of the Irish poet W. B. Yeats and particularly his philosophical reading and explorations of older systems of thought, where philosophy, mysticism, and the supernatural blend. It opens with a broad survey of the current state of Yeats scholarship, which also includes an examination of Yeats's poetic practice through a manuscript of the original core of a poem that became a work of philosophical thought and occult lore, The Phases of the Moon. The following essay examines an area where spiritualism, eugenic theory, and criminology cross paths in the writings of Cesare Lombroso, and Yeats's response to his work. The third paper considers Yeats's debts to the East, especially Buddhist and Hindu thought, while the fourth looks at his ideas about the dream-state, the nature of reality, and contact with the dead. The fifth essay explores Yeats's understanding of the concept of the Great Year from classical astronomy and philosophy, and its role in the system of his work\ A Vision, and the sixth paper studies that work's theory of contemporaneous periods affecting each other across history in the light of Oswald Spengler's\ The Decline of the West. The seventh essay evaluates Yeats's reading of Berkeley and his critics' appreciation (or lack of it) of how he responds to Berkeley's idealism. The book as a whole explores how Yeats's mind and thought relate to his poetry, drama, and prose, and how his reading informs all of them.
Author: Matthew Gibson
Publisher: Oxford University Press
ISBN: 1942954255
Category : Literary Criticism
Languages : en
Pages : 368
Get Book
Book Description
Yeats, Philosophy, and the Occult\ is a collection of essays examining the thought of the Irish poet W. B. Yeats and particularly his philosophical reading and explorations of older systems of thought, where philosophy, mysticism, and the supernatural blend. It opens with a broad survey of the current state of Yeats scholarship, which also includes an examination of Yeats's poetic practice through a manuscript of the original core of a poem that became a work of philosophical thought and occult lore, The Phases of the Moon. The following essay examines an area where spiritualism, eugenic theory, and criminology cross paths in the writings of Cesare Lombroso, and Yeats's response to his work. The third paper considers Yeats's debts to the East, especially Buddhist and Hindu thought, while the fourth looks at his ideas about the dream-state, the nature of reality, and contact with the dead. The fifth essay explores Yeats's understanding of the concept of the Great Year from classical astronomy and philosophy, and its role in the system of his work\ A Vision, and the sixth paper studies that work's theory of contemporaneous periods affecting each other across history in the light of Oswald Spengler's\ The Decline of the West. The seventh essay evaluates Yeats's reading of Berkeley and his critics' appreciation (or lack of it) of how he responds to Berkeley's idealism. The book as a whole explores how Yeats's mind and thought relate to his poetry, drama, and prose, and how his reading informs all of them.
Author: Marjorie Elizabeth Howes
Publisher: Cambridge University Press
ISBN: 0521650895
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
A comprehensive and accessible introduction to the major themes of this important poet's life and career.
Author: William Butler Yeats
Publisher: Simon and Schuster
ISBN: 1451603002
Category : Fiction
Languages : en
Pages : 134
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Book Description
While working on a facsimile edition and transcription of W. B. Yeats's surviving early manuscripts, renowned Yeats scholar George Bornstein made a thrilling literary discovery: thirty-eight unpublished poems written between the poet's late teens and late twenties. These works span the crucial years during which the poet "remade himself from the unknown and insecure young student Willie Yeats to the more public literary, cultural, and even political figure W. B. Yeats whom we know today." "Here is a poetry marked by a rich, exuberant, awk-ward, soaring sense of potential, bracingly youthful in its promise and its clumsiness, in its moments of startling beauty and irrepressible excess," says Brendan Kennelly. And the Yeats in these pages is already experimenting with those themes with which his readers will become intimate: his stake in Irish nationalism; his profound love for Maud Gonne; his intense fascination with the esoteric and the spiritual. With Bornstein's help, one can trace Yeats's process of self-discovery through constant revision and personal reassessment, as he develops from the innocent and derivative lyricist of the early 1880s to the passionate and original poet/philosopher of the 1890s. Reading-texts of over two dozen of these poems appear here for the first time, together with those previously available only in specialized literary journals or monographs. Bornstein has assembled all thirty-eight under the title Yeats had once planned to give his first volume of collected poems. Under the Moon is essential reading for anyone interested in modern poetry.
Author: Leon Surette
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773512436
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
In The Birth of Modernism Leon Surette challenges our traditional understanding of modernism by situating the origins of modernist aesthetics in the occult.
Author: Dionysious Psilopoulos
Publisher: Cambridge Scholars Publishing
ISBN: 1527505197
Category : Literary Criticism
Languages : en
Pages : 333
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Book Description
This text discusses how W. B. Yeats, Aleister Crowley, Ezra Pound and Robert Graves had access to the forbidden knowledge of the Goddess. These four poets experienced a confrontation with their unconscious and let the grace of the Goddess touch their heart strings. Consequently, through this surrendering, they created avant-garde poetry and were inspired to write seditious manifestos that would teach humanity an esoteric creed. This creed, based on humans’ eternal divine essence, aspires to liberate the eternal feminine. These poets became the instruments of the Goddess. As defenders of the Light, they took arms against the forces of inertia and proclaimed the eleusis of a new faith. This creed pledges to overthrow the anachronistic religious and social institutions and initiate a new world order and a new divinity based on the ancient rites of the Great Goddess. No matter how disparate these four were in character, they shared the vision of transmitting esoteric knowledge to profane humanity. They were specifically chosen by the Goddess as Her troubadours and they pave Her way to the religious consciousness of the people.
Author: June O. Leavitt
Publisher: University Press of America
ISBN: 9780761836735
Category : Language Arts & Disciplines
Languages : en
Pages : 182
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Book Description
In this pioneering scholarly work on occult symbols in literature, the reader is offered a vivid look into how W.B. Yeats, T.S. Eliot, and Franz Kafka--three masters of symbolic expression--utilized Tarot cards in their poetry and prose. Focusing on the Tarot's ancient associations with divine knowledge, its pictorial representation of both the Jewish and Christian Cabala, and the Tarot's more recent pedestrian affiliation with the occult, June Leavitt skillfully demonstrates how Yeats, Eliot, and Kafka align themselves in their uniquely individual ways with the Tarot symbols' mapping of reality. Paying close attention to the mystical nuances of the Tarot, Ms. Leavitt shows how Tarot symbols allow for radically new readings of the texts in which they are situated, and play a transformative role in the three writers' search for God. This search remained indecisive for Kafka, resulted in Eliot's conversion to Anglo-Catholicism, and went hand in hand with Yeats' passion for pagan gods and angels. Visit the author's website at http: //www.spiritualityteaching.com.
Author: Patrick J. Keane
Publisher:
ISBN: 9781800643246
Category :
Languages : en
Pages : 270
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Book Description
Shedding fresh light on the life and work of William Butler Yeats--widely acclaimed as the major English-language poet of the twentieth century--this new study by leading scholar Patrick J. Keane questions established understandings of the Irish poet's long fascination with the occult: a fixation that repelled literary contemporaries T.S. Eliot and W.H. Auden, but which enhanced Yeats's vision of life and death. Through close reading of selected poems, the first section of Making the Void Fruitful assesses Yeats's spiritualised treatment of corporeal themes, exploring sex and eroticism as the expression of a duality inherent to his ontological and supernatural convictions. The power-producing tension in Yeats's work is not only intellectual but emotional. At its vital centre is his Muse: the beautiful political firebrand, Maud Gonne, whose activist Republican politics he considered his one real rival. Through close engagement with the poems and plays she inspired, the second section explores Yeats's complex relationship with Maud, an obsessive and unrequited love which he sublimated and transformed into the greatest body of Muse poetry since Petrarch, in whose tradition of spiritualized eroticism Yeats, perhaps the last of the great Romantics, was consciously writing. Shaped by the conviction that no modern poet exceeded Yeats in animating the enduring themes of love and spirituality through poetry, this book emphasises the influence, of Blake, Nietzsche, and John Donne, on what Yeats called 'the thinking of the body'. Grounded firmly in the textual materiality of Yeats's oeuvre, this book will be of interest to researchers and students of W.B. Yeats, as well as to those in the fields of Anglophone literatures and cultures, and philosophy.
Author: Susan Johnston Graf
Publisher: SUNY Press
ISBN: 1438455550
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
Explores occultism in the writings of four authors who were members of the Hermetic Order of the Golden Dawn. Talking to the Gods explores the linkages between the imaginative literature and the occult beliefs and practices of four writers who were members of the Hermetic Order of the Golden Dawn. William Butler Yeats, Arthur Machen, Algernon Blackwood, and Dion Fortune were all members of the occult organization for various periods from 1890 to 1930. Yeats, of course, is both a canonical and well-loved poet. Machen is revered as a master of the weird tale. Blackwoods work dealing with the supernatural was popular during the first half of the twentieth century and has been influential in the development of the fantasy genre. Fortunes books are acknowledged as harbingers of trends in second-wave feminist spirituality. Susan Johnston Graf examines practices, beliefs, and ideas engendered within the Hermetic Order of the Golden Dawn and demonstrates how these are manifest in each authors work, including Yeatss major theoretical work, A Vision.
Author: William Butler Yeats
Publisher: Simon and Schuster
ISBN: 0684826216
Category : Fiction
Languages : en
Pages : 384
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Book Description
This is the definitive edition of W.B. Yeats's folklore & early prose fiction, edited according to Yeats's final textual instructions. Its extensive annotation makes luminous Yeats's 'fibrous darkness', that 'matrix out of which everything else has come', by dealing with oral & written sources, abandoned & unpublished writings.
Author: Ken Monteith
Publisher: Routledge
ISBN: 1135915628
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
When H. P. Blavatsky, the controversial head of the turn of the century movement Theosophy, defined "a true Theosophist" in her book The Key to Theosophy, she could have just as easily have been describing W. B. Yeats. Blavatsky writes, "A true Theosophist must put in practice the loftiest moral ideal, must strive to realize his unity with the whole of humanity, and work ceaselessly for others." Although Yeats joined Blavatsky's group in 1887, and subsequently left to help form The Golden Dawn in 1890, Yeats's career as poet and politician were very much in line with the methods set forth by Blavatsky's doctrine. My project explores how Yeats employs this pop-culture occultism in the creation of his own national literary aesthetic. This project not only examines the influence theosophy has on the literary work Yeats produced in the late 1880's and 1890's, but also Yeats's work as literary critic and anthology editor during that time. While Yeats uses theosophy's metaphysical world view to provide an underlying structure for some of his earliest poetry and drama, he uses theosophy's methods of investigation and argument to discover a metaphysical literary tradition which incorporates all of his own literary heroes into an Irish cultural tradition. Theosophy provides a methodology for Yeats to argue that both Shelley and Blake (for example) are part of a tradition that includes himself. Basing his argument in theosophy, Yeats can argue that the Irish people are a distinct race with a culture more "sincere" and "natural" than that of England.
