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Author: Patricia McFate
Publisher: Springer
ISBN: 134916027X
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
Author: James Stephens
Publisher:
ISBN:
Category :
Languages : en
Pages : 316
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Book Description
Author: Robert Dwyer Joyce
Publisher:
ISBN:
Category : Celts
Languages : en
Pages : 360
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Book Description
Author: Patricia McFate
Publisher: Springer
ISBN: 134916027X
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
Author: James Stephens
Publisher: Wildside Press LLC
ISBN: 1434466140
Category : Fiction
Languages : en
Pages : 126
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Book Description
James Stephens (1882-1950) was an Irish novelist and poet. Stephens wrote many retellings of Irish fairy tales. "The Charwoman's Daughter" originally appeared in 1912.
Author: James Stephens
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 64
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Book Description
Author: James Fitzjames Stephen
Publisher:
ISBN:
Category : Equality
Languages : en
Pages : 372
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Book Description
Author: James Stephens
Publisher:
ISBN: 1406830283
Category : History
Languages : en
Pages : 48
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Book Description
Author: E. R. Eddison
Publisher: Gateway
ISBN: 1473212103
Category : Fiction
Languages : en
Pages : 215
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Book Description
In early 20th-century England, Edward Lessingham and Lasy Mary Scarnsdale conduct a passionate if tumultuous courtship. After the First World War, they raise their children in their Cumbrian idyll, until tragedy strikes. On the world of Zimiamvia, Duke Barganax pursues the divine Lady Florinda who toys with his affections like a cat with a mouse. Meanwhile, King Mezentius struggles to hold his Threee Kingdoms together against the intrigues of his enemies. And over a fish dinner in Memison the true relationship between worlds and lovers will be made shockingly clear . . .
Author: James Stephens
Publisher: Envins Press
ISBN: 1406781096
Category : Fiction
Languages : en
Pages : 232
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Book Description
MARY MAKEBELIEVE lived with her mother in a small room at the very top of a big, dingy house in a Dublin back street. As long as she could remember she had lived in that top back room. She knew every crack in the ceiling, and they were numerous and of of mildew on strange shapes. Every spot the ancient wall-paper was familiar. She had, indeed, watched the growth of most from a greyish shade to a dark stain, from a spot to a great blob, and the holes in the skirting of the walls, out of which at night time the cockroaches came rattling, she knew also. There was but one window in the room, and when she wished to look out of it she had to push the window up, because the grime of many years had so encrusted the glass that it was of no more than the demi-semi-transparency of thin horn. When she did look there was nothing to see but a bulky array of chimney-pots crowning a next-door house, and these continually hurled jays of soot against her window therefore, she did not care to look out often, for each time that she did so she was forced to wash herself, and as water had to be carried from the very bottom of the five -story house up hundreds and hundreds of stairs to her room, she disliked having to use too much water. Her mother seldom washed at all. She held that washing was very unhealthy and took the natural gloss off the face, and that, moreover, soap either tightened the skin or made it wrinkle. Her own face was very tight in some places and very loose in others, and Mary Makebelieve often thought that the tight places were spots which her mother used to wash when she was young, and the loose parts were those which had never been washed at all. She thought that she would prefer to be either loose all over her face or tight all over it, and, therefore, when she washed she did it thoroughly, and when she abstained she allowed of no compromise. Her mothers face was the colour of old, old ivory. Her nose was like a great strong beak, and on it the skin was stretched very tightly, so that her nose shone dully when the candle was lit. Her eyes were big and as black as pools of ink and as bright as the eyes of a bird. Her hair also was black, it was as smooth as the finest silk, and when unloosened it hung straightly down, shining about her ivory face. Her lips were thin and scarcely coloured at all, and her hands were sharp, quick hands, all seeming knuckle when she closed them and all fingers when they were opened again. Mary Makebelieve loved her mother very dearly, and her mother returned her affection with an overwhelming passion that sometimes surged into physically painful caresses. When her mother hugged her for any length of time she soon wept, rocking herself and her daughter to and fro, and her clutch became then so frantic that poor Mary Makebelieve found it difficult to draw her breath but she would not for the world have disturbed the career of her mothers love. Indeed, she found some pleasure in the fierceness of those caresses, and welcomed the pain far more than she reprobated it. Her mother went out early every morning to work, and seldom returned home until late at night. She was a charwoman, and her work was to scrub out rooms and wash down staircases. She also did cooking when she was asked, and needlework when she got any to do...
Author: James Stephens
Publisher:
ISBN:
Category :
Languages : en
Pages : 304
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Book Description
Irish Fairy Tales is a retelling of ten Irish folktales by the Irish author James Stephens. The English illustrator Arthur Rackham provided interior artwork, including numerous black and white illustrations and sixteen color plates. The stories are set in a wooded, Medieval Ireland filled with larger-than-life hunters, warriors, kings, and fairies. Many stories concern the Fianna and their captain, Fionn mac Uail, from the Fenian Cycle of Irish mythology.
