Author: Anabel Thomas
Publisher:
ISBN:
Category : Art, Renaissance
Languages : en
Pages : 708

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Book Description

Author: Michael Wyatt
Publisher: Cambridge University Press
ISBN: 0521876060
Category : History
Languages : en
Pages : 471

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Book Description
Leading international contributors present a lively and interdisciplinary panorama of the Italian Renaissance as it has developed in recent decades.

Author:
Publisher: Penn State Press
ISBN: 9780271048147
Category : Art
Languages : en
Pages : 304

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Book Description
To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.

Author: Christina Neilson
Publisher: Cambridge University Press
ISBN: 1107172853
Category : Art
Languages : en
Pages : 367

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Book Description
Verrocchio worked in an extraordinarily wide array of media and used unusual practices of making to express ideas.

Author: Carmen Bambach
Publisher:
ISBN: 9780521402187
Category : Art
Languages : en
Pages : 548

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Book Description
In Drawing and Painting in the Italian Renaissance Workshop, Carmen Bambach reassesses the role of artists and their assistants in the creation of monumental painting. Analyzing representative wall paintings and the many drawings related to the various stages of their production, Bambach convincingly reconstructs the development of workshop practice and design theory in the early modern period. Her exhaustive analysis of archaeological and textual evidence provides a timely and much-needed reassessment of the working methods of artists in one of the most vital periods in the history of art.

Author: Colum Hourihane
Publisher:
ISBN: 0195395360
Category : Architecture, Medieval
Languages : en
Pages : 4064

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Book Description
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.

Author: Jeanne K. Cadogan
Publisher: Yale University Press
ISBN: 0300087209
Category : Art
Languages : en
Pages : 452

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Book Description
Domenico Ghirlandaio was one of the most popular artists in fifteenth-century Florence. He worked in a variety of media, including panel paintings, wall murals, mosaic, and manuscript illumination, and his workshop - to which Michelangelo was apprenticed - was highly influential. This beautiful book offers a radically new interpretation of Ghirlandaio’s life and work, viewing him primarily as an artisan active within the craft traditions, guild structure, and workshop organizations of his day. Jean K. Cadogan argues that Ghirlandaio was a pivotal figure in the transformation of the artist from medieval artisan to Renaissance genius. She traces his gradual social elevation, which reflected the increasing respect with which he was treated by his patrons. And she notes that the changes in the way he and other artists were viewed created a milieu that encouraged innovation in technique, style, and content, qualities that were vividly displayed in Ghirlandaio’s work. Cadogan explains how his working method, his pragmatic, artisan approach to technique, the organization and functioning of his workshop, and his relations with his patrons affected the works of art Ghirlandaio produced. Her text is complemented by a catalogue raisonné of Ghirlandaio’s works in all media as well as an appendix of documents useful for scholars.

Author: Sarah Blake Wilk
Publisher: Hall
ISBN:
Category : Art
Languages : en
Pages : 440

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Book Description
Although fifteenth-century Central Italian sculpture is one of the best studied fields in art history, there is very little primary literature about sculpture from the period.

Author: Evelyn S. Welch
Publisher: Oxford University Press, USA
ISBN: 9780192842794
Category : Art
Languages : en
Pages : 356

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Book Description
"Focuses primarliy on the social and historical context in which art was made and used"--Bibliographic essay (p. 326).

Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292

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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.