Author: Dr Heidi J Snow
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409465934
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
Exploring the relationship between poverty and religion in William Wordsworth’s poetry, Heidi J. Snow challenges the traditional view that the poet’s early years were primarily irreligious. She argues that this idea, based on the equation of Christianity with Anglicanism, discounts the richly varied theological landscape of Wordsworth’s youth. Reading Wordsworth’s poetry in the context of the diversity of theological views represented in his milieu, Snow shows that poems like The Excursion reject Anglican orthodoxy in favor of a meld of Quaker, Methodist, and deist theologies. Rather than support a narrative of Wordsworth’s life as a journey from atheism to orthodoxy or even from radicalism to conservatism, therefore, Wordsworth’s body of work consistently makes a case for a sensitive approach to the problem of the poor that relies on a multifaceted theological perspective. To reconstruct the religious context in which Wordsworth wrote in its complexity, Snow makes extensive use of the materials in the record offices of the Lake District and the religious sermons and congregational records for the orthodox Anglican, evangelical Anglican, Methodist, and Quaker congregations. Snow’s depiction of the multiple religious traditions in the Lake District complicates our understanding of Wordsworth’s theological influences and his views on the poor.
William Wordsworth and the Theology of Poverty
Author: Dr Heidi J Snow
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409465934
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
Exploring the relationship between poverty and religion in William Wordsworth’s poetry, Heidi J. Snow challenges the traditional view that the poet’s early years were primarily irreligious. She argues that this idea, based on the equation of Christianity with Anglicanism, discounts the richly varied theological landscape of Wordsworth’s youth. Reading Wordsworth’s poetry in the context of the diversity of theological views represented in his milieu, Snow shows that poems like The Excursion reject Anglican orthodoxy in favor of a meld of Quaker, Methodist, and deist theologies. Rather than support a narrative of Wordsworth’s life as a journey from atheism to orthodoxy or even from radicalism to conservatism, therefore, Wordsworth’s body of work consistently makes a case for a sensitive approach to the problem of the poor that relies on a multifaceted theological perspective. To reconstruct the religious context in which Wordsworth wrote in its complexity, Snow makes extensive use of the materials in the record offices of the Lake District and the religious sermons and congregational records for the orthodox Anglican, evangelical Anglican, Methodist, and Quaker congregations. Snow’s depiction of the multiple religious traditions in the Lake District complicates our understanding of Wordsworth’s theological influences and his views on the poor.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409465934
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
Exploring the relationship between poverty and religion in William Wordsworth’s poetry, Heidi J. Snow challenges the traditional view that the poet’s early years were primarily irreligious. She argues that this idea, based on the equation of Christianity with Anglicanism, discounts the richly varied theological landscape of Wordsworth’s youth. Reading Wordsworth’s poetry in the context of the diversity of theological views represented in his milieu, Snow shows that poems like The Excursion reject Anglican orthodoxy in favor of a meld of Quaker, Methodist, and deist theologies. Rather than support a narrative of Wordsworth’s life as a journey from atheism to orthodoxy or even from radicalism to conservatism, therefore, Wordsworth’s body of work consistently makes a case for a sensitive approach to the problem of the poor that relies on a multifaceted theological perspective. To reconstruct the religious context in which Wordsworth wrote in its complexity, Snow makes extensive use of the materials in the record offices of the Lake District and the religious sermons and congregational records for the orthodox Anglican, evangelical Anglican, Methodist, and Quaker congregations. Snow’s depiction of the multiple religious traditions in the Lake District complicates our understanding of Wordsworth’s theological influences and his views on the poor.
Wordsworth and the Duddon
Author: Rodney Jones
Publisher: Lulu.com
ISBN: 129192647X
Category : Fiction
Languages : en
Pages : 38
Book Description
In this modest volume the author reflects on the Sequence of Sonnets concerning the River Duddon which William Wordsworth published in April 1820. In the same volume Wordsworth included his poem "Vaudracour and Julia" and his prose travel guide "A Topographical Description of the Country of the Lakes." Although William Wordsworth had now reached his 50th year, this publication was his first real commercial success as a poet. The 'Duddon' Sonnets are somewhat neglected today and his modern popularity rests largely with the "Lyrical Ballads" - partly a collaboration with Coleridge - and his autobiographical poem "The Prelude." The sequence provides an enchanting description of the River and its environs as it falls from its source among the Central Fells of Cumbria to the Irish Sea, as well as providing a master-class in the art of the Sonneteer.
Publisher: Lulu.com
ISBN: 129192647X
Category : Fiction
Languages : en
Pages : 38
Book Description
In this modest volume the author reflects on the Sequence of Sonnets concerning the River Duddon which William Wordsworth published in April 1820. In the same volume Wordsworth included his poem "Vaudracour and Julia" and his prose travel guide "A Topographical Description of the Country of the Lakes." Although William Wordsworth had now reached his 50th year, this publication was his first real commercial success as a poet. The 'Duddon' Sonnets are somewhat neglected today and his modern popularity rests largely with the "Lyrical Ballads" - partly a collaboration with Coleridge - and his autobiographical poem "The Prelude." The sequence provides an enchanting description of the River and its environs as it falls from its source among the Central Fells of Cumbria to the Irish Sea, as well as providing a master-class in the art of the Sonneteer.
The Presence of God in the Works of William Wordsworth
Author: Eliza Borkowska
Publisher: Routledge
ISBN: 1000264009
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
Approaching Wordsworth’ writings from perspectives which have not been considered in critical literature, this book offers a multiangled reflection on the technicalities of the poet’s religious discourse, including the methodology of The Prelude revision, or Wordsworth’s patent art of "pious postscripts." The book constitutes a self-contained whole and can be read independently. Simultaneously, it creates an unusual duet with The Absent God in The Works of William Wordsworth, whose six chapters follow this book’s eight chapters like a sestet which complements the octave—becoming, thus, a tribute to Wordsworth as one of the most prolific sonneteers in history. Both monographs build their theses on Wordsworth’s entire oeuvre and embrace the whole of his wide lifespan. Their completion in 2020 coincides with several round anniversaries: the 250th anniversary of Wordsworth’s birth, the 200th anniversary of The River Duddon, and the 170th anniversary of the publication of his autobiographical masterpiece, The Prelude.
Publisher: Routledge
ISBN: 1000264009
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
Approaching Wordsworth’ writings from perspectives which have not been considered in critical literature, this book offers a multiangled reflection on the technicalities of the poet’s religious discourse, including the methodology of The Prelude revision, or Wordsworth’s patent art of "pious postscripts." The book constitutes a self-contained whole and can be read independently. Simultaneously, it creates an unusual duet with The Absent God in The Works of William Wordsworth, whose six chapters follow this book’s eight chapters like a sestet which complements the octave—becoming, thus, a tribute to Wordsworth as one of the most prolific sonneteers in history. Both monographs build their theses on Wordsworth’s entire oeuvre and embrace the whole of his wide lifespan. Their completion in 2020 coincides with several round anniversaries: the 250th anniversary of Wordsworth’s birth, the 200th anniversary of The River Duddon, and the 170th anniversary of the publication of his autobiographical masterpiece, The Prelude.
The Pedestrian, Wordsworth
Author: Rodney Jones
Publisher: Lulu.com
ISBN: 129187528X
Category : Biography & Autobiography
Languages : en
Pages : 436
Book Description
In "A Letter to a friend of Robert Burns," Wordsworth wrote ""And, of poets more especially, it is true - that, if their works be good, they contain within themselves all that is necessary to their being comprehended and relished."" While it is improbable that this assertion was true when he wrote it in 1816, it is certainly not the case for readers of his poetry today. The historical context in which his poetry was written - and which is often reflected in the poems themselves - is, in many respects, little known to today's students of the romantic period, nor to those who simply enjoy reading Wordsworth's poetry. This set of books seeks to remedy that deficiency by providing much needed contextual information. This first volume is set against the background of Wordsworth's life from his birth at Cockermouth in 1770 until his return from Germany in the Spring of 1799. Two subsequent volumes will cover his life in Grasmere and at Rydal Mount respectively.
Publisher: Lulu.com
ISBN: 129187528X
Category : Biography & Autobiography
Languages : en
Pages : 436
Book Description
In "A Letter to a friend of Robert Burns," Wordsworth wrote ""And, of poets more especially, it is true - that, if their works be good, they contain within themselves all that is necessary to their being comprehended and relished."" While it is improbable that this assertion was true when he wrote it in 1816, it is certainly not the case for readers of his poetry today. The historical context in which his poetry was written - and which is often reflected in the poems themselves - is, in many respects, little known to today's students of the romantic period, nor to those who simply enjoy reading Wordsworth's poetry. This set of books seeks to remedy that deficiency by providing much needed contextual information. This first volume is set against the background of Wordsworth's life from his birth at Cockermouth in 1770 until his return from Germany in the Spring of 1799. Two subsequent volumes will cover his life in Grasmere and at Rydal Mount respectively.
Experimentalism in Wordsworth's Later Poetry
Author: Tim Fulford
Publisher: Cambridge University Press
ISBN: 1009320793
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
"Experimentalism in Wordsworth's Later Poetry Tim Fulford provides detailed readings of a range of little-known, late and difficult poems which together present an alternative Wordsworth to the one we are used to. This newly-revealed Wordsworth continued experimenting with form, genre and style as his career progressed so as to ponder the challenging experiences presented by later life. Fulford invites the reader to engage, through Wordsworth's poetry, with such broadly-felt concerns as quarantine, isolation, mental illness and bereavement. Focused yet broad in chronological scope, this study also considers the literature of Wordsworth's old age in relation to his earlier work. Tim Fulford is the author of many books and articles on the literature and history of the Romantic Period (1780-1840), and is the editor of The New Cambridge Companion to Coleridge (2022). His monograph Wordsworth's Poetry 1815-45 (2019) won the Robert Penn Warren/Cleanth Brooks Award for Literary Scholarship 2020. His edition The Collected Letters of Sir Humphry Davy (co-edited with Sharon Ruston) (2020) won an honourable mention in the MLA biennial Morton N. Cohen Award For A Distinguished Edition Of Letters"--
Publisher: Cambridge University Press
ISBN: 1009320793
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
"Experimentalism in Wordsworth's Later Poetry Tim Fulford provides detailed readings of a range of little-known, late and difficult poems which together present an alternative Wordsworth to the one we are used to. This newly-revealed Wordsworth continued experimenting with form, genre and style as his career progressed so as to ponder the challenging experiences presented by later life. Fulford invites the reader to engage, through Wordsworth's poetry, with such broadly-felt concerns as quarantine, isolation, mental illness and bereavement. Focused yet broad in chronological scope, this study also considers the literature of Wordsworth's old age in relation to his earlier work. Tim Fulford is the author of many books and articles on the literature and history of the Romantic Period (1780-1840), and is the editor of The New Cambridge Companion to Coleridge (2022). His monograph Wordsworth's Poetry 1815-45 (2019) won the Robert Penn Warren/Cleanth Brooks Award for Literary Scholarship 2020. His edition The Collected Letters of Sir Humphry Davy (co-edited with Sharon Ruston) (2020) won an honourable mention in the MLA biennial Morton N. Cohen Award For A Distinguished Edition Of Letters"--
Romanticism and Methodism
Author: Helen Boyles
Publisher: Routledge
ISBN: 1317061411
Category : Literary Criticism
Languages : en
Pages : 218
Book Description
Exploring the intense relationship between Romantic literature and Methodism, Helen Boyles argues that writers from both movements display an ambivalent attitude towards the expression of deep emotional and spiritual experience. Boyles takes up the disparaging characterization of William Wordsworth and other Romantic poets as 'Methodistical,' showing how this criticism was rooted in a suspicion of the 'enthusiasm' with which the Methodist movement was negatively identified. Historically, enthusiasm has generated hostility and embarrassment, a legacy that Boyles suggests provoked concerted efforts by Romantic poets such as Wordsworth and the Methodist leaders John and Charles Wesley to cleanse it of its derogatory associations. While they distanced themselves from enthusiasm's dangerous and hysterical manifestations, writers and religious leaders also identified with the precepts and inspiration of a language and religion of the heart. Boyles's analysis encompasses a range of literary genres from the Methodist sermon and hymn, to literary biography, critical review, lyric and epic poem. Balancing analysis of creative content with a consideration of its critical reception, she offers readers a detailed analysis of Wordsworth's relationship to popular evangelism within a analytical framework that incorporates Samuel Taylor Coleridge, Robert Southey, and William Hazlitt.
Publisher: Routledge
ISBN: 1317061411
Category : Literary Criticism
Languages : en
Pages : 218
Book Description
Exploring the intense relationship between Romantic literature and Methodism, Helen Boyles argues that writers from both movements display an ambivalent attitude towards the expression of deep emotional and spiritual experience. Boyles takes up the disparaging characterization of William Wordsworth and other Romantic poets as 'Methodistical,' showing how this criticism was rooted in a suspicion of the 'enthusiasm' with which the Methodist movement was negatively identified. Historically, enthusiasm has generated hostility and embarrassment, a legacy that Boyles suggests provoked concerted efforts by Romantic poets such as Wordsworth and the Methodist leaders John and Charles Wesley to cleanse it of its derogatory associations. While they distanced themselves from enthusiasm's dangerous and hysterical manifestations, writers and religious leaders also identified with the precepts and inspiration of a language and religion of the heart. Boyles's analysis encompasses a range of literary genres from the Methodist sermon and hymn, to literary biography, critical review, lyric and epic poem. Balancing analysis of creative content with a consideration of its critical reception, she offers readers a detailed analysis of Wordsworth's relationship to popular evangelism within a analytical framework that incorporates Samuel Taylor Coleridge, Robert Southey, and William Hazlitt.
The Cambridge Companion to British Romanticism and Religion
Author: Jeffrey W. Barbeau
Publisher: Cambridge University Press
ISBN: 1108482848
Category : History
Languages : en
Pages : 367
Book Description
The first survey of the connections between literature, religion, and intellectual life in the British Romantic period.
Publisher: Cambridge University Press
ISBN: 1108482848
Category : History
Languages : en
Pages : 367
Book Description
The first survey of the connections between literature, religion, and intellectual life in the British Romantic period.
The Lake Poets in Prose
Author: Stuart Andrews
Publisher: Cambridge Scholars Publishing
ISBN: 1527568059
Category : Literary Criticism
Languages : en
Pages : 276
Book Description
Focused on the Lake Poets’ prose writing—including their journalism and correspondence—this collection of essays challenges some widely held assumptions. Much of the narrative is Bristol-based, as the city’s reference library holds not only much of Southey’s personal library, but the borrowing registers of the old subscription library which still record the titles that Coleridge and Southey borrowed in the 1790s. It places the poets’ American Susquehanna project, customarily dismissed as the idealistic dreams of Oxbridge students, in the context of European emigration schemes prompted by the American Revolution. Similarly the label “Jacobin,” suggesting French revolutionary brutality, is shown here to be no more apt a description than “Communist” was in 1950s America. However, the book does show that the poets did challenge the government’s social and political assumptions of the day, often from a religious standpoint. The claim that the three poets abandoned democratic impulses when Napoleon invaded Switzerland is also here rebutted by their involvement—a decade later—in defending the independence of Spain and Portugal, not only against Bonaparte, but against their ancien-régime monarchies. When, in 1815, those monarchs were restored, Southey pinned his democratic hopes on the Portuguese colony of Brazil. At home, amid distress caused by wholesale demobilization and shrinkage of economically viable agricultural land, the poets understandably condemned the rabble-rousers and (correctly) predicted an assassination attempt. Coleridge and Southey, both youthful Unitarians and (like Wordsworth) devotees of the “religion of nature,” are argued here to have defended the Established Church against Catholic Emancipation, while the two brothers-in-law’s interest in Islam is shown to be more than mere obsessive Orientalism.
Publisher: Cambridge Scholars Publishing
ISBN: 1527568059
Category : Literary Criticism
Languages : en
Pages : 276
Book Description
Focused on the Lake Poets’ prose writing—including their journalism and correspondence—this collection of essays challenges some widely held assumptions. Much of the narrative is Bristol-based, as the city’s reference library holds not only much of Southey’s personal library, but the borrowing registers of the old subscription library which still record the titles that Coleridge and Southey borrowed in the 1790s. It places the poets’ American Susquehanna project, customarily dismissed as the idealistic dreams of Oxbridge students, in the context of European emigration schemes prompted by the American Revolution. Similarly the label “Jacobin,” suggesting French revolutionary brutality, is shown here to be no more apt a description than “Communist” was in 1950s America. However, the book does show that the poets did challenge the government’s social and political assumptions of the day, often from a religious standpoint. The claim that the three poets abandoned democratic impulses when Napoleon invaded Switzerland is also here rebutted by their involvement—a decade later—in defending the independence of Spain and Portugal, not only against Bonaparte, but against their ancien-régime monarchies. When, in 1815, those monarchs were restored, Southey pinned his democratic hopes on the Portuguese colony of Brazil. At home, amid distress caused by wholesale demobilization and shrinkage of economically viable agricultural land, the poets understandably condemned the rabble-rousers and (correctly) predicted an assassination attempt. Coleridge and Southey, both youthful Unitarians and (like Wordsworth) devotees of the “religion of nature,” are argued here to have defended the Established Church against Catholic Emancipation, while the two brothers-in-law’s interest in Islam is shown to be more than mere obsessive Orientalism.
Romantic Prayer
Author: Christopher Stokes
Publisher: Oxford University Press
ISBN: 0192599666
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
Whilst religion and the secular have been continually debated contexts for literature of the Romantic era, the dominant scholarly focus has been on doctrines and denominations. In analysing the motif of devotion, Romantic Prayer shifts attention to the quintessential articulation of religion as lived experience, as practice, and as a performative rather than descriptive phenomenon. In an era when the tenability and rationality of prayer was much contested, poetry--a form with its own interlinked history with prayer--was a unique place to register what prayer meant in modernity. This study illustrates how the discourse of prayer continually intervened in the way that poetic practices evolved and responded to the religious and secular questions of the eighteenth and nineteenth-century moment. After laying out the details of prayer's historical position in the Romantic era across a spread of religious traditions, Romantic Prayer turns to a range of writers, from the identifiably religious to the staunchly sceptical. William Cowper and Anna Letitia Barbauld are shown to use poetry to reflect and reinvent the ideals of prayer inherited from their own denominational histories. Samuel Taylor Coleridge's work is analysed as part of a long engagement with the rationality of prayer, culminating in an explicit 'philosophy' of prayer; William Wordsworth--by contrast--keeps prayer at an aesthetic distance, continually alluding to prayerful language but rarely committing to devotional voice itself. John Keats, Percy Bysshe Shelley, and Lord Byron are treated in the context of departing from Christianity, under the influence of Enlightenment, materialist, and atheist critiques--what happens to prayer in poetry when prayer as a language traditionally conceived is becoming impossible to maintain?
Publisher: Oxford University Press
ISBN: 0192599666
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
Whilst religion and the secular have been continually debated contexts for literature of the Romantic era, the dominant scholarly focus has been on doctrines and denominations. In analysing the motif of devotion, Romantic Prayer shifts attention to the quintessential articulation of religion as lived experience, as practice, and as a performative rather than descriptive phenomenon. In an era when the tenability and rationality of prayer was much contested, poetry--a form with its own interlinked history with prayer--was a unique place to register what prayer meant in modernity. This study illustrates how the discourse of prayer continually intervened in the way that poetic practices evolved and responded to the religious and secular questions of the eighteenth and nineteenth-century moment. After laying out the details of prayer's historical position in the Romantic era across a spread of religious traditions, Romantic Prayer turns to a range of writers, from the identifiably religious to the staunchly sceptical. William Cowper and Anna Letitia Barbauld are shown to use poetry to reflect and reinvent the ideals of prayer inherited from their own denominational histories. Samuel Taylor Coleridge's work is analysed as part of a long engagement with the rationality of prayer, culminating in an explicit 'philosophy' of prayer; William Wordsworth--by contrast--keeps prayer at an aesthetic distance, continually alluding to prayerful language but rarely committing to devotional voice itself. John Keats, Percy Bysshe Shelley, and Lord Byron are treated in the context of departing from Christianity, under the influence of Enlightenment, materialist, and atheist critiques--what happens to prayer in poetry when prayer as a language traditionally conceived is becoming impossible to maintain?
History, Religion, and Politics in William Wordsworth's Ecclesiastical Sonnets
Author: John Delli-Carpini
Publisher:
ISBN:
Category : History
Languages : en
Pages : 268
Book Description
The American 1920s had many names: the Roaring Twenties, the Jazz Age, the Dry Decade, and the Flapper generation. Whatever the moniker, these years saw the birth of modern America. This volume shows the many colorful ways the decade altered America, its people, and its future. American Popular Culture Through History volumes include a timeline, cost comparisons, chapter bibliographies, and a subject index. Writers as diverse as Ernest Hemingway, William Faulkner, and Damon Runyon presented distinct literary visions of the world. Jazz, blues, and country music erupted onto the airwaves. The exploits of Babe Ruth and Murderers' Row helped save baseball from its scandals, while such players as Red Grange and Notre Dame's Four Horsemen brought football to national prominence. Yo-yos, crossword puzzles, and erector sets appeared, along with fads like dance marathons and flagpole sitting. Rudolph Valentino, talkies, and Clara BoW's It girl appeared on the silver screen. Prohibition indirectly led to bootlegging and speakeasies, while the growing rebelliousness of teenagers highlighted an increasing generation gap.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 268
Book Description
The American 1920s had many names: the Roaring Twenties, the Jazz Age, the Dry Decade, and the Flapper generation. Whatever the moniker, these years saw the birth of modern America. This volume shows the many colorful ways the decade altered America, its people, and its future. American Popular Culture Through History volumes include a timeline, cost comparisons, chapter bibliographies, and a subject index. Writers as diverse as Ernest Hemingway, William Faulkner, and Damon Runyon presented distinct literary visions of the world. Jazz, blues, and country music erupted onto the airwaves. The exploits of Babe Ruth and Murderers' Row helped save baseball from its scandals, while such players as Red Grange and Notre Dame's Four Horsemen brought football to national prominence. Yo-yos, crossword puzzles, and erector sets appeared, along with fads like dance marathons and flagpole sitting. Rudolph Valentino, talkies, and Clara BoW's It girl appeared on the silver screen. Prohibition indirectly led to bootlegging and speakeasies, while the growing rebelliousness of teenagers highlighted an increasing generation gap.