William Grant Still and the Fusion of Cultures in American Music PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download William Grant Still and the Fusion of Cultures in American Music PDF full book. Access full book title William Grant Still and the Fusion of Cultures in American Music by Judith Anne Still. Download full books in PDF and EPUB format.
Author: Judith Anne Still
Publisher: Master Player Library
ISBN: 9781877873010
Category : Music
Languages : en
Pages : 360
Get Book Here
Book Description
Author: Judith Anne Still
Publisher: Master Player Library
ISBN: 9781877873010
Category : Music
Languages : en
Pages : 360
Get Book Here
Book Description
Author: Robert Bartlett Haas
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 240
Get Book Here
Book Description
Author: Paul Harold Slattery
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 242
Get Book Here
Book Description
Author: Michael J. Dabrishus
Publisher: Bloomsbury Publishing USA
ISBN: 0313036446
Category : Music
Languages : en
Pages : 350
Get Book Here
Book Description
Presenting the life and professional career of The Dean of Afro-American Composers, this is the first comprehensive book on the writings by and about Still, the compositions with manuscript sources, the performances of Still's works, and the reviews of those performances. It includes a touching personal reminiscence by his daughter Judith Anne. The full resources of the extensive collection known as The William Grant Still and Verna Arvey Papers at the University of Arkansas Libraries, Fayetteville, give this book the distinction of being the first one about Still that utilizes diaries, letters, scrapbooks, and family papers to provide information on his works and performances. Still performed, composed, and arranged in the commercial music field before he began to write orchestral works and opera. He is called the Dean of Afro-American Composers because of his pioneering efforts on behalf of American music and his achievements as an African American. Still was the first African American to write a symphony that was performed by a major symphony orchestra in the United States, the first to conduct a major symphony orchestra, the first to conduct a major symphony in the Deep South, the first to direct a white radio orchestra, the first to have an opera produced by a major company, and the first to have an opera televised over a national network. His career tells an important story about the development of an American style of music.
Author: Catherine Parsons Smith
Publisher: University of Illinois Press
ISBN: 0252033221
Category : African American composers
Languages : en
Pages : 138
Get Book Here
Book Description
In this compact introduction to the life and work of eminent African American composer William Grant Still (1895-1978), Catherine Parsons Smith tracks the composer's interrelated careers in popular and concert music. Still merged both musical traditions in his work, studying composition with George W. Chadwick at the New England Conservatory, collaborating with Langston Hughes on "Troubled Island," and working as a commercial arranger and composer on Broadway and radio during the Harlem Renaissance. Still also played in the pit band for "Shuffle Along," served as recording director for the first black-owned record label, Black Swan, and arranged music for artists such as Sophie Tucker, Paul Whiteman, and Artie Shaw. Best known for his "Afro-American Symphony" and other works that drew heavily on black American musical heritage, Still struggled against financial hardship and declining attention to his work, which he attributed to political and racist conspiracies. This "dean of Afro-American composers" created his own, unique version of musical modernism, influencing commercial music, symphonic music, and opera in the process."
Author: Charles Reagan Wilson
Publisher: Univ of North Carolina Press
ISBN:
Category : History
Languages : en
Pages : 276
Get Book Here
Book Description
New Encyclopedia of Southern Culture: Volume 1: Religion
Author: Jon Michael Spencer
Publisher: Univ. of Tennessee Press
ISBN: 9780870499678
Category : History
Languages : en
Pages : 204
Get Book Here
Book Description
Spencer's discussion encompasses the music and writings of a wide range of important figures, including James Weldon Johnson, Harry T. Burleigh, Roland Hayes, Marian Anderson, Alain Locke, William Grant Still, R. Nathaniel Dett, and Dorothy Maynor. He argues that the singular accomplishment of the Harlem Renaissance composers and musicians was to achieve a "two-tiered mastery" promoted by Johnson, Locke, the Harmon award, and Crisis and Opportunity magazines.
Author: Michael Saffle
Publisher: Routledge
ISBN: 1136519793
Category : Music
Languages : en
Pages : 423
Get Book Here
Book Description
The essays in this collection reflect the range and depth of musical life in the United States during the first half of the twentieth century. Contributions consider the rise and triumph of popular forms such as jazz, swing, and blues, as well as the contributions to art music of composers such as Ives, Cage, and Copland, among others. American contributions to music technology and dissemination, and the role of these forms in extending the audience for music, is also a focus.
![William Grant Still and the Fusion of Cultures in American Music [by] Robert Bartlett Haas, Editor, and [others] With Introductions by Howard Hanson and Frederick Hall PDF](https://books.google.com/books/content/images/frontcover/ruDWzwEACAAJ?fife=w80-h100)
Author: Robert Bartlett Haas (comp)
Publisher:
ISBN: 9780876851494
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Carol J. Oja
Publisher: Oxford University Press
ISBN: 019536323X
Category : Music
Languages : en
Pages : 508
Get Book Here
Book Description
New York City witnessed a dazzling burst of creativity in the 1920s. In this pathbreaking study, Carol J. Oja explores this artistic renaissance from the perspective of composers of classical and modern music, who along with writers, painters, and jazz musicians, were at the heart of early modernism in America. She also illustrates how the aesthetic attitudes and institutional structures from the 1920s left a deep imprint on the arts over the 20th century. Aaron Copland, George Gershwin, Ruth Crawford Seeger, Virgil Thomson, William Grant Still, Edgar Varèse, Henry Cowell, Leo Ornstein, Marion Bauer, George Antheil-these were the leaders of a talented new generation of American composers whose efforts made New York City the center of new music in the country. They founded composer societies--such as the International Composers' Guild, the League of Composers, the Pan American Association, and the Copland-Sessions Concerts--to promote the performance of their music, and they nimbly negotiated cultural boundaries, aiming for recognition in Western Europe as much as at home. They showed exceptional skill at marketing their work. Drawing on extensive archival material--including interviews, correspondence, popular periodicals, and little-known music manuscripts--Oja provides a new perspective on the period and a compelling collective portrait of the figures, puncturing many longstanding myths. American composers active in New York during the 1920s are explored in relation to the "Machine Age" and American Dada; the impact of spirituality on American dissonance; the crucial, behind-the-scenes role of women as patrons and promoters of modernist music; cross-currents between jazz and concert music; the critical reception of modernist music (especially in the writings of Carl Van Vechten and Paul Rosenfeld); and the international impulse behind neoclassicism. The book also examines the persistent biases of the time, particularly anti-Semitisim, gender stereotyping, and longstanding racial attitudes.
