Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 886
Book Description
Wild Surprise
Author: Dan Povenmire
Publisher: Turtleback Books
ISBN: 9780606148672
Category : Birthdays
Languages : en
Pages : 0
Book Description
For use in schools and libraries only. Phineas and Ferb plan to do something wild to top their efforts of last year's celebration for Candace and find that things do not always go according to plan.
Publisher: Turtleback Books
ISBN: 9780606148672
Category : Birthdays
Languages : en
Pages : 0
Book Description
For use in schools and libraries only. Phineas and Ferb plan to do something wild to top their efforts of last year's celebration for Candace and find that things do not always go according to plan.
Surprise Field Office
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 886
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 886
Book Description
Party Line
Author: Carrie Austen
Publisher: Berkley
ISBN: 9780425120477
Category : Fiction
Languages : en
Pages : 132
Book Description
When the party for Allie's little brother falls through, Allie and her best friends Becky, Rosie and Julie turn a disaster into a miracle.
Publisher: Berkley
ISBN: 9780425120477
Category : Fiction
Languages : en
Pages : 132
Book Description
When the party for Allie's little brother falls through, Allie and her best friends Becky, Rosie and Julie turn a disaster into a miracle.
If I Ran the Zoo
Author: Dr. Seuss
Publisher: Random House Books for Young Readers
ISBN: 0394800818
Category : Juvenile Nonfiction
Languages : en
Pages : 63
Book Description
Gerald tells of the very unusual animals he would add to the zoo, if he were in charge.
Publisher: Random House Books for Young Readers
ISBN: 0394800818
Category : Juvenile Nonfiction
Languages : en
Pages : 63
Book Description
Gerald tells of the very unusual animals he would add to the zoo, if he were in charge.
Surprise
Author: Christopher R. Miller
Publisher: Cornell University Press
ISBN: 0801455774
Category : Literary Criticism
Languages : en
Pages : 358
Book Description
Today, in the era of the spoiler alert, "surprise" in fiction is primarily associated with an unexpected plot twist, but in earlier usage, the word had darker and more complex meanings. Originally denoting a military ambush or physical assault, surprise went through a major semantic shift in the eighteenth century: from violent attack to pleasurable experience, and from external event to internal feeling. In Surprise, Christopher R. Miller studies that change as it took shape in literature ranging from Paradise Lost through the novels of Jane Austen. Miller argues that writers of the period exploited and arbitrated the dual nature of surprise in its sinister and benign forms. Even as surprise came to be associated with pleasure, it continued to be perceived as a problem: a sign of ignorance or naïveté, an uncontrollable reflex, a paralysis of rationality, and an experience of mere novelty or diversion for its own sake. In close readings of exemplary scenes—particularly those involving astonished or petrified characters—Miller shows how novelists sought to harness the energies of surprise toward edifying or comic ends, while registering its underpinnings in violence and mortal danger. In the Roman poet Horace’s famous axiom, poetry should instruct and delight, but in the early eighteenth century, Joseph Addison signally amended that formula to suggest that the imaginative arts should surprise and delight. Investigating the significance of that substitution, Miller traces an intellectual history of surprise, involving Aristotelian poetics, Cartesian philosophy, Enlightenment concepts of the passions, eighteenth-century literary criticism and aesthetics, and modern emotion theory. Miller goes on to offer a fresh reading of what it means to be "surprised by sin" in Paradise Lost, showing how Milton’s epic both harks back to the symbolic functions of violence in allegory and looks ahead to the moral contours of the novel. Subsequent chapters study the Miltonic ramifications of surprise in the novels of Defoe, Haywood, Richardson, Fielding, and Sterne, as well as in the poems of Wordsworth and Keats. By focusing on surprise in its inflections as emotion, cognition, and event, Miller’s book illuminates connections between allegory and formal realism, between aesthetic discourse and prose fiction, and between novel and lyric; and it offers new ways of thinking about the aesthetic and ethical dimensions of the novel as the genre emerged in the eighteenth century.
Publisher: Cornell University Press
ISBN: 0801455774
Category : Literary Criticism
Languages : en
Pages : 358
Book Description
Today, in the era of the spoiler alert, "surprise" in fiction is primarily associated with an unexpected plot twist, but in earlier usage, the word had darker and more complex meanings. Originally denoting a military ambush or physical assault, surprise went through a major semantic shift in the eighteenth century: from violent attack to pleasurable experience, and from external event to internal feeling. In Surprise, Christopher R. Miller studies that change as it took shape in literature ranging from Paradise Lost through the novels of Jane Austen. Miller argues that writers of the period exploited and arbitrated the dual nature of surprise in its sinister and benign forms. Even as surprise came to be associated with pleasure, it continued to be perceived as a problem: a sign of ignorance or naïveté, an uncontrollable reflex, a paralysis of rationality, and an experience of mere novelty or diversion for its own sake. In close readings of exemplary scenes—particularly those involving astonished or petrified characters—Miller shows how novelists sought to harness the energies of surprise toward edifying or comic ends, while registering its underpinnings in violence and mortal danger. In the Roman poet Horace’s famous axiom, poetry should instruct and delight, but in the early eighteenth century, Joseph Addison signally amended that formula to suggest that the imaginative arts should surprise and delight. Investigating the significance of that substitution, Miller traces an intellectual history of surprise, involving Aristotelian poetics, Cartesian philosophy, Enlightenment concepts of the passions, eighteenth-century literary criticism and aesthetics, and modern emotion theory. Miller goes on to offer a fresh reading of what it means to be "surprised by sin" in Paradise Lost, showing how Milton’s epic both harks back to the symbolic functions of violence in allegory and looks ahead to the moral contours of the novel. Subsequent chapters study the Miltonic ramifications of surprise in the novels of Defoe, Haywood, Richardson, Fielding, and Sterne, as well as in the poems of Wordsworth and Keats. By focusing on surprise in its inflections as emotion, cognition, and event, Miller’s book illuminates connections between allegory and formal realism, between aesthetic discourse and prose fiction, and between novel and lyric; and it offers new ways of thinking about the aesthetic and ethical dimensions of the novel as the genre emerged in the eighteenth century.
Turkey Surprise
Author: Peggy Archer
Publisher: Dial
ISBN:
Category : Juvenile Fiction
Languages : en
Pages : 32
Book Description
A turkey hides from two brothers looking for food for Thanksgiving Day, and they end up finding something better to eat.
Publisher: Dial
ISBN:
Category : Juvenile Fiction
Languages : en
Pages : 32
Book Description
A turkey hides from two brothers looking for food for Thanksgiving Day, and they end up finding something better to eat.
The Panorama of Life and Literature
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 880
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 880
Book Description
Under Old Earth
Author: Cordwainer Smith
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 58
Book Description
This remarkable science-fiction explores the story of Sto Odin, a Lord of the Instrumentality, and his two robots, who are imprinted with the minds of dead men. The story follows their travel in search of Gebiet, an underground city without the dull, enforced happiness of the surface world.
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 58
Book Description
This remarkable science-fiction explores the story of Sto Odin, a Lord of the Instrumentality, and his two robots, who are imprinted with the minds of dead men. The story follows their travel in search of Gebiet, an underground city without the dull, enforced happiness of the surface world.
Littell's Living Age
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 844
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 844
Book Description
Owen Barfield’s Poetic Philosophy
Author: Jeffrey Hipolito
Publisher: Bloomsbury Publishing
ISBN: 1350420301
Category : Philosophy
Languages : en
Pages : 265
Book Description
The first book to offer an overview, at once introductory and comprehensive, of the philosophical thought of Owen Barfield, sometimes known as the “first and last Inkling” and as the “British Heidegger.” Beginning by placing Barfield's early poetics in the context of the critical hurly-burly of modernist London of the 1920s, Owen Barfield's Poetic Philosophy: Meaning and Imagination shows how Barfield's subsequent development of a philosophy of history, metaphysics, and ethics culminates in his development of a poetic cosmology. Hipolito situates Barfield's poetic philosophy in relation to his significant contemporaries (and predecessors) including T.S. Eliot, D.H. Lawrence, I.A. Richards, Jean Paul Sartre, Martin Heidegger and Ernst Cassirer, bringing to light for the first time many important aspects of Barfield's thought. The book concludes with an analysis of the Burgeon trilogy, in which Barfield recapitulates the themes and arguments of his poetic philosophy by exemplifying them in three genre-defying works of fiction. Structured chronologically and giving a systematic examination of Barfield's thought, Owen Barfield's Poetic Philosophy paints a much-needed picture of a major thinker and poet, who was entirely engaged with his times and who remains crucially relevant to our own.
Publisher: Bloomsbury Publishing
ISBN: 1350420301
Category : Philosophy
Languages : en
Pages : 265
Book Description
The first book to offer an overview, at once introductory and comprehensive, of the philosophical thought of Owen Barfield, sometimes known as the “first and last Inkling” and as the “British Heidegger.” Beginning by placing Barfield's early poetics in the context of the critical hurly-burly of modernist London of the 1920s, Owen Barfield's Poetic Philosophy: Meaning and Imagination shows how Barfield's subsequent development of a philosophy of history, metaphysics, and ethics culminates in his development of a poetic cosmology. Hipolito situates Barfield's poetic philosophy in relation to his significant contemporaries (and predecessors) including T.S. Eliot, D.H. Lawrence, I.A. Richards, Jean Paul Sartre, Martin Heidegger and Ernst Cassirer, bringing to light for the first time many important aspects of Barfield's thought. The book concludes with an analysis of the Burgeon trilogy, in which Barfield recapitulates the themes and arguments of his poetic philosophy by exemplifying them in three genre-defying works of fiction. Structured chronologically and giving a systematic examination of Barfield's thought, Owen Barfield's Poetic Philosophy paints a much-needed picture of a major thinker and poet, who was entirely engaged with his times and who remains crucially relevant to our own.