Why Do My Ellipses Look Like Doughnuts? Plus 25 Solutions to Other Still Life Painting Peeves PDF Download
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Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1460922506
Category : Art
Languages : en
Pages : 72
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Book Description
Producing still life artwork can be a satisfying experience, as the artist is easily able to paint from life without the pressures of the shifting light or inclement weather. Not only that, any object can be selected, shifted about or the light source modified at will, meaning the artist has complete control over what lies in front.But challenges are certain to present themselves during the journey. Examples might be why ellipses end up looking like doughnuts, why porcelain looks more like clay or why fruit looks plastic. Some of these challenges may prove more difficult than others and unchecked, might cause a creative block. This is where this book comes in. With down to earth advice on common practices at fault, each issue is tackled in-depth: a diagnostic of the problem, suggested solutions in the form of recommended art materials and remedial painting exercises.In total, twenty-six common Speeves associated with still life painting are tackled within this book. In six clear sections, a myriad of other matters relating to still life painting are explained, such as how to paint textures in food, composing a still life, colour mixing, lighting an arrangement and a section on the essentials of oil painting, in total, with over 100 full colour illustrations and twenty diagrams.If the problem sought after is not in this book, it might be in one of my other Oil Painting Medic books within this series due to come out in 2011 and 2012.List of chapters in this book:1. How can I paint a still life without odours or mess?2. I haven "t the confidence to paint my first still life3. What art techniques can I use for different textures on objects?4. I have no interesting objects to paint5. My still life looks as though a child had painted it6. My backgrounds are bland and featureless7. My still life arrangement looks contrived8. My still life composition seems trite and uninspired9. I can never mix the colours I want10. How do I darken the colour of tomatoes?11. The flowers in my still life look wish-washy12. How can I paint detail without feeling overwhelmed?13. My study of tones looks like a hotchpotch14. The porcelain in my still life looks more like clay15. The food in my still life resemble plastic toys16. How do I make glass look real in my painting?17. My highlights resemble cut-out bits of paper18. How do I suggest moisture or pectin on fruit?19. Worn objects in my still life look new20. Objects in my still life appear flattened and lack form21. Why do my ellipses look like doughnuts?22. The spout on my teapot painting looks skewed23. My cuboid objects always look wrong24. My still life painting lacks atmosphere25. Indoor lighting makes my still life look dreary26. I can "t paint quick enough to capture the shifting lightA step by step demonstrationGlossaryPaintings featuredn this bookOther oil painting medic booksIf the problem sought after is not in this book, it might be in one of my other Oil Painting Medic books within this series due to come out in 2011 and 2012.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1460922506
Category : Art
Languages : en
Pages : 72
Get Book Here
Book Description
Producing still life artwork can be a satisfying experience, as the artist is easily able to paint from life without the pressures of the shifting light or inclement weather. Not only that, any object can be selected, shifted about or the light source modified at will, meaning the artist has complete control over what lies in front.But challenges are certain to present themselves during the journey. Examples might be why ellipses end up looking like doughnuts, why porcelain looks more like clay or why fruit looks plastic. Some of these challenges may prove more difficult than others and unchecked, might cause a creative block. This is where this book comes in. With down to earth advice on common practices at fault, each issue is tackled in-depth: a diagnostic of the problem, suggested solutions in the form of recommended art materials and remedial painting exercises.In total, twenty-six common Speeves associated with still life painting are tackled within this book. In six clear sections, a myriad of other matters relating to still life painting are explained, such as how to paint textures in food, composing a still life, colour mixing, lighting an arrangement and a section on the essentials of oil painting, in total, with over 100 full colour illustrations and twenty diagrams.If the problem sought after is not in this book, it might be in one of my other Oil Painting Medic books within this series due to come out in 2011 and 2012.List of chapters in this book:1. How can I paint a still life without odours or mess?2. I haven "t the confidence to paint my first still life3. What art techniques can I use for different textures on objects?4. I have no interesting objects to paint5. My still life looks as though a child had painted it6. My backgrounds are bland and featureless7. My still life arrangement looks contrived8. My still life composition seems trite and uninspired9. I can never mix the colours I want10. How do I darken the colour of tomatoes?11. The flowers in my still life look wish-washy12. How can I paint detail without feeling overwhelmed?13. My study of tones looks like a hotchpotch14. The porcelain in my still life looks more like clay15. The food in my still life resemble plastic toys16. How do I make glass look real in my painting?17. My highlights resemble cut-out bits of paper18. How do I suggest moisture or pectin on fruit?19. Worn objects in my still life look new20. Objects in my still life appear flattened and lack form21. Why do my ellipses look like doughnuts?22. The spout on my teapot painting looks skewed23. My cuboid objects always look wrong24. My still life painting lacks atmosphere25. Indoor lighting makes my still life look dreary26. I can "t paint quick enough to capture the shifting lightA step by step demonstrationGlossaryPaintings featuredn this bookOther oil painting medic booksIf the problem sought after is not in this book, it might be in one of my other Oil Painting Medic books within this series due to come out in 2011 and 2012.
Author: Rachel Shirley
Publisher:
ISBN: 9781492727101
Category :
Languages : en
Pages : 72
Get Book Here
Book Description
Producing still life art can be a satisfying experience, as the artist can paint any object from any angle and the light source modified.But challenges are certain to present themselves during the journey. Examples might be why ellipses end up looking like doughnuts, why porcelain looks more like clay or why fruit looks plastic. Some of these challenges may prove more difficult than others and unchecked, might cause a creative block. This is where this book comes in. With down to earth advice on common practices at fault, each issue is tackled in-depth: a diagnostic of the problem, suggested solutions in the form of recommended art materials and remedial painting practices.In total, 26 common "peeves" associated with still life painting are tackled within this book. In 6 sections, a myriad of other matters relating to still life painting are explained, such as specialised painting techniques, composing a still life, lighting, and preparatory chapters on the art materials, liberally spiced with numerous images and diagrams.Dimensions of this large edition: 8x10in and 72 pages. Pocket sized edition and Kindle version also available.Note: This book is also included in a three-book in one trilogy: The Ultimate Oil Painting Solution: for Landscape Art, Portraiture and Still Life.The author has a BA Hons Degree in Fine Art from London as well as a PCET teaching qualification from Warwick.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1492193399
Category : Art
Languages : en
Pages : 96
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Book Description
Learn oil painting techniques for portraiture including skin colours, hair and eyes from this step by step art book. Portraiture would seem an art form reserved for the most intrepid and experienced of artists. Now with large images for tablets, this oil painting step-by-step guidebook for beginners to intermediate aims to break down this seemingly exacting subject matter into manageable pieces. Within you will find step-by-step instructions on completing 10 portraits from old masters in oil. Leaving no stone unturned, portrait painting would seem more possible. Each demonstration comprises an overview of a particular oil painting technique to be explored, in-depth step-by-step instructions and (on average) 16 images in progress. The artists featured include Botticelli, Delacroix, Gauguin, Velazquez, Wright of Derby, Jacques-Louis David, Rossetti and Vermeer. An additional demonstration features a modern-day portrait. Subjects of various ages, sexes and ethnicity help the developing portraitist get to grips with portraying most skin types in painting. As well as these demonstrations, preliminary sections offer guidance on the art materials required, preparing for oil painting and a personal view of portrait painting. At the back of this book can be found remedial techniques for portraiture, a troubleshooting guide and a glossary. These features make this book an invaluable guide for the beginner wishing to build confidence as well as the developing portraitist. My other book, 'Skin Tones in Oil: 10 Step by Step Guides from Old Masters' similarly explores portraiture but also the figure. Additional oil painting techniques are explained via the source material of artists including Da Vinci, Michelangelo and Rubens. A troubleshooting guide for the portraitist is also available. 'Why do my Skin Tones Look Lifeless Plus 25 Solutions to Other Portrait Painting Peeves' helps with common problems such as mixing skin tones, hair, eyes and shadows plus much more. Dimensions of large edition: 10x8in and 96 pages. The author has a Bachelor’s degree from Kingston University and a PCET teaching qualification from Warwick.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1492753467
Category : Art
Languages : en
Pages : 48
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Book Description
An oil painting demonstration on portrait painting with sfumato like the old masters. This in depth painting demonstration explores a tailored approach in achieving sfumato effects when painting Leonardo da Vinci’s the Mona Lisa in oils. Taken from my other book, Skin Tones in Oil: 10 Step by Step Guides from Old Masters, this painting project has proved to be sufficiently lengthy to warrant a book in its own right. The chief section of this book comprises step by step images with accompanying text that gives full instructions on how the Mona Lisa was completed via 5 stages. Find also extra features, such as managing tonal balances, attaining soft shadowy effects, working in glazes, dry brushing, troubleshooting and making the most of simple art materials. Learn how such a momentous project can be broken down into manageable pieces. Painting the Mona Lisa with sfumato could prove an invaluable experience for any portraitist. Note: this book does not explain the painting processes of the Renaissance period such as grinding pigments or the old masters’ method of underpainting. Such practices may exclude artists who do not have the room or the resources to prepare in such a way. This book’s aim is to make painting the Mona Lisa more inclusive. This means getting on with the painting with minimal fuss. Contemporary art materials and modified art techniques have therefore been used. However, this book offers a way of achieving great sfumato effects in the style of Leonardo. Preparatory sections, a troubleshooting guide and glossary are included. Book’s dimensions: 10x8in and 48 pages.
Author: Rachel Shirley
Publisher: Oil Painting Medic
ISBN: 1370736940
Category : Art
Languages : en
Pages : 50
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Book Description
This essential oil painting instruction book guides the portraitist via in depth step-by-step instructions on how to paint Leonardo da Vinci’s angel that can be seen within his masterpiece, The Angel of the Rocks. With numerous colour images.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1492244570
Category : Art
Languages : en
Pages : 118
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Book Description
Find step by step demonstrations on oil painting portraits and figures. The colour of skin has a reputation of being a difficult colour to paint. This oil painting guidebook aims to break down this seemingly difficult subject matter into manageable pieces. Within you will find 10 step-by-step instructions on completing figure paintings in oil from old masters. Leaving no stone unturned, painting skin tones effectively would seem more achievable. Each demonstration comprises an overview of a particular oil painting technique to be explored, in depth step-by-step instructions and (on average) 28 images in progress. The old masters featured are Da Vinci, Titian, Caravaggio, Michelangelo, Botticelli, Gauguin, Ingres, Courbet, Rubens and Cezanne. Techniques explored include sfumato, sgraffito, cangiante, scumbling, impasto, glazing, grisaille effects and more. As well as these demonstrations a concluding section offers guidance on the art materials required. Preparing for oil painting, a personal view of rendering skin tones, a troubleshooting guide and a glossary are also included. It must be noted, that this book does not explain the old masters’ method in painting processes such as grinding pigments or the traditional way of underpainting. Contemporary art materials and modified art techniques have been used to make these projects inclusive. These features make this book an invaluable guide for the beginner as well as the developing artist wishing to explore oil painting. Dimensions of large edition: 10x8in and 118 pages. A further 10 projects on painting skin tones from old masters can be found in ‘Portrait Painting in Oil: 10 Step by Step Guides from Old Masters.’ Artists featured include: Botticelli, Delacroix, Gauguin, Velazquez, Wright of Derby, Jacques-Louis David, Rossetti and Vermeer. A mini ebook, ‘Oil Painting the Mona Lisa in Sfumato: a Portrait Painting Challenge in 48 Steps’ outlines one of the demonstrations within this book, due this project’s lengthy process. With extra features.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1692588486
Category : Art
Languages : en
Pages : 65
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Book Description
The aim of this book is to get the beginner to draw. And then to venture onto subject matter unforeseen. Within this book, you will find 8 exercises and 8 drawing projects – two elements if you will. The exercises serve as the setup for the drawing projects. And the drawing projects are the subject matter themselves. A variety of topics can be found within, from big skies and silhouettes to beach stones, a horse’s head and figures. Interim exercises serve to make these projects feel more ‘doable’. It all begins with simple mark-making. The exercises then progress onto devising frames, drawing symmetry, jigsaw pieces, negative space, abstract shapes and more. Preliminary chapters explain the principles of drawing and the equipment required. Demonstrations then follow with clear step by step instructions with abundant images to make the projects easier. But the initial aim of this book is take that first step. This can form the biggest stumbling block. Only then can the journey into drawing begin.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1492175218
Category : Art
Languages : en
Pages : 84
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Book Description
How do I complete my first oil painting step by step? This book outlines 20 oil painting demonstrations featuring landscape art from the simple to the challenging (taken from my hardback Oil Paintings from the Landscape published by GMC Publications 2003). Subject matter include a stone circle, a church, a cornfield, a lake, a castle, a coast, plus more exotic subject matter as a desert, Toronto, lightning and more. Techniques such as wet-into-wet, impasto and glazing are explored. All demonstrations have been completed with a mere 10 oil colours, 6 brush types, artboards and a few household materials. Guidance on what to buy and how to prepare can be found in the first section of this book. Projects may be tackled in any order but for guidance, are divided into four levels, beginning with level 1 progressing to level 4. Each project within the demonstration section of this book is clearly set out. You will find: An image of the finished painting presenting a challenge. Between 6 and 10 step by step images of how the painting was completed. A list of the oil painting materials used for the project. Corresponding instructions to each image-in-progress on how the painting was done. Tips along the way. The preliminary section covers the art materials required for the projects within, as well as guidance on preparing the art materials for the demonstrations. Troubleshooting advice is given at the end of this book if a painting does not work out as planned. Dimensions of large edition: 10x8in and 84 pages. 'The Artist's Garden in Oil: 18 Step by Step Guides' similarly outlines art demonstrations sourced from inspiration from the garden. Also available in hard copy in pocket sized and large edition.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1492274798
Category : Art
Languages : en
Pages : 78
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Book Description
Oil paint step by step floral art, crockery and other interesting subject matter from the garden. Can a typical garden provide inspiration for oil painting? Look hard and such a haven may yield more than one may first expect. Every garden is unique in character and has something to offer: lawns, greenhouses, pots, hedges, pets, flowers, patios, trellises, sheds, children, tools, vegetables, deckchairs, furniture, trees, swings, hanging-baskets, urns, bird tables, fishponds and sunlight. Taken from my art instruction book, Oil paintings from your Garden (and which some images appear in my other Oil Painting Medic books), 18 oil painting demonstrations featuring such aforementioned subject matter can be found within. This book is divided into clear sections according to theme: shadows, nonorganic, harvest and flora. A preparatory section near the back of this book offers advice on oil painting materials and how to prepare the art surface for painting. All demonstrations have been completed with a mere 10 oil colours, 6 brush types, artboards and a few additional household materials. This section can be previewed within my other art book, Landscape Painting in Oils – 20 Step by Step Guides, as it is located at the front. Each demonstration is keyed according to 4 levels of difficulty. If the painting does not go to plan, a troubleshooting section at the back of this book can be referred to along with a glossary. Each project within the demonstration section of this book is clearly set out. You will find: An image of the finished painting, (which can be used as a visual resource during the demo). An accompanying challenge. Between 7 and 9 step by step images of how the painting was completed. A list of the oil painting materials used for the project. Corresponding instructions to each image-in-progress on how the painting was done. Tips along the way. Various oil painting techniques are explored, including scumbling, glazing, impasto and palette knife application. The aim of this book is to encourage a new way of viewing the garden. With mobile objects, the shifting light and seasons, compositions in one’s back yard are waiting to be discovered. My other oil painting demonstration book, Landscape Paintings in Oil – 20 Step by Step Guides similarly provides step by step guides. Dimensions of large edition: 10x8in and 78 pages. Available in large, small edition and Kindle.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 147521961X
Category : Art
Languages : en
Pages : 110
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Book Description
Drawing lessons for the beginner and the frustrated artist. This drawing guide book could prove helpful if you have low confidence in drawing or if your efforts are less than satisfactory despite repeated attempts at capturing what are seen in front. You might be an absolute beginner or one who has spent a lifetime away from creative activities due to work or family commitments. You might cringe at the idea of picking up a pencil due to a severe inner critic or an affliction that can only be described as picture dyslexia. The first part of this book attempts to decode the underlying causes of this difficulty via a test and questionnaire, to be followed with special drawing exercises from the most basic. The main part of this book does not take the orthodox approach of informing on vanishing points, perspectives and plotting, but merely to help you see what is in front of you. Instead, this book starts at the beginning, to learn the language of line from A, B and C. Within you will find a series of drawing exercises geared towards combating distorted perceptions in drawing by exercising all fields of vision. This includes exercises on visual judgment, symmetrical drawing, abstract drawing, pictures within frames, negative shapes, the weight of marks, upside-down drawing and more. Further chapters explore the realms of tonality, again via the language of shading from A, B and C. Opportunities for progression can be found within the latter chapters exploring specialised shading techniques. A guide on the prescriptive areas of drawing can be found in the final chapter for guidance. This includes a section on plotting your drawing, the artist’s viewfinder, vanishing points and how to draw ellipses. Print book’s dimensions: 8.5x5.5in and 110 pages. With 15,500 words and around 90 images. The author has a PCET qualification in teaching as well as a Degree in Fine Art.
