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Author: Donald Ostrowski
Publisher: Cornell University Press
ISBN: 1501749714
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
Who Wrote That? examines nine authorship controversies, providing an introduction to particular disputes and teaching students how to assess historical documents, archival materials, and apocryphal stories, as well as internet sources and news. Donald Ostrowski does not argue in favor of one side over another but focuses on the principles of attribution used to make each case. While furthering the field of authorship studies, Who Wrote That? provides an essential resource for instructors at all levels in various subjects. It is ultimately about historical detective work. Using Moses, Analects, the Secret Gospel of Mark, Abelard and Heloise, the Compendium of Chronicles, Rashid al-Din, Shakespeare, Prince Andrei Kurbskii, James MacPherson, and Mikhail Sholokov, Ostrowski builds concrete examples that instructors can use to help students uncover the legitimacy of authorship and to spark the desire to turn over the hidden layers of history so necessary to the craft.
Author: Donald Ostrowski
Publisher: Cornell University Press
ISBN: 1501749714
Category : Literary Criticism
Languages : en
Pages : 184
Get Book Here
Book Description
Who Wrote That? examines nine authorship controversies, providing an introduction to particular disputes and teaching students how to assess historical documents, archival materials, and apocryphal stories, as well as internet sources and news. Donald Ostrowski does not argue in favor of one side over another but focuses on the principles of attribution used to make each case. While furthering the field of authorship studies, Who Wrote That? provides an essential resource for instructors at all levels in various subjects. It is ultimately about historical detective work. Using Moses, Analects, the Secret Gospel of Mark, Abelard and Heloise, the Compendium of Chronicles, Rashid al-Din, Shakespeare, Prince Andrei Kurbskii, James MacPherson, and Mikhail Sholokov, Ostrowski builds concrete examples that instructors can use to help students uncover the legitimacy of authorship and to spark the desire to turn over the hidden layers of history so necessary to the craft.
Author: Steve Dorff
Publisher: Hal Leonard Corporation
ISBN: 1540005011
Category : Biography & Autobiography
Languages : en
Pages : 307
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Book Description
(Book). One of the most successful songwriters and composers of the last 25 years, Steve Dorff has penned over 20 Top 10 hits for pop and country artists around the world, including Barbra Streisand, Celine Dion, Blake Shelton, Smokey Robinson, Kenny Rogers, Ray Charles, Anne Murray, Whitney Houston, George Strait, Dolly Parton, Judy Collins, Cher, Dusty Springfield, Ringo Starr, and Garth Brooks. He has scored for television shows, including Growing Pains , Major Dad , Murder She Wrote , Reba , and several films, including Any Which Way but Loose for which he penned the titular song, and more recently, he has embarked on Broadway (forthcoming musical Josephine ). Chronicling his four decades behind the music, Steve Dorff gives anecdotes, advice, and insights into his journey. The book follows Steve from his childhood in Queens to Manhattan to Nashville and to his eventual arrival in Los Angeles, California. Oftentimes, songs are attributed to the singers who perform them, but it is the songwriter who really knows the story behind the story from conception to execution. Full of heartfelt stories, hard-earned wisdom, and delightful wit, I Wrote That One, Too . . . is a great read for musicians, music fans, and whoever has chased their dreams and survived the surprising but often serendipitous turns in the road.
Author: Lily E. Kay
Publisher: Stanford University Press
ISBN: 9780804734172
Category : Science
Languages : en
Pages : 476
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Book Description
This is a detailed history of one of the most important and dramatic episodes in modern science, recounted from the novel vantage point of the dawn of the information age and its impact on representations of nature, heredity, and society. Drawing on archives, published sources, and interviews, the author situates work on the genetic code (1953-70) within the history of life science, the rise of communication technosciences (cybernetics, information theory, and computers), the intersection of molecular biology with cryptanalysis and linguistics, and the social history of postwar Europe and the United States. Kay draws out the historical specificity in the process by which the central biological problem of DNA-based protein synthesis came to be metaphorically represented as an information code and a writing technologyand consequently as a book of life. This molecular writing and reading is part of the cultural production of the Nuclear Age, its power amplified by the centuries-old theistic resonance of the book of life metaphor. Yet, as the author points out, these are just metaphors: analogies, not ontologies. Necessary and productive as they have been, they have their epistemological limitations. Deploying analyses of language, cryptology, and information theory, the author persuasively argues that, technically speaking, the genetic code is not a code, DNA is not a language, and the genome is not an information system (objections voiced by experts as early as the 1950s). Thus her historical reconstruction and analyses also serve as a critique of the new genomic biopower. Genomic textuality has become a fact of life, a metaphor literalized, she claims, as human genome projects promise new levels of control over life through the meta-level of information: control of the word (the DNA sequences) and its editing and rewriting. But the author shows how the humbling limits of these scriptural metaphors also pose a challenge to the textual and material mastery of the genomic book of life.
Author: Donald Ostrowski
Publisher: Cornell University Press
ISBN: 1501749722
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Who Wrote That? examines nine authorship controversies, providing an introduction to particular disputes and teaching students how to assess historical documents, archival materials, and apocryphal stories, as well as internet sources and news. Donald Ostrowski does not argue in favor of one side over another but focuses on the principles of attribution used to make each case. While furthering the field of authorship studies, Who Wrote That? provides an essential resource for instructors at all levels in various subjects. It is ultimately about historical detective work. Using Moses, Analects, the Secret Gospel of Mark, Abelard and Heloise, the Compendium of Chronicles, Rashid al-Din, Shakespeare, Prince Andrei Kurbskii, James MacPherson, and Mikhail Sholokov, Ostrowski builds concrete examples that instructors can use to help students uncover the legitimacy of authorship and to spark the desire to turn over the hidden layers of history so necessary to the craft.
Author: Lee Siegel
Publisher: University of Chicago Press
ISBN: 0226757013
Category : Fiction
Languages : en
Pages : 249
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Book Description
Who Wrote the Book of Love? is acclaimed novelist Lee Siegel's comedic chronicle of the sexual life of an American boy in Southern California in the 1950s. Starting at the beginning of the decade, in the year that Stalin announced that the Soviet Union had developed an atomic bomb, the book opens with a child's first memory of himself. Closing at the end of the decade, when Pat Boone's guide to dating, 'Twixt Twelve and Twenty, topped the bestseller list, the book culminates just moments before the boy experiences for the first time what he had learned from a book read to him by his mother was called "coitus or sexual intercourse or sometimes, less formally, just making love." Between the initial overwhelmingly erotic recollection and the final climactic moment, all is sex—beguiling and intractable, naughty and sweet. Who Wrote the Book of Love? is about the subversive sexual imaginations of children. And, as such, it is about the origins of love. Vignettes from the author's childhood provide the material for the construction of what is at once comic fiction, imaginative historical reportage, and an ironically nostalgic confession. The book evokes the tone and tempo of a decade during which America was blatantly happy, wholesome, and confident, and yet, at the same time, deeply fearful of communism and nuclear holocaust. Siegel recounts both the cheer and the paranoia of the period and the ways in which those sentiments informed wondering about sex and falling in love. "Part of my plan," Mark Twain wrote in The Adventures of Tom Sawyer, "has been to try to pleasantly remind adults of what they once were themselves, and of how they felt and thought and talked." With the same motive, Lee Siegel has written what Twain might have composed had he been Jewish, raised in Beverly Hills in the 1950s, and joyously obsessed with sex and love.
Author: John Bowman
Publisher: Xlibris Corporation
ISBN: 1796076627
Category : Literary Collections
Languages : en
Pages : 349
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Book Description
Here’s a book that will appeal to all well-read individuals, at many levels, for many reasons. For starters, as an anthology it is a collection of texts--both fiction and non-fiction—that are just plain engaging, intrinsically so, whoever the author. No wonder, since they are all by some of the most accomplished, most admired, British and American writers of their time and to this day. Then there is the sheer surprise and pleasure in discovering that these texts are so unlike the work associated with these authors—again, authors whose enduring reputations lead you to think you could not be surprised by anything they wrote. And finally, the aspect that makes this anthology unique: the format that invites you to identify, to guess, just who is the author of the texts you have enjoyed. For this is how and why this anthology has been concocted: a deliberate selection of offbeat texts set forth in such a way that you will not learn whether you have guessed the correct author until you turn to the back of the book. And in fact, as “offbeat” as these texts are there are clues—whether in the subject matter, point of view or style—to give the perceptive reader a fair chance of guessing correctly. So go ahead—test your knowledge, your perceptiveness, all the while enjoying a good read!
Author: Chris Wehner
Publisher: iUniverse
ISBN: 0595292690
Category : Performing Arts
Languages : en
Pages : 180
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Book Description
Before the director or actors can work their magic onscreen a writer, often working alone, faces the blank page and must be the first to create the magic. Yet the writer is usually ignored by critics eager to give credit to the director or sometimes an actor. Not only that, the original vision of the screenwriter rarely makes it to the screen intact-Imagine if your favorite movie could have even been better had that image-conscious actress not demanded changes to the script? The screenplays and movies discussed include: A Beautiful Mind Adaptation Almost Famous Ararat Black Hawk Down Blade 2 Cast Away Catch Me if You Can City by the Sea The Cell Dancer in the Dark Far From Heaven Frailty The Gift Gladiator John Q. Insomnia In the Bedroom Memento MIB2 Minority Report Monster's Ball Ocean's Eleven Panic Room Pay it Forward Pearl Harbor Proof of Life Road to Perdition Signs Spy Game We Were Soldiers Windtalkers Traffic Unbreakable
Author:
Publisher:
ISBN:
Category : Electronic book
Languages : en
Pages :
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Book Description
Author: Wayne L. Cowdrey
Publisher:
ISBN: 9780758605276
Category : Book of Mormon
Languages : en
Pages : 0
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Book Description
Authors determine that The Book of Mormon is an adaptation of an obscure historical novel. Read about their findings.
Author: Tim Kreider
Publisher: Simon & Schuster
ISBN: 9781476738994
Category : Literary Collections
Languages : en
Pages : 0
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Book Description
*A People Top 10 Book of 2018* The New York Times essayist and author of We Learn Nothing, Tim Kreider trains his singular power of observation on his (often befuddling) relationships with women. Psychologists have told him he’s a psychologist. Philosophers have told him he’s a philosopher. Religious groups have invited him to speak. He had a cult following as a cartoonist. But, above all else, Tim Kreider is an essayist—one whose deft prose, uncanny observations, dark humor, and emotional vulnerability have earned him deserved comparisons to David Sedaris, Sarah Vowell, and the late David Foster Wallace (who was himself a fan of Kreider’s humor). “Beautifully written, with just enough humor to balance his spikiness” (Booklist), I Wrote This Book Because I Love You focuses Tim’s unique perception and wit on his relationships with women—romantic, platonic, and the murky in-between. He talks about his difficulty finding lasting love and seeks to understand his commitment issues by tracking down the John Hopkins psychologist who tested him for a groundbreaking study on attachment when he was a toddler. He talks about his valued female friendships, one of which landed him on a circus train bound for Mexico. He talks about his time teaching young women at an upstate New York college, and the profound lessons they wound up teaching him. And in a hugely popular essay that originally appeared in The New York Times, he talks about his nineteen-year-old cat, wondering if it’s the most enduring relationship he’ll ever have. “In a style reminiscent of Orwell, E.B. White and David Sedaris” (The New York Times Book Review), each of these pieces is “heartbreaking, brutal, and hilarious” (Judd Apatow), and collectively they cement Kreider’s place among the best essayists working today.
